{"id":82270,"date":"2014-04-12T21:48:46","date_gmt":"2014-04-12T20:48:46","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=82270"},"modified":"2014-04-12T21:48:46","modified_gmt":"2014-04-12T20:48:46","slug":"stathallerskans-drom-i-arets-paskspel-i-sofia-kyrka","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=82270","title":{"rendered":"St\u00e5th\u00e5llerskans dr\u00f6m i \u00e5rets p\u00e5skspel i Sofia kyrka"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/04\/stathallerskan-ensemble-400x461.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-82271\" alt=\"stathallerskan ensemble 400x461\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/04\/stathallerskan-ensemble-400x461-260x300.jpg\" width=\"260\" height=\"300\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/04\/stathallerskan-ensemble-400x461-260x300.jpg 260w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/04\/stathallerskan-ensemble-400x461.jpg 400w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/a><\/p>\n<p>St\u00e5th\u00e5llerskans dr\u00f6m<br \/>\nSofia kyrka, Stockholm<br \/>\nPremi\u00e4r den 11 april 2014<\/p>\n<p>\u00c5rets passionsspel i Sofia kyrka heter St\u00e5th\u00e5llerskans dr\u00f6m och handlar om Pontius Pilatus f\u00f6rh\u00f6r av Jesus. F\u00f6rest\u00e4llningen framf\u00f6rs i glasrummet i Sofia kyrka, men \u00e4ven kyrkorummet bakom glasv\u00e4ggarna utnyttjas.<\/p>\n<p>Pj\u00e4sen har f\u00e5tt sitt namn fr\u00e5n de mardr\u00f6mmar som st\u00e5th\u00e5llaren Pilatus fru Claudia hade inf\u00f6r r\u00e4tteg\u00e5ngen. Matteus 27:19 ber\u00e4ttar:<\/p>\n<blockquote><p>Medan Pilatus satt p\u00e5 domars\u00e4tet, s\u00e4nde hans hustru bud till honom och l\u00e4t s\u00e4ga: &#8221;Ha ingenting att g\u00f6ra med denne r\u00e4ttf\u00e4rdige man! Jag har i natt lidit mycket i en dr\u00f6m f\u00f6r hans skull.&#8221;<\/p><\/blockquote>\n<p>Fokus i f\u00f6rest\u00e4llningen \u00e4r m\u00f6tet mellan den makthungrige Pilatus och den anklagade Jesus, som inte s\u00e4ger ett ord till sitt f\u00f6rsvar. Tobias Ulfvebrand g\u00f6r helt utan repliker en stark skildring av Jesus. Han har en imponerande kroppskontroll n\u00e4r den stillsamma h\u00e5llningen pl\u00f6tsligt byts i ett j\u00e4mfotahopp eller en piruett.<\/p>\n<p>Bengt Einarsson g\u00f6r en forcerad Pilatus som blir allt mer nerv\u00f6s ju l\u00e4ngre den anklagande tiger. Helena Simonsson Ulfvebrand blir en motvikt med den dr\u00f6mska Claudia som samtidigt \u00e4r den som verkar se sanningen tydligast.<\/p>\n<p>Pj\u00e4sen baserar sig p\u00e5 del tv\u00e5 av Dag Lindbergs bok Passionsspel &#8211; en trilogi, som inneh\u00e5ller tre fria dramatiska ber\u00e4ttelser om den sista veckan i Jesus liv. Lindberg \u00e4r dramatiker och pr\u00e4st i Sofia f\u00f6rsamling. Han har \u00e4ven regisserat St\u00e5th\u00e5llerskans dr\u00f6m och medverkar i pj\u00e4sen.<\/p>\n<p>Entr\u00e9n g\u00e5r oavkortat till Svenska kyrkans internationella fasteinsamling \u201dHunger\u201d.<\/p>\n<p>Medverkande: Bengt Einarsson, Helena Simonsson Ulfvebrand, Dag Lindberg och Tobias Ulfvebrand.<br \/>\nPiano: Arne Johansson\/Henrik Arlestrand.<br \/>\nScenografi: Lotta Melanton.<br \/>\nLjus och Ljud: Oskar Dzwill.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>St\u00e5th\u00e5llerskans dr\u00f6m Sofia kyrka, Stockholm Premi\u00e4r den 11 april 2014 \u00c5rets passionsspel i Sofia kyrka heter St\u00e5th\u00e5llerskans dr\u00f6m och handlar om Pontius Pilatus f\u00f6rh\u00f6r av Jesus. F\u00f6rest\u00e4llningen framf\u00f6rs i glasrummet i Sofia kyrka, men \u00e4ven kyrkorummet bakom glasv\u00e4ggarna utnyttjas. Pj\u00e4sen har f\u00e5tt sitt namn fr\u00e5n de mardr\u00f6mmar som st\u00e5th\u00e5llaren Pilatus fru Claudia hade inf\u00f6r r\u00e4tteg\u00e5ngen. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[16,20,30,31],"tags":[],"class_list":["post-82270","post","type-post","status-publish","format-standard","category-recension","category-film","category-teater","category-teaterrecension","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/82270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=82270"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/82270\/revisions"}],"predecessor-version":[{"id":82273,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/82270\/revisions\/82273"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=82270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=82270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=82270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}