{"id":66519,"date":"2013-02-14T12:06:46","date_gmt":"2013-02-14T10:06:46","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=66519"},"modified":"2013-02-14T12:06:46","modified_gmt":"2013-02-14T10:06:46","slug":"disclosure-till-way-out-west","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=66519","title":{"rendered":"Disclosure till Way Out West"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/02\/dis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-66520\" alt=\"dis\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/02\/dis-300x200.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/02\/dis-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/02\/dis-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Nyligen spelade <a href=\"http:\/\/kulturbloggen.com\/?p=66280\">Disclosure<\/a> p\u00e5 Debaser Medis, nu st\u00e5r det klar att br\u00f6derna Guy och Howard Lawrence \u00e5terv\u00e4nder till Sverige f\u00f6r en spelning p\u00e5 Way Out West i sommar.<\/p>\n<p>S\u00e5 h\u00e4r skriver Way Out West p\u00e5 sin <a href=\"http:\/\/www.wayoutwest.se\/disclosure?utm_source=nyhetsbrev%2B130214&amp;utm_medium=email&amp;utm_campaign=Bandrelease130214\">hemsida<\/a>:<\/p>\n<blockquote><p><em>&#8221;Egentligen har allt precis bara b\u00f6rjat. Br\u00f6draduon\u00a0Guy\u00a0och\u00a0Howard\u00a0fr\u00e5n Surrey, syd\u00f6stra England, \u00e4r generande unga men beter sig i ljud som att de bott i en macbook sedan tetris var det senaste inom hobbys. Bara det senaste \u00e5ret har de lyckats dikterat nya villkor f\u00f6r den brittiska popmusikens f\u00f6rh\u00e5llande till d\u00e5tidens house och nutidens future garage.<\/em><\/p>\n<p><em>House har sedan ett par \u00e5r blivit sk\u00e5pmat i varenda hamburgerrestaurang, radiokanal och fotbollsarena genom en ny generation artister som knappt l\u00e4rt sig urskilja\u00a0Daft Punk\u00a0och\u00a0Kraftwerk\u00a0i grundskolans \u00f6ronunders\u00f6kning. Befriande \u00e4r det d\u00e5 med en duo som h\u00e5ller sig lika digital som resten av sin generation men som tar tillvara p\u00e5 de gyllene skivorna i kusinens vinylback med \u00e4ldre inhemsk brittisk 2step, UK garage, UK dubstep och RnB. Det finns hos\u00a0Disclosure\u00a0en eftertanke som har fler gemensamma frekvenser med\u00a0Burial\u00a0och\u00a0James Blake\u00a0\u00e4n arenornas\u00a0Skrillex\u00a0och\u00a0David Guetta\u00a0men som \u00e4nd\u00e5 kommer att konkurrera med de senares radioutrymme.<\/em><\/p>\n<p><em>\u00c4nda sedan debutsingeln Offline Dexterity 2010 p\u00e5 Moshi Moshi har br\u00f6dernas vision varit f\u00f6rv\u00e5nansv\u00e4rt tydlig och konsekvent. Men det var f\u00f6rst under 2012 som l\u00e5tarna Tenderly, Boiling, Latch och remixen av\u00a0Jessie Wares\u00a0Running fick vingar genom bland annat\u00a0Hot Chip-medlemmen\u00a0Joe Goddards\u00a0skivbolag Greco-Roman. Det f\u00f6rsta riktiga smakprovet fr\u00e5n debutalbumet som v\u00e4ntas i april \u00e4r l\u00e5ten White Noise med\u00a0AlunaGeorge\u00a0som snabbt som attans sk\u00f6t upp till andraplatsen p\u00e5 Englands Topp 40.&#8221;<\/em><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/FTwCgK-zTEs\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>Foto: Emma Andersson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nyligen spelade Disclosure p\u00e5 Debaser Medis, nu st\u00e5r det klar att br\u00f6derna Guy och Howard Lawrence \u00e5terv\u00e4nder till Sverige f\u00f6r en spelning p\u00e5 Way Out West i sommar. S\u00e5 h\u00e4r skriver Way Out West p\u00e5 sin hemsida: &#8221;Egentligen har allt precis bara b\u00f6rjat. Br\u00f6draduon\u00a0Guy\u00a0och\u00a0Howard\u00a0fr\u00e5n Surrey, syd\u00f6stra England, \u00e4r generande unga men beter sig i ljud [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[9109,6353],"class_list":["post-66519","post","type-post","status-publish","format-standard","category-musik","tag-disclosure","tag-way-out-west","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/66519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=66519"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/66519\/revisions"}],"predecessor-version":[{"id":66523,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/66519\/revisions\/66523"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=66519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=66519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=66519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}