{"id":68449,"date":"2013-03-22T17:19:48","date_gmt":"2013-03-22T15:19:48","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=68449"},"modified":"2013-03-22T17:22:54","modified_gmt":"2013-03-22T15:22:54","slug":"echo-the-bunnymen-slapper-nytt-i-ar","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=68449","title":{"rendered":"Echo &#038; the Bunnymen sl\u00e4pper nytt i \u00e5r"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/echo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-68450\" alt=\"echo\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/echo-300x145.jpg\" width=\"300\" height=\"145\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/echo-300x145.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/echo.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Postpunk-veteranerna fr\u00e5n Liverpool, Echo &amp; the Bunnymen, sl\u00e4pper sitt tolfte studioalbum senare i \u00e5r. Det nya albumet heter <em>The Garden of Meedin&#8217;<\/em> och f\u00f6ljer 2009 \u00e5rs <em>The Fountain<\/em>.<\/p>\n<p>S\u00e5 h\u00e4r s\u00e4ger bandets s\u00e5ngare Ian McCulloch i en intervju med <a href=\"http:\/\/thequietus.com\/articles\/11734-echo-and-the-bunnymen-new-album\">The Quietus<\/a>:<\/p>\n<blockquote><p><em>\u201cIt\u2019s more like the early stuff with loads of spiky guitars and space, but as much as this is reminiscent of the past, it feels dead new to me. There\u2019s loads of space on there and it just unwinds during the course. It sounds fantastic. It\u2019s just a different kind of ambition. The idea is to make the greatest album we\u2019ve ever made. I always go into things thinking that anyway. I\u2019ve spent the last 10 years trying to see where I could go with my voice and if I could write some bridges. Then I looked back and realised we never had any bridges.\u201d<\/em><\/p><\/blockquote>\n<p>\u00c4n s\u00e5 l\u00e4nge finns varken releasedatum, omslag eller annat smakprov att tillg\u00e5 &#8211; s\u00e5 f\u00f6r att sl\u00e4cka t\u00f6rsten h\u00e5ller vi till godo med deras kanske b\u00e4sta album <em>Ocean Rain<\/em> fr\u00e5n 1984. H\u00e4r \u00e4r musikvideon till <em>The Killing Moon:<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/aX1PwkgwsG0\" height=\"315\" width=\"420\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Postpunk-veteranerna fr\u00e5n Liverpool, Echo &amp; the Bunnymen, sl\u00e4pper sitt tolfte studioalbum senare i \u00e5r. Det nya albumet heter The Garden of Meedin&#8217; och f\u00f6ljer 2009 \u00e5rs The Fountain. S\u00e5 h\u00e4r s\u00e4ger bandets s\u00e5ngare Ian McCulloch i en intervju med The Quietus: \u201cIt\u2019s more like the early stuff with loads of spiky guitars and space, but [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[1445,9744,9743,9745],"class_list":["post-68449","post","type-post","status-publish","format-standard","category-musik","tag-echo-the-bunnymen","tag-ian-mcculloch","tag-the-garden-of-meedin","tag-the-killing-moon","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/68449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=68449"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/68449\/revisions"}],"predecessor-version":[{"id":68452,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/68449\/revisions\/68452"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=68449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=68449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=68449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}