{"id":74358,"date":"2013-08-31T01:43:35","date_gmt":"2013-08-30T23:43:35","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=74358"},"modified":"2013-09-12T10:22:27","modified_gmt":"2013-09-12T08:22:27","slug":"popaganda-the-xx-triumferar-med-expanderat-scensprak","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=74358","title":{"rendered":"Popaganda: The xx triumferar med expanderat scenspr\u00e5k"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/xx1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-74359\" alt=\"xx1\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/xx1-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/xx1-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/xx1-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>The xx, stora scen<\/strong><br \/>\n<em>Popaganda 30 augusti 2013<\/em><br \/>\nBetyg: 5<\/p>\n<p>Den minimalistiska London-trion, som sedan sl\u00e4ppet av sitt sj\u00e4lvbetitlade debutalbum 2009 tycks ha blivit omfamnade av precis hela indie-v\u00e4rlden, \u00e4r nu inne p\u00e5 slutspurten av den <em>Coexist<\/em>-turn\u00e9 som ifjol tog dem till Sverige hela tre g\u00e5nger; d\u00e5 spelade de ju p\u00e5 s\u00e5v\u00e4l Hultsfredsfestivalen som p\u00e5 Berns i Stockholm och Lisebergshallen i G\u00f6teborg.<\/p>\n<p>N\u00e4r de nu intar Popaganda \u00e4r f\u00f6ruts\u00e4ttningarna dock n\u00e5got annorlunda. F\u00f6r det f\u00f6rsta har vi ju haft tid p\u00e5 oss att sm\u00e4lta <em>Coexist,<\/em> vilket g\u00f6r det naturligt att fler l\u00e5tar plockas d\u00e4rifr\u00e5n, men den mest anm\u00e4rkningsv\u00e4rda utvecklingen \u00e4r nog \u00e4nd\u00e5 bandets scenspr\u00e5k. Fortfarande naturligt introverta, men med yvigare r\u00f6relser kompenserar trion med egna h\u00e4nder f\u00f6r all den rekvisita som inte f\u00e5r plats p\u00e5 scen &#8211; och trots att de drar kv\u00e4llens st\u00f6rsta publik k\u00e4nns det intimt.<\/p>\n<p>&#8211; <em>Can I make it better with the lights turned on<\/em>, som Romy Madley-Croft sjunger i <em>Shelter<\/em>\u00a0k\u00e4nns rent av som en talande beskrivning f\u00f6r bandets utveckling bara det senaste \u00e5ret.\u00a0Hennes ekodr\u00e4nkta gitarrslingor i kombination med r\u00f6sterna &#8211; hennes f\u00f6rsiktiga och basisten Oliver Sims djupa &#8211; som g\u00e5r in i varandra och Jamies elektroniska inslag banar v\u00e4g f\u00f6r k\u00e4nslor som vanligtvis kanske inte f\u00f6rknippas med festivaler och sommarkv\u00e4llar, men som trollbinder och k\u00e4nns personliga.<\/p>\n<p>L\u00e5tarna &#8211; fr\u00e5n inledningen med <em>Try<\/em> f\u00f6ljt av <em>Heart Skipped a Beat<\/em> och <em>Crystalised<\/em>\u00a0till\u00a0<em>Intro<\/em>\u00a0som ironiskt nog spelas fram emot slutet innan avslutande <em>Angels\u00a0<\/em>&#8211; tillh\u00f6r redan 10-talets st\u00f6rsta klassiker, och trots att The xx \u00e4r ett f\u00f6rh\u00e5llandevis ungt band med blott tv\u00e5 album i ryggen k\u00e4nns de redan som en fullfj\u00e4drad huvudakt f\u00f6r framtiden.<\/p>\n<p><strong>H\u00e4r \u00e4r ytterligare n\u00e5gra bilder fr\u00e5n spelningen:<\/strong><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/xx-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-74361\" alt=\"xx 3\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/xx-3-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/xx-3-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/xx-3-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1491.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-74363\" alt=\"_MG_1491\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1491-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1491-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1491-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1461.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-74364\" alt=\"_MG_1461\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1461-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1461-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1461-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1441.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-74365\" alt=\"_MG_1441\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1441-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1441-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/08\/MG_1441-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The xx, stora scen Popaganda 30 augusti 2013 Betyg: 5 Den minimalistiska London-trion, som sedan sl\u00e4ppet av sitt sj\u00e4lvbetitlade debutalbum 2009 tycks ha blivit omfamnade av precis hela indie-v\u00e4rlden, \u00e4r nu inne p\u00e5 slutspurten av den Coexist-turn\u00e9 som ifjol tog dem till Sverige hela tre g\u00e5nger; d\u00e5 spelade de ju p\u00e5 s\u00e5v\u00e4l Hultsfredsfestivalen som p\u00e5 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[8355,4430,5823],"class_list":["post-74358","post","type-post","status-publish","format-standard","category-musik","tag-coexist","tag-popaganda","tag-the-xx","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/74358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=74358"}],"version-history":[{"count":7,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/74358\/revisions"}],"predecessor-version":[{"id":74370,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/74358\/revisions\/74370"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=74358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=74358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=74358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}