{"id":75502,"date":"2013-09-30T01:45:56","date_gmt":"2013-09-29T23:45:56","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=75502"},"modified":"2013-10-14T20:36:22","modified_gmt":"2013-10-14T18:36:22","slug":"mgmt-pa-cirkus","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=75502","title":{"rendered":"MGMT p\u00e5 Cirkus"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-75505\" alt=\"mgmt2\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt2-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt2-300x199.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt2-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>MGMT, Cirkus<\/strong><br \/>\n<em>29 september 2013<\/em><br \/>\nBetyg: 4<\/p>\n<p>Sedan genombrottet med den kalejdoskopiska albumdebuten\u00a0<i>Oracular Spectacular\u00a0<\/i>f\u00f6r fem \u00e5r sedan har MGMT s\u00f6kt sig allt l\u00e4ngre ifr\u00e5n den vansinnigt l\u00e4ttillg\u00e4ngliga pop som pr\u00e4glade l\u00e5tar som\u00a0<em>Kids<\/em>\u00a0och\u00a0<em>Time to Pretend.<\/em>\u00a0De har n\u00e4stan kommit att framst\u00e5 som v\u00e5r tids Flaming Lips: ett band som utan n\u00e5gon direkt tanke p\u00e5 kommersiell framg\u00e5ng \u00e4nd\u00e5 lyckats n\u00e5 en position d\u00e4r de kan g\u00f6ra precis vad de vill och \u00e4nd\u00e5 f\u00f6rbli intressanta.<\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-75506\" alt=\"mgmt6\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt6-200x300.jpg\" width=\"200\" height=\"300\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt6-200x300.jpg 200w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt6-682x1024.jpg 682w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Det f\u00f6rsta jag sl\u00e5s av p\u00e5 Cirkus ikv\u00e4ll \u00e4r en r\u00f6st som s\u00e4ger &#8221;that was totally weird, but I felt alive then&#8221;. Sedan inleder duon &#8211; som p\u00e5 scen backas upp av en trummis, en basist och tv\u00e5 gitarrister &#8211; med <em>Alien Days<\/em>, \u00f6ppningssp\u00e5ret fr\u00e5n deras nyligen utgivna, sj\u00e4lvbetitlade tredjegiv, samtidigt som ett radiostyrt litet plan sv\u00e4var framf\u00f6r scenen. Den gigantiska videoprojektorn som i bakgrunden spelar upp en sekvens inneh\u00e5llandes n\u00e5gon slags 3D-kr\u00e4fta med ett snurrande paraply p\u00e5 huvudet \u00e4r talande f\u00f6r den omfamning av galenskap som definierar bandets attityd.\u00a0Att Andrew VanWyngarden, bortsett fr\u00e5n ett och annat &#8221;thank you very much&#8221;, inte s\u00e4ger s\u00e5 mycket mellan l\u00e5tarna spelar f\u00f6r min del ingen st\u00f6rre roll d\u00e5 vi har de psykedeliska videoklippen\u00a0att vila \u00f6gonen p\u00e5, f\u00f6r just det visuella bidrar med att ge musikens trippiga egenskaper ett ytterligare djup.<\/p>\n<p>Efter den mjuka, n\u00e4stintill sockervadd-fluffiga \u00f6ppningen med <em>Alien Days<\/em> h\u00f6js tempot under <em>It&#8217;s Working<\/em>\u00a0f\u00f6ljt av <em>The Youth<\/em>\u00a0&#8211; fr\u00e5n bandets andra respektive f\u00f6rsta album &#8211; och att mixen av l\u00e5tval de olika albumen emellan faktiskt kommer vara r\u00e4tt v\u00e4lavv\u00e4gd framg\u00e5r tidigt, ja, \u00e4ven hitsen \u00e4r med:\u00a0<em>Time to Pretend<\/em> spelas redan som sj\u00e4tte l\u00e5t;\u00a0<em>Weekend Wars<\/em> och n\u00e4rmast discoaktiga\u00a0<em>Electric Feel,<\/em>\u00a0som spelas med relativt j\u00e4mnt mellanrum, \u00e4r \u00e4ven de sj\u00e4lvklara publikfavoriter; fast det \u00e4r den euforiska utl\u00f6sningen i naturliga avslutningsnumret\u00a0<em>Kids,<\/em> som f\u00f6rs\u00e4tter Cirkus i kokande st\u00e4mning, som \u00e4r deras s\u00e4kraste triumfkort.<\/p>\n<p>Under <em>Your Life is a Lie<\/em> bjuds ett fan upp p\u00e5 scen f\u00f6r att &#8211; m\u00f6jligtvis som en vink till <em>Alice in Wonderland<\/em> &#8211; sl\u00e5 med en f\u00f6rstorad trumstock p\u00e5 en f\u00f6rstorad kobj\u00e4llra med texten &#8221;be aware&#8221;, liksom f\u00f6r att visa p\u00e5 l\u00e5tens konspiratoriska tema. Kanske skulle MGMT vinna p\u00e5 att involvera lite mer av den h\u00e4r typen av performance i sin show &#8211; ja, mer utstyrslar och galenskap \u00f6verlag &#8211; men \u00e5 andra sidan tycker jag showen \u00e4r snygg som den \u00e4r, och sett till l\u00e5tvalen kunde de ju helt klart ha valt en mer obskyr v\u00e4g.<\/p>\n<p><strong>F\u00f6ljande l\u00e5tar spelades:<\/strong><\/p>\n<p>Alien Days<br \/>\nIt&#8217;s Working<br \/>\nThe Youth<br \/>\nOf Moons, Birds &amp; Monsters<br \/>\nMystery Disease<br \/>\nTime to Pretend<br \/>\nIntrospecton<br \/>\nFlash Delirium<br \/>\nIndie Rokkers<br \/>\nWeekend Wars<br \/>\nI Found a Whistle<br \/>\nSiberian Breaks<br \/>\nElectric Feel<br \/>\nCongratulations<\/p>\n<p><strong>Extranummer<\/strong><\/p>\n<p>Your Life is a Lie<br \/>\nKids<\/p>\n<p><strong>H\u00e4r \u00e4r ytterligare n\u00e5gra bilder fr\u00e5n spelningen:<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-75507 aligncenter\" alt=\"mgmt7\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt7-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt7-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt7-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt8.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-75508 aligncenter\" alt=\"mgmt8\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt8-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt8-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt8-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-75510\" alt=\"mgmt4\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt4-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt4-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt4-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt9.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-75509\" alt=\"mgmt9\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt9-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt9-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt9-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-75511\" alt=\"mgmt5\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt5-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt5-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt5-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt11.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-75512\" alt=\"mgmt1\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt11-300x191.jpg\" width=\"300\" height=\"191\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt11-300x191.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/09\/mgmt11.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Foto: Emma Andersson<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MGMT, Cirkus 29 september 2013 Betyg: 4 Sedan genombrottet med den kalejdoskopiska albumdebuten\u00a0Oracular Spectacular\u00a0f\u00f6r fem \u00e5r sedan har MGMT s\u00f6kt sig allt l\u00e4ngre ifr\u00e5n den vansinnigt l\u00e4ttillg\u00e4ngliga pop som pr\u00e4glade l\u00e5tar som\u00a0Kids\u00a0och\u00a0Time to Pretend.\u00a0De har n\u00e4stan kommit att framst\u00e5 som v\u00e5r tids Flaming Lips: ett band som utan n\u00e5gon direkt tanke p\u00e5 kommersiell framg\u00e5ng \u00e4nd\u00e5 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[1007,9413],"class_list":["post-75502","post","type-post","status-publish","format-standard","category-musik","tag-cirkus","tag-mgmt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/75502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=75502"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/75502\/revisions"}],"predecessor-version":[{"id":75613,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/75502\/revisions\/75613"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=75502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=75502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=75502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}