{"id":67864,"date":"2013-03-10T01:30:34","date_gmt":"2013-03-09T23:30:34","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=67864"},"modified":"2013-03-15T13:39:11","modified_gmt":"2013-03-15T11:39:11","slug":"crystal-castles-pa-annexet","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=67864","title":{"rendered":"Crystal Castles p\u00e5 Annexet"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/crystal.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-67865\" alt=\"crystal\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/crystal-300x300.jpg\" width=\"300\" height=\"300\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/crystal-300x300.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/crystal-150x150.jpg 150w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/03\/crystal.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Crystal Castles, Annexet<\/strong><br \/>\n<em>9 mars 2013<\/em><br \/>\nBetyg: 3+<\/p>\n<p>I h\u00f6stas sl\u00e4ppte den experimentella electroduon sitt tredje och kanske mest subtila album hittills &#8211; men l\u00e5t dig inte luras &#8211; redan i fantastiska inledningsl\u00e5ten <em>Plague<\/em> st\u00e5r det klart att Crystal Castles live fortfarande \u00e4r lika skoningsl\u00f6st h\u00e5rda och st\u00f6kiga som n\u00e5gonsin tidigare.<\/p>\n<p>Den epilepsi-framkallande\u00a0ljusshowen bidrar till den dystopiska st\u00e4mningen,\u00a0och medan Ethan Kath st\u00e5r lite g\u00f6md bakom syntharna s\u00e5 \u00e4r Alice Glass den sj\u00e4lvklara frontfiguren med sin s\u00e5ng som \u00e4r lika skrikig som effektdr\u00e4nkt.\u00a0Redan i kv\u00e4llens andra l\u00e5t &#8211;\u00a0<em>Baptism<\/em> &#8211; hoppar hon ned i publikhavet, och visst, vid det h\u00e4r laget \u00e4r vi vana vid det, men det f\u00e5r fortfarande publiken att g\u00e5 ig\u00e5ng.<\/p>\n<p>\u00c4ven om gruppens tre album skiljer sig \u00e5t s\u00e5 blir l\u00e5tarna desto mer enhetliga n\u00e4r de som ikv\u00e4ll framf\u00f6rs p\u00e5 Annexets scen. Nya l\u00e5tar som\u00a0<em>Wrath of God<\/em> och <em>Sad Eyes\u00a0<\/em>\u00e4r lika sj\u00e4lvklara h\u00f6jdpunkter som s\u00e5v\u00e4l dr\u00f6mska <em>Celestica<\/em> och st\u00f6kiga <em>Doe Deer<\/em> fr\u00e5n <em>II<\/em>:an\u00a0som <em>Alice Practice<\/em> och <em>Black Panther<\/em> fr\u00e5n debuten.<\/p>\n<p>N\u00e4r de efter dryga timmen avslutar ordinarie set med Platinum Blonde-covern <em>Not in Love<\/em>, som utan Robert Smiths karakt\u00e4ristiska r\u00f6st \u00e4nd\u00e5 l\u00e5ter b\u00e4ttre \u00e4n n\u00e5gonsin, \u00e4r det faktiskt framf\u00f6r allt n\u00e5gra av de subtila nya l\u00e5tarna jag saknar. En l\u00e5t som kusligt vackra <em>Child I Will Hurt You<\/em> hade kunnat vara en perfekt avslutning just eftersom den \u00e4r s\u00e5 l\u00e5gm\u00e4ld. Nu blir det i l\u00e4ngden ist\u00e4llet n\u00e4stan lite enformigt, \u00e4nd\u00e5 har de bjudit p\u00e5 en lyxig l\u00e5tkavalkad och en snygg scenshow.<\/p>\n<p>&#8212;<\/p>\n<p>I sommar kan du se Crystal Castles p\u00e5 Storsj\u00f6yran och Roskildefestivalen. H\u00e4r kan du se musikvideon till <em>Sad Eyes<\/em> som enligt mig var en av kv\u00e4llens h\u00f6jdpunkter:<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/JjAdfDrh8v0\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Crystal Castles, Annexet 9 mars 2013 Betyg: 3+ I h\u00f6stas sl\u00e4ppte den experimentella electroduon sitt tredje och kanske mest subtila album hittills &#8211; men l\u00e5t dig inte luras &#8211; redan i fantastiska inledningsl\u00e5ten Plague st\u00e5r det klart att Crystal Castles live fortfarande \u00e4r lika skoningsl\u00f6st h\u00e5rda och st\u00f6kiga som n\u00e5gonsin tidigare. Den epilepsi-framkallande\u00a0ljusshowen bidrar till [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[322,1083,9354],"class_list":{"0":"post-67864","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"tag-annexet","8":"tag-crystal-castles","9":"tag-sad-eyes","10":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/67864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=67864"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/67864\/revisions"}],"predecessor-version":[{"id":67870,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/67864\/revisions\/67870"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=67864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=67864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=67864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}