{"id":85106,"date":"2014-07-04T23:57:56","date_gmt":"2014-07-04T21:57:56","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=85106"},"modified":"2014-07-11T10:37:20","modified_gmt":"2014-07-11T08:37:20","slug":"roskilde-damon-albarn-atervander-som-fullfjadrad-entertainer","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=85106","title":{"rendered":"Roskilde: Damon Albarn \u00e5terv\u00e4nder ensam, som fullfj\u00e4drad entertainer"},"content":{"rendered":"

\"Damon-Albarn-4\"<\/a><\/p>\n

Damon Albarn, Arena Stage<\/strong>
\nRoskildefestivalen 4 juli 2014<\/em>
\nBetyg: 5<\/p>\n

– It’s where he is now but it wasn’t what he planned<\/em>, sjunger Damon Albarn i Mr. Tembo<\/em>, en l\u00e5t skriven till en elefant i Tanzania. Danskarna gillar uppenbarligen att slakta giraffer, men elefanter verkar de inte ha n\u00e5got emot. Och just den d\u00e4r textraden skulle \u00e4ven kunna st\u00e4mma in p\u00e5 Albarns egna karri\u00e4r. Vi har sett m\u00e4ktiga akter som OutKast och The Rolling Stones, men fr\u00e5gan \u00e4r om n\u00e5gon \u00e4r lika sj\u00e4lvklar p\u00e5 scen som Damon Albarn. Sedan tiden med Blur har han inte bara r\u00f6nt stora framg\u00e5ngar med det virtuella bandet Gorillaz utan \u00e4ven skrivit filmmusik och opera, producerat Bobby Womack (m\u00e5 han vila i frid) och samarbetat med afrikanska musiker. F\u00f6rsta g\u00e5ngen den produktive s\u00e5ngaren spelade p\u00e5 Arena Stage var 1991, sedan dess har han med s\u00e5v\u00e4l Blur som Gorillaz spelat p\u00e5 Roskildefestivalens st\u00f6rsta scen. Det \u00e4r som fullfj\u00e4drad entertainer en nu medel\u00e5lders man, med sitt f\u00f6rsta soloalbum\u00a0Everyday Robots<\/em>\u00a0i ryggen, \u00e5terv\u00e4nder. Om det p\u00e5 f\u00f6rhand fanns n\u00e5gra tvivel f\u00f6rsvinner de s\u00e5 fort han tr\u00e4der p\u00e5 scen.<\/p>\n

Uppbackad av kompbandet The Heavy Seas inleder han med avskalade\u00a0Lonely Press Play<\/em>, d\u00e4refter plockas\u00a0det friskt fr\u00e5n hela hans karri\u00e4r. Trots att han verkat i s\u00e5pass olika stilar och st\u00e4mningar v\u00e4vs allt snyggt ihop live. Om l\u00e5tarna fr\u00e5n soloplattan \u00e4r genomg\u00e5ende melankoliska och tillbakalutade s\u00e5 \u00e4r det\u00a0Gorillaz-materialet\u00a0som m\u00f6ts av b\u00e4st publikrespons: efter att ordinarie set avslutats med Blurs\u00a0Out of Time<\/em> och All Your Life\u00a0<\/em>spelas Clint Eastwood<\/em> som f\u00f6rsta extranummer, d\u00e4refter g\u00e4stas Feelgood Inc.<\/em> av inga mindre \u00e4n hiphop-legenderna i De La Soul. H\u00f6jdpunkten sparas dock till sist:\u00a0Heavy Seas of Love<\/em> \u00e4r inte bara b\u00e4sta l\u00e5ten p\u00e5 Everyday Robots<\/em>, utan \u00e4ven en fantastisk final\u00a0live. S\u00e5 h\u00e4r \u00e4r han, kanske inte som han hade planerat, och g\u00f6r Roskildefestivalens starkaste spelning hittills.<\/p>\n

F\u00f6ljande l\u00e5tar spelades:<\/strong><\/p>\n

Lonely Press Play
\nEveryday Robots
\nTomorrow Comes Today
\nSlow Country
\nKids With Guns
\nThree Changes
\nHostiles
\nPhotographs (You Are Taking Now)
\nKingdom of Doom
\nPoison
\nHollow Ponds
\nEl Ma\u00f1ana
\nOut of Time
\nAll Your Life<\/p>\n

Clint Eastwood
\nFeel Good Inc. (med De La Soul)
\nMr. Tembo
\nDon’t Get Lost in Heaven
\nHeavy Seas of Love<\/p>\n

H\u00e4r \u00e4r ytterligare n\u00e5gra bilder fr\u00e5n spelningen:<\/strong><\/p>\n

\"Damon-Albarn-1\"<\/a><\/p>\n

\"Damon-Albarn-5\"<\/a><\/p>\n

\"Damon-Albarn-6\"<\/a><\/p>\n

\"Damon-Albarn-3\"<\/a><\/p>\n

\"Damon-Albarn-2\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Damon Albarn, Arena Stage Roskildefestivalen 4 juli 2014 Betyg: 5 – It’s where he is now but it wasn’t what he planned, sjunger Damon Albarn i Mr. Tembo, en l\u00e5t skriven till en elefant i Tanzania. Danskarna gillar uppenbarligen att slakta giraffer, men elefanter verkar de inte ha n\u00e5got emot. Och just den d\u00e4r textraden […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[8314,1106,10711,4843],"class_list":["post-85106","post","type-post","status-publish","format-standard","category-musik","tag-arena-stage","tag-damon-albarn","tag-everyday-robots","tag-roskilde","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85106"}],"version-history":[{"count":7,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85106\/revisions"}],"predecessor-version":[{"id":85271,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/85106\/revisions\/85271"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=85106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=85106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}