{"id":6703,"date":"2009-01-26T17:56:39","date_gmt":"2009-01-26T16:56:39","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=6703"},"modified":"2009-01-26T17:56:39","modified_gmt":"2009-01-26T16:56:39","slug":"recension-av-tonight-franz-ferdinand","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=6703","title":{"rendered":"Recension av Tonight: Franz Ferdinand"},"content":{"rendered":"<p><a href=\"http:\/\/sodergren.com\/kulturbloggen\/wp-content\/uploads\/2009\/01\/tonight1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/sodergren.com\/kulturbloggen\/wp-content\/uploads\/2009\/01\/tonight1.jpg\" alt=\"tonight1\" title=\"tonight1\" width=\"290\" height=\"200\" class=\"alignnone size-full wp-image-6704\" \/><\/a><br \/>\nAtt Glasgowbandet Franz Ferdinand p\u00e5 sin nya, tredje skiva fokuserat p\u00e5 dansmusik har media gett n\u00e4stan \u00f6verdriven uppm\u00e4rksamhet. Men trots det s\u00e5 l\u00e5ter skivan, som tog n\u00e4stan tv\u00e5 \u00e5r att f\u00e4rdigst\u00e4lla, v\u00e4ldigt mycket s\u00e5 som Franz Ferdinand brukar (och ska?) l\u00e5ta. Gitarriffen \u00e4r d\u00e4r och Alex Kapranos st\u00e4mma har inte f\u00f6r\u00e4ndrats, \u00e4r det snarare inf\u00f6randet av synthar i vissa l\u00e5tar som f\u00e5r somliga att ropa dansmusik.<!--more--><\/p>\n<p>Temat p\u00e5 Tonight \u00e4r saker som h\u00e4nder under dygnets sena timmar och kan jag ana att de, \u00e5tminstone p\u00e5 n\u00e5gra l\u00e5tar, l\u00e5tit sig inspireras av They Might Be Giants?<\/p>\n<p>Efter en f\u00f6rsta genomlyssning kan jag inte hj\u00e4lpa att sakna l\u00e5tar som \u00e4r lika catchiga som gamla hits, typ Take Me Out, The Dark of the Matin\u00e9 eller Walk Away. N\u00e4rmast kommer i s\u00e5 fall \u00f6ppningssp\u00e5ret Ulysses eller Lucid Dreams som redan i fjol var med p\u00e5 soundtracket till tv-spelet Madden NFL 09. Dessutom \u00e4r jag svag f\u00f6r Twilight Omens och jag \u00e4lskar hur de l\u00e5ter som ett excentriskt punkband. Sammanfattning: En bra skiva men inte riktigt lika bra som de tv\u00e5 f\u00f6rsta.<\/p>\n<p>Vill du h\u00f6ra den nya skivan utan att l\u00e4gga ut n\u00e5gra pengar? Har du ett konto p\u00e5 myspace? Varf\u00f6r inte spana in <a href=\"http:\/\/profile.myspace.com\/index.cfm?fuseaction=user.viewProfile&#038;friendID=8712457\">Franz Ferdinands myspace<\/a>, d\u00e4r finns hela skivan f\u00f6r gratis provlyssning.<\/p>\n<p>Efter den hyllade uts\u00e5lda spelningen p\u00e5 Debaser i slutet av 2008 s\u00e5 kommer de tillbaka till Stockholm, den h\u00e4r g\u00e5ngen till Cirkus, 21:a mars. Dessutom kommer Kulturbloggen att rapportera fr\u00e5n NME Shockwave Awards d\u00e4r just Franz Ferdinand tillsammans med The Cure st\u00e5r f\u00f6r upptr\u00e4danden.<\/p>\n<p><a href=\"http:\/\/www.aftonbladet.se\/nojesbladet\/musik\/recensioner\/article4253937.ab\">Aftonbladets recension.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Att Glasgowbandet Franz Ferdinand p\u00e5 sin nya, tredje skiva fokuserat p\u00e5 dansmusik har media gett n\u00e4stan \u00f6verdriven uppm\u00e4rksamhet. Men trots det s\u00e5 l\u00e5ter skivan, som tog n\u00e4stan tv\u00e5 \u00e5r att f\u00e4rdigst\u00e4lla, v\u00e4ldigt mycket s\u00e5 som Franz Ferdinand brukar (och ska?) l\u00e5ta. Gitarriffen \u00e4r d\u00e4r och Alex Kapranos st\u00e4mma har inte f\u00f6r\u00e4ndrats, \u00e4r det snarare inf\u00f6randet [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[12282],"class_list":{"0":"post-6703","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-film","7":"tag-musik","8":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/6703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6703"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/6703\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}