{"id":86195,"date":"2014-08-09T11:44:19","date_gmt":"2014-08-09T09:44:19","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=86195"},"modified":"2014-08-10T09:45:42","modified_gmt":"2014-08-10T07:45:42","slug":"way-out-west-mac-demarcos-tokigheter-gar-hem-hos-publiken","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=86195","title":{"rendered":"Way Out West: Mac DeMarcos tokigheter g\u00e5r hem hos publiken"},"content":{"rendered":"

\"mac1\"<\/a><\/p>\n

Mac DeMarco, Liseberg (Polketten)<\/strong>
\nWay Out West 8 augusti 2014<\/em>
\nBetyg: 4<\/p>\n

Senast Mac DeMarco spelade p\u00e5 svensk mark var p\u00e5 Lilla Hotellbarens scen som bara str\u00e4cker sig ett par centimetrar \u00f6ver golvet. Det har h\u00e4nt mycket sedan dess — bland annat sl\u00e4pptes hans andra full\u00e4ngdare Salad Days<\/em> tidigare i \u00e5r — och \u00f6ver tusen personer hade tagit sig ut till Lisebergs hamnomr\u00e5de f\u00f6r att se den kanadensiska l\u00e5tskrivarens spelning p\u00e5 Stay Out West. Det \u00e4r nog inte bara hans genialiska l\u00e5tskrivarf\u00f6rm\u00e5ga och sinne f\u00f6r melodier som lockar. P\u00e5 scen har han en karisma som f\u00e5, det \u00e4r alltid underh\u00e5llande och man vet aldrig riktigt vad som kan h\u00e4nda.<\/p>\n

P\u00e5 Polketten bjuds det p\u00e5 en givmild l\u00e5tlista som bland annat innefattar spontana\u00a0tolkningar av Californication<\/em> och Yellow,<\/em> d\u00e4r trummisen respektive basisten tar \u00f6ver ”s\u00e5nginsatsen”. L\u00e5tar som Passing Out Pieces<\/em> och Chamber of Reflection<\/em> sticker ut med sitt synthdrivna sound, medan Let Her Go<\/em> framf\u00f6rs i en ny, snabbare tappning som jag inte riktigt f\u00f6redrar framf\u00f6r studioversionen. En och annan ny l\u00e5t, exempelvis\u00a0Brother<\/em>, k\u00e4nns lite anonym och hade g\u00e4rna f\u00e5tt bytas ut mot My Kind of Woman<\/em> eller Freaking Out the Neighbourhood,\u00a0<\/em>men annars finns det inte mycket att klaga p\u00e5. I avslutande Still Together<\/em> kastar sig Mac DeMarco ut i publikhavet och crowdsurfar till en stolpe i mitten av omr\u00e5det, kl\u00e4ttrar upp f\u00f6r att sl\u00e4nga sig ned igen. En galen avslutning p\u00e5 en underh\u00e5llande spelning som alla som var p\u00e5 plats kommer minnas en l\u00e5ng tid fram\u00f6ver.<\/p>\n

F\u00f6jande l\u00e5tar spelades:<\/strong><\/p>\n

Salad Days
\nThe Stars Keep On Calling My Name
\nBlue Boy
\nTreat Her Better
\nCooking Up Something Good
\nPassing Out Pieces
\nLet Her Go
\nOde to Viceroy
\nI’m a Man
\nBrother
\nRock and Roll Night Club
\nChamber of Reflection
\nStill Together<\/p>\n

\"mac2\"<\/a>Foto: Emma Andersson<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mac DeMarco, Liseberg (Polketten) Way Out West 8 augusti 2014 Betyg: 4 Senast Mac DeMarco spelade p\u00e5 svensk mark var p\u00e5 Lilla Hotellbarens scen som bara str\u00e4cker sig ett par centimetrar \u00f6ver golvet. Det har h\u00e4nt mycket sedan dess — bland annat sl\u00e4pptes hans andra full\u00e4ngdare Salad Days tidigare i \u00e5r — och \u00f6ver tusen […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[9051,6353],"class_list":["post-86195","post","type-post","status-publish","format-standard","category-musik","tag-mac-demarco","tag-way-out-west","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/86195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=86195"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/86195\/revisions"}],"predecessor-version":[{"id":86312,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/86195\/revisions\/86312"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=86195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=86195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=86195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}