{"id":80904,"date":"2014-03-03T09:04:48","date_gmt":"2014-03-03T08:04:48","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=80904"},"modified":"2014-03-03T09:04:48","modified_gmt":"2014-03-03T08:04:48","slug":"12-years-a-slave-tog-hem-oscarstatyetten-som-basta-film-har-ar-listan-pa-alla-oscarsvinnare","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=80904","title":{"rendered":"12 Years a Slave tog hem Oscarstatyetten som b\u00e4sta film – h\u00e4r \u00e4r listan p\u00e5 alla Oscarsvinnare"},"content":{"rendered":"

\"oscarsvinnaren\"<\/a><\/p>\n

”12 Years a Slave” vann – inte s\u00e4rskilt ov\u00e4ntat – Oscar f\u00f6r b\u00e4sta film. Flest priser tog d\u00e4remot Alfonso Cuar\u00f3ns existentiella rymdtripp ”Gravity” hem. Lite ov\u00e4ntat var det dock att storfavoriten ”American hustle” blev helt utan pris.<\/p>\n

”12 Years a Slave” fick f\u00f6rresten betyg 5 av v\u00e5r recensent, h\u00e4r \u00e4r den recensionen<\/a>.<\/p>\n

H\u00e4r \u00e4r listan \u00f6ver alla Oscarsvinnare 2014:
\nB\u00e4sta film: ”12 years a slave”<\/p>\n

B\u00e4sta regi: Alfonso Cuar\u00f3n (”Gravity”).
\n B\u00e4sta kvinnliga huvudroll: Cate Blanchett (”Blue Jasmine”).<\/p>\n

B\u00e4sta manliga huvudroll: Matthew McConaughey (”Dallas buyers club”).<\/p>\n

B\u00e4sta kvinnliga biroll: Lupita Nyong’o (”12 years a slave”).<\/p>\n

B\u00e4sta manliga biroll: Jared Leto (”Dallas buyers club”).<\/p>\n

B\u00e4sta icke engelskspr\u00e5kiga film: ”Den stora sk\u00f6nheten” (regi: Paolo Sorrentino, Italien).<\/p>\n

B\u00e4sta animerade film: ”Frost”.<\/p>\n

B\u00e4sta dokument\u00e4r, l\u00e5ngfilm: ”20 feet from stardom”.<\/p>\n

B\u00e4sta dokument\u00e4r, kortfilm: ”The lady in number 6: Music saved my life”.<\/p>\n

B\u00e4sta animerade kortfilm: ”Mr Hublot”.<\/p>\n

B\u00e4sta filmmusik: Steven Price (”Gravity”).<\/p>\n

B\u00e4sta foto: Emmanuel Lubezki (”Gravity”).<\/p>\n

B\u00e4sta klippning: Alfonso Cuar\u00f3n och Mark Sanger (”Gravity”).<\/p>\n

B\u00e4sta kortfilm: ”Helium” (Anders Walter, Kim Magnusson)<\/p>\n

B\u00e4sta kostym: Catherine Martin (”The great Gatsby”).<\/p>\n

B\u00e4sta ljudmixning: Skip Lievsay, Niv Adiri, Christopher Benstead och Chris Munro (”Gravity”).<\/p>\n

B\u00e4sta ljudredigering: Glenn Freemantle (”Gravity”).<\/p>\n

B\u00e4sta manus: Spike Jonze (”Her”).<\/p>\n

B\u00e4sta manus efter f\u00f6rlaga: John Ridley (”12 years a slave”).<\/p>\n

B\u00e4sta l\u00e5t: Kristen Anderson-Lopez och Robert Lopez, ”Let it go” ur ”Frost”.<\/p>\n

B\u00e4sta mask\/frisyr: Adruitha Lee och Robin Mathews (”Dallas buyers club”).<\/p>\n

B\u00e4sta scenografi: Catherine Martin och Beverley Dunn (”The great Gatsby”).<\/p>\n

B\u00e4sta visuella effekter: Timothy Webber, Chris Lawrence, David Shirk och Neil Corbould (”Gravity”).<\/p>\n","protected":false},"excerpt":{"rendered":"

”12 Years a Slave” vann – inte s\u00e4rskilt ov\u00e4ntat – Oscar f\u00f6r b\u00e4sta film. Flest priser tog d\u00e4remot Alfonso Cuar\u00f3ns existentiella rymdtripp ”Gravity” hem. Lite ov\u00e4ntat var det dock att storfavoriten ”American hustle” blev helt utan pris. ”12 Years a Slave” fick f\u00f6rresten betyg 5 av v\u00e5r recensent, h\u00e4r \u00e4r den recensionen. H\u00e4r \u00e4r listan […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[50,20],"tags":[],"class_list":{"0":"post-80904","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-filmfilm","7":"category-film","8":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/80904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=80904"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/80904\/revisions"}],"predecessor-version":[{"id":80907,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/80904\/revisions\/80907"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=80904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=80904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=80904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}