{"id":81173,"date":"2014-03-12T19:31:44","date_gmt":"2014-03-12T18:31:44","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=81173"},"modified":"2014-03-12T19:33:53","modified_gmt":"2014-03-12T18:33:53","slug":"azealia-banks-till-stockholm-i-host","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=81173","title":{"rendered":"Azealia Banks till Stockholm i h\u00f6st"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/03\/azealia.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-81174\" alt=\"azealia\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2014\/03\/azealia.jpg\" width=\"300\" height=\"200\" \/><\/a><\/p>\n<p>Tredje g\u00e5ngen gillt f\u00f6r den amerikanska rapparen Azealia Banks som tv\u00e5 \u00e5r i rad skulle ha spelat p\u00e5 Way Out West men st\u00e4llde in. Den 1 oktober intar hon p\u00e5 Debaser Medis i Stockholm. S\u00e5 h\u00e4r skriver Luger p\u00e5 sin <a href=\"http:\/\/www.luger.se\/azealia-banks\">hemsida<\/a>:<\/p>\n<blockquote><p><em>&#8221;Azealia Banks \u00e4r inte din vanliga tisdagsrappare. Harlem-MC:n \u00e4r en av f\u00e5 som spr\u00e4nger gr\u00e4nser och utmanar dina f\u00f6rv\u00e4ntningar om vad rap, hiphop och musik kan vara. Det vi f\u00e5tt h\u00f6ra hittills i hennes l\u00e5tar har kastat lasso med bortgl\u00f6mda fynd som 80-talets hip house och ett flow s\u00e5 h\u00e5rt att 90-talet faxade och ville ha sin gangstarap lite l\u00e5ngsammare. Hemligheten \u00e4r att Azealia faktiskt inte blickar bak\u00e5t ett dugg. Hennes ambitioner \u00e4r futuristiska och opererar vid sidan av hur alla andra v\u00e5gar t\u00e4nka &#8217;in the rap game&#8217;.<\/em><\/p>\n<p><em>N\u00e5gon g\u00e5ng i slutet av 2011 sa hon hej till hela vida v\u00e4rlden med hiten &#8217;212&#8217;. Ja, du vet hur den g\u00e5r. Innan dess hade hon gjort musikalkarri\u00e4r som liten och redan byggt upp ett stort f\u00f6rtroende hos de invigda hiphopk\u00e4nnarna under namnet Miss Bank$ innan hon ens hade n\u00e5tt svensk folk\u00f6ls\u00e5lder. &#8217;212&#8217; ledde till EP:n &#8217;1991&#8217;.<\/em><\/p>\n<p><em>2012 sl\u00e4pptes singeln &#8217;Fuck Up the Fun&#8217; producerad av Diplo och mixtapet &#8217;Fantasea&#8217;, vilket bestod av 19 egna sp\u00e5r. Nu \u00e4r \u00e5ret 2014 och vi v\u00e4ntar med sp\u00e4nning p\u00e5 debutalbumet &#8217;Broke with Expensive Taste&#8217; som \u00e4r planerat att dyka upp under sommaren.&#8221;<\/em><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/i3Jv9fNPjgk\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tredje g\u00e5ngen gillt f\u00f6r den amerikanska rapparen Azealia Banks som tv\u00e5 \u00e5r i rad skulle ha spelat p\u00e5 Way Out West men st\u00e4llde in. Den 1 oktober intar hon p\u00e5 Debaser Medis i Stockholm. S\u00e5 h\u00e4r skriver Luger p\u00e5 sin hemsida: &#8221;Azealia Banks \u00e4r inte din vanliga tisdagsrappare. Harlem-MC:n \u00e4r en av f\u00e5 som spr\u00e4nger [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[6927,1187],"class_list":{"0":"post-81173","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"tag-azealia-banks","8":"tag-debaser","9":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/81173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=81173"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/81173\/revisions"}],"predecessor-version":[{"id":81177,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/81173\/revisions\/81177"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=81173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=81173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=81173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}