{"id":86186,"date":"2014-08-09T10:46:46","date_gmt":"2014-08-09T08:46:46","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=86186"},"modified":"2014-08-16T12:45:02","modified_gmt":"2014-08-16T10:45:02","slug":"way-out-west-sharon-van-etten-visar-upp-en-forvanansvart-underhallande-sida","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=86186","title":{"rendered":"Way Out West: Sharon Van Etten visar upp en f\u00f6rv\u00e5nansv\u00e4rt underh\u00e5llande sida"},"content":{"rendered":"

\"vanetten1\"<\/a><\/p>\n

Sharon Van Etten, Linn\u00e9<\/strong>
\nWay Out West 8 augusti 2014<\/em>
\nBetyg: 4<\/p>\n

En tidig speltid resulterade i att Sharon Van Etten inte riktigt fick den publik hon f\u00f6rtj\u00e4nade. Klockan ett p\u00e5 f\u00f6rmiddagen \u00e4r det m\u00e5nga som \u00e4nnu inte hunnit ta sig in till Slottsskogen. \u00c4nd\u00e5 k\u00e4ndes den ofta brutalt sj\u00e4lvutl\u00e4mnande singer-songwritern fr\u00e5n Brooklyn som en passande \u00f6ppning p\u00e5 festivaldagen. Mellan de m\u00f6rka och personliga l\u00e5tarna bj\u00f6ds det p\u00e5 betydligt mer leenden, charm och humor \u00e4n senast jag s\u00e5g henne f\u00f6r tv\u00e5 \u00e5r sedan. Baserat p\u00e5 l\u00e5tarnas inneh\u00e5ll \u00e4r det ju annars l\u00e4tt att ta Van Etten f\u00f6r en r\u00e4tt surmulen typ, vilket i sj\u00e4lva verket inte kunde vara l\u00e4ngre fr\u00e5n sanningen.<\/p>\n

Sedan sist jag s\u00e5g henne har hon \u00e4ven sl\u00e4ppt det utm\u00e4rkta albumet Are We There<\/em>, varifr\u00e5n sju av de nio l\u00e5tarna som framf\u00f6rs idag plocka. \u00c4ven om jag saknar ett par l\u00e5tar fr\u00e5n tidigare album som Tramp<\/em> och Epic<\/em>, vilka kunde gett konserten en n\u00e5got annorlunda dynamik — exempelvis mer drivande l\u00e5tar som Serpents<\/em> och Peace Signs<\/em> eller ack s\u00e5 vackra Love More<\/em> — r\u00e5der det ingen tvekan om att det \u00e4r hennes senaste album som \u00e4r hennes starkaste och mest eklektiska hittills. Hon hoppar mellan s\u00e5v\u00e4l akustisk och elektrisk gitarr som keyboard. H\u00f6jdpunkterna kommer mot slutet med ett k\u00e4nsloladdat framf\u00f6rande av Your Love is Killing Me<\/em> f\u00f6ljt av desto l\u00e4ttsammare Every Time the Sun Comes Up<\/em> som bland annat inneh\u00e5ller den uppm\u00e4rksammade textraden ”I washed your dishes but I shit in your bathroom”.<\/p>\n

F\u00f6ljande l\u00e5tar spelades:<\/strong><\/p>\n

Afraid of Nothing
\nTaking Chances
\nTarifa
\nSave Yourself
\nNothing Will Change
\nBreak Me
\nAll I Can
\nYour Love is Killing Me
\nEvery Time the Sun Comes Up<\/p>\n

\"sharon2\"<\/a><\/p>\n

\"sharon<\/a><\/p>\n

\"sharon3\"<\/a><\/p>\n

\"sharon1\"<\/a><\/p>\n

\"sharon5\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Sharon Van Etten, Linn\u00e9 Way Out West 8 augusti 2014 Betyg: 4 En tidig speltid resulterade i att Sharon Van Etten inte riktigt fick den publik hon f\u00f6rtj\u00e4nade. Klockan ett p\u00e5 f\u00f6rmiddagen \u00e4r det m\u00e5nga som \u00e4nnu inte hunnit ta sig in till Slottsskogen. \u00c4nd\u00e5 k\u00e4ndes den ofta brutalt sj\u00e4lvutl\u00e4mnande singer-songwritern fr\u00e5n Brooklyn som en […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[10795,9295,6353],"class_list":{"0":"post-86186","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"tag-are-we-there","8":"tag-sharon-van-etten","9":"tag-way-out-west","10":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/86186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=86186"}],"version-history":[{"count":5,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/86186\/revisions"}],"predecessor-version":[{"id":86335,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/86186\/revisions\/86335"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=86186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=86186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=86186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}