{"id":85188,"date":"2014-07-06T22:08:02","date_gmt":"2014-07-06T20:08:02","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=85188"},"modified":"2014-07-20T19:12:18","modified_gmt":"2014-07-20T17:12:18","slug":"roskilde-ett-poppigare-merchandise-vinner-over-publiken-med-nya-singeln-little-killer","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=85188","title":{"rendered":"Roskilde: Ett poppigare Merchandise vinner \u00f6ver publiken med nya singeln ”Little Killer”"},"content":{"rendered":"

\"Merchandise-2\"<\/a><\/p>\n

Merchandise, Pavillion Stage<\/strong>
\nRoskildefestivalen 6 juli 2014<\/em>
\nBetyg: 4<\/p>\n

Sprungna ut Tampas hardcore-scen\u00a0albumdebuterade\u00a0Merchandise, som trots sitt namn inte s\u00e4ljer n\u00e5gon merchandise, 2010 med (Strange Songs) in the Dark<\/em>.\u00a0Men det var f\u00f6rst tv\u00e5 \u00e5r senare, med Children of Desire<\/em>, som de drog till sig min uppm\u00e4rksamhet. L\u00e5tar som Time<\/em> och Become What You Are<\/em> l\u00e4t p\u00e5 samma g\u00e5ng ungef\u00e4r lika storslagna och lo-fi\u00a0som om The Cure hade spelat in sitt magnum opus\u00a0Disintegration<\/em> i en k\u00e4llare. Men vad som verkligen\u00a0stack ut var Carson Cox r\u00f6st, som l\u00e4t som en hybrid mellan\u00a0Ian Curtis, Morrissey och Frank Sinatra. F\u00f6rra \u00e5rets Totale Nite<\/em> var desto r\u00e5are och mer psykedelisk, titelsp\u00e5ret inneh\u00f6ll till exempel ett vilt saxofon-solo, s\u00e5 det kanske \u00e4r naturligt att bandet — som nu ut\u00f6kats till en kvintett — nu v\u00e4ljer att g\u00e5 i en lite poppigare riktning.<\/p>\n

– We’re going to re-make ourselves as a pop band, but it’ll still be a twisted reality<\/em>, ber\u00e4ttade Carson Cox i en intervju med NME tidigare i \u00e5r.<\/p>\n

P\u00e5 Roskilde bjuds vi p\u00e5 en och annan \u00e4ldre l\u00e5t\u00a0s\u00e5v\u00e4l som\u00a0nya singeln Little Killer<\/em> och ytterligare\u00a0material\u00a0fr\u00e5n den kommande 4AD-debuten After the End<\/em> som sl\u00e4pps den 25 augusti. Det \u00e4r just i Little Killer<\/em> som det t\u00e4nder till. En briljant, postpunkig\u00a0killer till l\u00e5t som framf\u00f6rs i mitten av setet. Under konserten hoppar Cox mellan akustisk gitarr och tamburin, medan lead-gitarristen Dave Vaselotti sitter p\u00e5 marken och spelar. I sina b\u00e4sta stunder har de en oslagbar energi p\u00e5 scen. \u00c4n s\u00e5 l\u00e4nge drar de\u00a0dock varken\u00a0festivalens st\u00f6rsta eller mest engagerade publik, men forts\u00e4tter de leverera l\u00e5tar som Little Killer<\/em> finns det ingenting som talar emot att de \u00e5terv\u00e4nder till Roskildes betydligt\u00a0st\u00f6rre Arena-scen om ett par \u00e5r.<\/p>\n

H\u00e4r \u00e4r ytterligare n\u00e5gra bilder fr\u00e5n spelningen:<\/strong><\/p>\n

\"Merchandise-6\"<\/a><\/p>\n

\"Merchandise-3\"<\/a><\/p>\n

\"Merchandise-1\"<\/a><\/p>\n

\"Merchandise-4\"<\/a><\/p>\n

\"Merchandise-5\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Merchandise, Pavillion Stage Roskildefestivalen 6 juli 2014 Betyg: 4 Sprungna ut Tampas hardcore-scen\u00a0albumdebuterade\u00a0Merchandise, som trots sitt namn inte s\u00e4ljer n\u00e5gon merchandise, 2010 med (Strange Songs) in the Dark.\u00a0Men det var f\u00f6rst tv\u00e5 \u00e5r senare, med Children of Desire, som de drog till sig min uppm\u00e4rksamhet. L\u00e5tar som Time och Become What You Are l\u00e4t p\u00e5 […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[9203,11120,4843],"class_list":{"0":"post-85188","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"tag-merchandise","8":"tag-pavillion","9":"tag-roskilde","10":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85188"}],"version-history":[{"count":9,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85188\/revisions"}],"predecessor-version":[{"id":85249,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85188\/revisions\/85249"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=85188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=85188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}