{"id":72855,"date":"2013-07-18T16:40:29","date_gmt":"2013-07-18T14:40:29","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=72855"},"modified":"2013-07-19T02:13:16","modified_gmt":"2013-07-19T00:13:16","slug":"lyssna-yuck-rebirth","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=72855","title":{"rendered":"Lyssna: Yuck &#8211; Rebirth"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/07\/yuck.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-72856\" alt=\"yuck\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/07\/yuck-300x166.jpg\" width=\"300\" height=\"166\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/07\/yuck-300x166.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/07\/yuck.jpg 658w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Yuck \u00e4r tillbaka. Den f\u00f6re detta frontmannen Daniel Blumberg, som l\u00e4mnade bandet tidigare i \u00e5r, sl\u00e4ppte nyligen ett album under namnet <a href=\"http:\/\/kulturbloggen.com\/?p=72678\">Hebronix<\/a>. Nu svarar Yuck, trion som numera frontas av gitarristen Max Bloom, med nya My Bloody Valentine-influerade l\u00e5ten med passande titeln\u00a0<em>Rebirth<\/em>. Ett nytt album sl\u00e4pps under h\u00f6sten.<\/p>\n<p><strong>Du kan lyssna p\u00e5 <em>Rebirth<\/em> h\u00e4r:<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/q23oLtRfzCU\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yuck \u00e4r tillbaka. Den f\u00f6re detta frontmannen Daniel Blumberg, som l\u00e4mnade bandet tidigare i \u00e5r, sl\u00e4ppte nyligen ett album under namnet Hebronix. Nu svarar Yuck, trion som numera frontas av gitarristen Max Bloom, med nya My Bloody Valentine-influerade l\u00e5ten med passande titeln\u00a0Rebirth. Ett nytt album sl\u00e4pps under h\u00f6sten. Du kan lyssna p\u00e5 Rebirth h\u00e4r:<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[10157,6483],"class_list":{"0":"post-72855","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"tag-rebirth","8":"tag-yuck","9":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/72855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=72855"}],"version-history":[{"count":5,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/72855\/revisions"}],"predecessor-version":[{"id":72858,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/72855\/revisions\/72858"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=72855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=72855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=72855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}