{"id":9616,"date":"2009-05-17T23:21:50","date_gmt":"2009-05-17T21:21:50","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=9616"},"modified":"2009-05-17T23:21:50","modified_gmt":"2009-05-17T21:21:50","slug":"no-teater-pa-sodra-teatern","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=9616","title":{"rendered":"No-teater p\u00e5 S\u00f6dra Teatern"},"content":{"rendered":"<p>I samarbete med The Japan Foundation och japanska ambassaden arrangerade S\u00f6dra Teatern en f\u00f6rest\u00e4llning av den japanska traditionella scenkonsten No. Det var The Kita-ryu Oshima Noh Family som hade kommit \u00e4nda fr\u00e5n Japan f\u00f6r att framf\u00f6ra &#8221;Hagoromo&#8221; som \u00e4r en av de allra popul\u00e4raste verken.<!--more--><\/p>\n<p>Pj\u00e4sen handlade om fiskaren Hakuryo som hittar en fantastisk skatt i form av en underbart vacker kl\u00e4dnad. Han best\u00e4mmer sig f\u00f6r att beh\u00e5lla den, men den visar sig tillh\u00f6ra en himmelsk jungfru som har tappat den, och hon kan inte \u00e5terv\u00e4nda till himlen om hon inte f\u00e5r tillbaka den.<\/p>\n<p>Imorgon, den 18:e maj, framf\u00f6rs &#8221;Tenko&#8221; som bygger p\u00e5 en kinesisk legend.<\/p>\n<p>No \u00e4r med sin \u00f6ver 600 \u00e5r l\u00e5nga livstid v\u00e4rldens \u00e4ldsta \u00e4nnu ut\u00f6vade teaterform. Sk\u00e5despelarna b\u00e4r uttrycksfulla masker, vilka reflekterar rollfigurernas st\u00e4llning och k\u00e4nsla. F\u00f6rest\u00e4llningarna \u00e4r starkt symboliska och n\u00e4rmast rituella i sitt uttryck, d\u00e4r fokus ligger p\u00e5 h\u00f6gt utvecklad estetik och uppfyller \u00e5sk\u00e5daren med en rogivande meditativ k\u00e4nsla. Dessutom bidrar en minimalistisk ensemble best\u00e5ende av tre slagverk och en fl\u00f6jt till det orientaliska uttrycket. <\/p>\n<p>Om du inte har upplevt en No-f\u00f6rest\u00e4llning rekommenderar jag verkligen att du tar dig till S\u00f6dra Teatern imorgon. Det \u00e4r en intressant del av den japanska kulturen och definitivt sev\u00e4rt. F\u00f6r mer information kan du l\u00e4sa p\u00e5 <a href=\"http:\/\/www.sodrateatern.com\/sv\/Program-och-biljetter\/Evenemang\/Noh\/\">S\u00f6dra Teaterns hemsida<\/a>.<\/p>\n<p>H\u00e4r \u00e4r ett klipp fr\u00e5n en f\u00f6rest\u00e4llning i Japan:<\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/MUTG6N0KFj4&#038;hl=sv&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/MUTG6N0KFj4&#038;hl=sv&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I samarbete med The Japan Foundation och japanska ambassaden arrangerade S\u00f6dra Teatern en f\u00f6rest\u00e4llning av den japanska traditionella scenkonsten No. Det var The Kita-ryu Oshima Noh Family som hade kommit \u00e4nda fr\u00e5n Japan f\u00f6r att framf\u00f6ra &#8221;Hagoromo&#8221; som \u00e4r en av de allra popul\u00e4raste verken.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[2622,3074,3999,12288,5936],"class_list":["post-9616","post","type-post","status-publish","format-standard","category-film","tag-japan","tag-kultur","tag-no","tag-teater","tag-tradition","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/9616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9616"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/9616\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}