{"id":89159,"date":"2014-11-10T12:40:44","date_gmt":"2014-11-10T10:40:44","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=89159"},"modified":"2014-11-10T12:54:04","modified_gmt":"2014-11-10T10:54:04","slug":"lyssna-david-bowie-tis-a-pity-she-was-a-whore","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=89159","title":{"rendered":"Lyssna: David Bowie &#8211; &#8217;Tis A Pity She Was A Whore"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/bowie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-89160\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/bowie-300x300.jpg\" alt=\"bowie\" width=\"300\" height=\"300\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/bowie-300x300.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/bowie-150x150.jpg 150w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/11\/bowie.jpg 526w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Bowie h\u00e5ller fast vid &#8221;jazzsoundet&#8221; fr\u00e5n <em>Sue (Or In A Season Of Crime),<\/em> som beskrevs av The Daily Telegraph p\u00e5 f\u00f6ljande s\u00e4tt:<\/p>\n<blockquote><p><em>&#8221;The latest example of Bowie\u2019s genius for self-reinvention. Yes, there\u2019s the sound of a big band in the background, but it\u2019s a deeply strange sound, without a trace of nostalgia. And as for the voice, it\u2019s as uncanny as ever, but freighted with decades of experience. The song seems familiar and deeply strange at once, with an extraordinary blend of nostalgia and irony. If jazz is the &#8217;sound of surprise&#8217;, then Bowie has certainly found it\u201d.<\/em><\/p><\/blockquote>\n<p>L\u00e5tens B-sida, <em>\u2018Tis A Pity She Was A Whore<\/em>, kommer \u00e4ven den att\u00a0vara med p\u00e5 det kommande samlingsalbumet <em>Nothing Has Changed<\/em>. Bowie beskriver sj\u00e4lv l\u00e5ten s\u00e5 h\u00e4r: \u201cif Vorticists wrote Rock Music it might have sounded like this\u201d.<\/p>\n<p>L\u00e5ten handlar om F\u00f6rsta V\u00e4rldskriget och titeln h\u00e4nvisar till John Fords pj\u00e4s <em>&#8217;Tis Pity She&#8217;s A Whore<\/em> som framf\u00f6rdes f\u00f6rsta g\u00e5ngen i London redan\u00a01629. L\u00e5ten \u00e4r inspelad av\u00a0David Bowie sj\u00e4lv i hans hemmastudio.<\/p>\n<p><strong>Lyssna p\u00e5 <em>&#8217;Tis A Pity She Was A Whore<\/em> h\u00e4r nedan:<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/o32okU676_Q\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bowie h\u00e5ller fast vid &#8221;jazzsoundet&#8221; fr\u00e5n Sue (Or In A Season Of Crime), som beskrevs av The Daily Telegraph p\u00e5 f\u00f6ljande s\u00e4tt: &#8221;The latest example of Bowie\u2019s genius for self-reinvention. Yes, there\u2019s the sound of a big band in the background, but it\u2019s a deeply strange sound, without a trace of nostalgia. And as for [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[1158],"class_list":{"0":"post-89159","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"tag-david-bowie","8":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/89159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=89159"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/89159\/revisions"}],"predecessor-version":[{"id":89163,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/89159\/revisions\/89163"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=89159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=89159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=89159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}