{"id":89550,"date":"2014-11-26T11:08:06","date_gmt":"2014-11-26T09:08:06","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=89550"},"modified":"2014-11-26T11:08:06","modified_gmt":"2014-11-26T09:08:06","slug":"robin-hoods-hjarta-till-broadway-efter-uppsala-stadsteater","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=89550","title":{"rendered":"Robin Hoods hj\u00e4rta till Broadway efter Uppsala stadsteater"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/robinhoodshjarta.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/robinhoodshjarta-300x200.jpg\" alt=\"robinhoodshjarta\" width=\"300\" height=\"200\" class=\"aligncenter size-medium wp-image-89553\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/robinhoodshjarta-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/robinhoodshjarta.jpg 454w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Robin Hoods hj\u00e4rta, med aktuell Sverigepremi\u00e4r p\u00e5 Uppsala stadsteater 5 december, har premi\u00e4r p\u00e5 Broadway i New York 29 mars 2015. Det spektakul\u00e4ra \u00e4ventyret har d\u00e4rmed producerats f\u00f6r fem l\u00e4nder: England, Norge, Sverige, Kanada och USA.<\/p>\n<p>Ett<a href=\"http:\/\/www.uppsalastadsteater.se\/press\/pressmeddelanden\/#\/news\/foerestaellningen-robin-hoods-hjaerta-till-broadway-99338\"> pressmeddelande<\/a> ber\u00e4ttar:<\/p>\n<p>Robin Hoods hj\u00e4rta (engelsk titel: The Heart of Robin Hood) hade premi\u00e4r p\u00e5 Royal Shakespeare Company i England \u00e5r 2011 och s\u00e5gs d\u00e4refter p\u00e5 American Repertory Theatre (A.R.T.) i USA \u00e5r 2013. F\u00f6rra vintern presenterads den p\u00e5 Den Nationale Scene i Norge, och nu i h\u00f6st ges den, f\u00f6rutom i Uppsala, p\u00e5 tv\u00e5 teatrar i Winnipeg och Toronto, Kanada.<\/p>\n<p>Den spektakul\u00e4ra f\u00f6rest\u00e4llningen \u00e4r fylld av humor och komik, \u00e4ventyr, musik, slagsm\u00e5l och akrobatik. Musiken, som \u00e4r central i alla upps\u00e4ttningar av Robin Hoods hj\u00e4rta \u00e4r skapad av H\u00f6gni Egilsson, s\u00e5ngaren i det isl\u00e4ndska musikgruppen Hjaltal\u00edn. <\/p>\n<p>Robin Hoods hj\u00e4rta \u00e4r skapad av den isl\u00e4ndska teatergruppen Vesturport. Vesturport bildades f\u00f6r drygt 10 \u00e5r sedan i ett enkelt garage i Reykjavik och blir i och med Robin Hoods hj\u00e4rtas premi\u00e4r p\u00e5 Broadway det f\u00f6rsta isl\u00e4ndska teaterteamet som presenteras p\u00e5 Broadway. Bland deras mest uppm\u00e4rksammade produktioner h\u00f6r: Romeo and Juliet (2002), Woyzeck (2005), Metamorphosis (2006) and Faust (2010).<\/p>\n<p>\u00c5r 2011 tilldelades Vesturport The European Theatre Prize, New Theatrical Realities; \u201dfor its complete work, its innovative character and originality.&#8221;<\/p>\n<p>V\u00e5ren 2014 vann det kreativa teamet bakom Robin Hoods hj\u00e4rta flera av \u00e5rets &#8221;Elliott Norton Awards&#8221; i Boston, USA: G\u00edsli \u00d6rn Gar\u00f0arsson vann \u00e5rets regipris, B\u00f6rkur J\u00f3nsson vann \u00e5rets scenografipris, Bj\u00f6rn Helgason vann \u00e5rets ljusdesignpris, Jonathan Deens vann \u00e5rets ljuddesignpris, och Emma Ryott vann pris som \u00e5rets kostym\u00f6r.<\/p>\n<p><strong>>>ROBIN HOODS HJ\u00c4RTA<\/strong><br \/>\nSVERIGEPREMI\u00c4R 5 DECEMBER<br \/>\nUPPSALA STADSTEATER, STORA SCENEN<br \/>\nAv: David Farr<br \/>\n\u00d6vers\u00e4ttning: Bengt Ohlsson<br \/>\nRegi: G\u00edsli \u00d6rn Gar\u00f0arsson &#038; Selma Bj\u00f6rnsdottir<br \/>\nScenografi: B\u00f6rkur Jonsson<br \/>\nKomposit\u00f6r: H\u00f6gni Egilsson<br \/>\nLjus: Bj\u00f6rn Helgason<br \/>\nKostym: Emma Ryott<br \/>\nLjud: Gregory Clark<br \/>\nSlagsm\u00e5lsinstrukt\u00f6r: Kevin McCurdy<br \/>\nAnsvarig f\u00f6r reptr\u00e4ning: Pelle Till\u00f6<br \/>\nMask: Per \u00c5leskog &#038; Lotta Reinholdt<br \/>\nMedverkande: Majken Bjurbo\/Esther Welin Trost, Alexis Akrovatakis, Yngve Dahlberg, Tobias Hjelm, Eli Ingvarsson, Robin Keller, Edvin Morisse\/Nils Tenstam, Moa Sil\u00e9n, Mathias Olsson, Angelica Radvolt, Francisco Sobrado, Davood Tafvizian, Logi Tulinius, Emelie Wallberg<br \/>\nF\u00f6rlag: Colombine<\/p>\n<p><strong>>>THE HEART OF ROBIN HOOD<\/strong><br \/>\nP\u00c5 BROADWAY 29 MARS 2015<br \/>\nMARQUIS THEATRE (1535 BROADWAY)<br \/>\nAv: David Farr<br \/>\nDirector: G\u00edsli \u00d6rn Gar\u00f0arsson<br \/>\nChoreography: Selma Bj\u00f6rnsdottir<br \/>\nScenografi: B\u00f6rkur Jonsson<br \/>\nKomposit\u00f6r: H\u00f6gni Egilsson<br \/>\nLjus: Bj\u00f6rn Helgason<br \/>\nKostym: Emma Ryott<br \/>\nLjud: Jonathan Deans<br \/>\nCreative Consultant: Walter Bobbie<br \/>\nMedverkande: TBA<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robin Hoods hj\u00e4rta, med aktuell Sverigepremi\u00e4r p\u00e5 Uppsala stadsteater 5 december, har premi\u00e4r p\u00e5 Broadway i New York 29 mars 2015. Det spektakul\u00e4ra \u00e4ventyret har d\u00e4rmed producerats f\u00f6r fem l\u00e4nder: England, Norge, Sverige, Kanada och USA. Ett pressmeddelande ber\u00e4ttar: Robin Hoods hj\u00e4rta (engelsk titel: The Heart of Robin Hood) hade premi\u00e4r p\u00e5 Royal Shakespeare Company [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30],"tags":[851,4955,12288,6117],"class_list":["post-89550","post","type-post","status-publish","format-standard","category-film","category-teater","tag-broadway","tag-scenkonst","tag-teater","tag-uppsala-stadsteater","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/89550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=89550"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/89550\/revisions"}],"predecessor-version":[{"id":89554,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/89550\/revisions\/89554"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=89550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=89550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=89550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}