{"id":85143,"date":"2014-07-05T23:12:32","date_gmt":"2014-07-05T21:12:32","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=85143"},"modified":"2014-07-20T19:12:49","modified_gmt":"2014-07-20T17:12:49","slug":"roskilde-den-nya-stjarnan-kelela-visar-upp-sin-talang","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=85143","title":{"rendered":"Roskilde: Den nya stj\u00e4rnan Kelela visar upp sin talang"},"content":{"rendered":"

\"Kelela-1\"<\/a><\/p>\n

Kelela, Pavillion Stage<\/strong>
\nRoskildefestivalen 5 juli 2014<\/em>
\nBetyg: 3<\/p>\n

– Jag \u00e4r glad \u00f6ver att vara del av en kultur, och ha s\u00e5 m\u00e5nga DJ-v\u00e4nner vilket till\u00e5ter mig att sjunga \u00f6ver nya remixer p\u00e5 mina egna l\u00e5tar<\/em>, s\u00e4ger Kelela Mizanekristos. Den nyt\u00e4nda R&B-stj\u00e4rnan verkar uppriktigt r\u00f6rd \u00f6ver att s\u00e5 m\u00e5nga kommit f\u00f6r att se hennes spelning p\u00e5 Pavillion Stage; scenen som fokuserar p\u00e5 uppstickande musiker. Uppv\u00e4xt i USA med etiopiska f\u00f6r\u00e4ldrar har hon sedan barnsben pendlat mellan olika kulturer.<\/p>\n

– I\u2019ve grown up feeling very American but being constantly othered by people \u2014 there\u2019s internalized racism and feeling weird about being second-gen<\/em>, ber\u00e4ttade den numera Los Angeles-baserade s\u00e5ngerskan i en intervju med Pitchfork<\/a><\/strong> f\u00f6rra \u00e5ret. P\u00e5 sin utm\u00e4rkta mixtape Cut 4 Me<\/em>, som ocks\u00e5 den sl\u00e4pptes ifjol, blandandes R&B med fram\u00e5tskridande klubbmusik, och den eklektiska s\u00e5ngerskan, som kommit att bli en sj\u00e4lvklar del av skivbolagen och kollektiven Fade to Mind och Night Slugs, hade tidigare i \u00e5r en plats p\u00e5 BBC:s inflytelserika lista \u00f6ver 2014 \u00e5rs genombrott. Uppbackad av en DJ\u00a0inleder hon med The High<\/em>, som sl\u00e4pptes tidigare i \u00e5r, innan det \u00e4r dags f\u00f6r l\u00e5tar s\u00e5som Enemy<\/em> och Floor Show<\/em> fr\u00e5n Cut 4 Me<\/em>. \u00a0Den fyrtiofem minuter l\u00e5nga spelningen \u00e4r j\u00e4mnstark, men lyfts en aning mot slutet d\u00e5 hon framf\u00f6r Bank Head<\/em> f\u00f6ljt av Cut 4 Me.\u00a0<\/em>Stundtals k\u00e4nns det mer som showcase \u00e4n full\u00e4ndad festivalspelning, men Kelela har potential i massor. Fram\u00f6ver kommer hon troligtvis bara att v\u00e4xa.<\/p>\n

H\u00e4r \u00e4r ytterligare n\u00e5gra bilder fr\u00e5n spelningen:<\/strong><\/p>\n

\"Kelela-2\"<\/a><\/p>\n

\"Kelela-3\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Kelela, Pavillion Stage Roskildefestivalen 5 juli 2014 Betyg: 3 – Jag \u00e4r glad \u00f6ver att vara del av en kultur, och ha s\u00e5 m\u00e5nga DJ-v\u00e4nner vilket till\u00e5ter mig att sjunga \u00f6ver nya remixer p\u00e5 mina egna l\u00e5tar, s\u00e4ger Kelela Mizanekristos. Den nyt\u00e4nda R&B-stj\u00e4rnan verkar uppriktigt r\u00f6rd \u00f6ver att s\u00e5 m\u00e5nga kommit f\u00f6r att se hennes […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[11123,10759,11120,4843],"class_list":["post-85143","post","type-post","status-publish","format-standard","category-musik","tag-cut-4-me","tag-kelela","tag-pavillion","tag-roskilde","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85143"}],"version-history":[{"count":7,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85143\/revisions"}],"predecessor-version":[{"id":85258,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85143\/revisions\/85258"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=85143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=85143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}