{"id":6569,"date":"2009-01-21T22:05:14","date_gmt":"2009-01-21T21:05:14","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=6569"},"modified":"2009-01-21T22:05:14","modified_gmt":"2009-01-21T21:05:14","slug":"animal-collective-till-sverige","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=6569","title":{"rendered":"Animal Collective till Sverige"},"content":{"rendered":"

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\n\u00c5rets hittills mest hajpade band, Animal Collective, kommer till Sverige. Ska vi gissa att biljetterna s\u00e4ljs ut lika snabbt som biljetterna till Glasvegas konsert. Fast stockholmarna f\u00e5r vackert ta sig till s\u00f6dra Sverige, f\u00f6r spelningen \u00e4r i Mejeriet i Lund.<\/p>\n

<\/p>\n

4 mars – Oslo, Rockefeller
\n5 mars – Lund, Mejeriet
\n6 mars – K\u00f6penhamn, Amager Bio<\/p>\n

Animal Collective \u00e4r de fyra b\u00e4sta v\u00e4nnerna Avey Tare (David Portner), Panda Bear (Noah Lennox), Deakin (Josh Dibb) och Geologist (Brian Weitz), fr\u00e5n Baltimore, Maryland. Bandet bildades \u00e5r 2000, och har p\u00e5 nio \u00e5r hunnit med flera v\u00e4rldsturn\u00e9er samt vunnit respekt bland b\u00e5de kritiker och publik. Alla indiekids favoritband hade man kunnat kalla dem.<\/p>\n

Deras naturliga f\u00f6rm\u00e5ga att experimentera med popmusik \u00e4r det som definierar deras sound. De listar g\u00e4rna gamla och nya influenser, men h\u00e4rmar aldrig n\u00e5gon eller f\u00f6rs\u00f6ker l\u00e5ta retro. Animal Collective har en f\u00f6rm\u00e5ga att alltid l\u00e5ta som sig sj\u00e4lva, unikt, melodi\u00f6st, rockigt, psykedeliskt, och med en djup tro p\u00e5 sin egen musik.<\/p>\n

Som de sj\u00e4lva s\u00e4ger: \u201dAlla v\u00e5ra skivor kombinerar k\u00e4rleken f\u00f6r fria ljudtolkningar, elektronika, gospel, skr\u00e4ck, hiphop, soul, pop, galenskap, och f\u00f6r alltsammans till n\u00e5got som (f\u00f6rhoppningsvis) \u00e4r ibland helt tillfredsst\u00e4llande och andra g\u00e5nger totalt l\u00e4skigt och f\u00f6rvirrande. Det viktigaste \u00e4r dock att det \u00e4r uppfriskande i denna galna, galna v\u00e4rld.\u201d<\/p>\n

Nu \u00e4r de aktuella med sitt senaste alster \u201dMerriweather Post Pavilion\u201d. Pitchfork gav skivan 9.6 i betyg och skrev s\u00e5h\u00e4r:<\/p>\n

\u201cThis album, which finds Animal Collective completely owning their unique sound, feels like the crucial next step in that conversation. What they’ve constructed here is a new kind of electronic pop– one which is machine-generated and revels in technology but is also deeply human, never drawing too much attention to its digital nature. It’s of the moment and feels new, but it’s also striking in its immediacy and comes across as friendly and welcoming. Animal Collective have spent the decade following their own path, figuring out what their music is capable of while also working to bring more listeners into their world. On Merriweather Post Pavilion, their commitment has paid off tremendously.\u201d<\/p>\n

Animal Collective har gjort sig k\u00e4nda som ett fantastiskt liveband, passionerade och or\u00e4dda. De har en motvilja att acceptera det normer, och vill g\u00e4rna f\u00f6r\u00e4ndras och r\u00f6r sig snabbt fram\u00e5t, n\u00e5got som l\u00e4mnar publiken st\u00e4ndigt ovetandes om vad de kan f\u00f6rv\u00e4nta sig. pelningen p\u00e5 Mejeriet \u00e4r den enda i Sverige under klubbturn\u00e9n i mars, och sj\u00e4lvklart vill vi inte bygga upp f\u00f6rv\u00e4ntningarna, men fan, det kommer att bli galet bra!<\/p>\n

SENASTE SKIVSL\u00c4PP
\n”Merriweather Post Pavillion” ute 30 januari 2009<\/p>\n

\"animalcollective600\"<\/p>\n

Andra bloggar om: konserter<\/a>, Lund<\/a>, spelningar<\/a>, Animal Collective<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c5rets hittills mest hajpade band, Animal Collective, kommer till Sverige. Ska vi gissa att biljetterna s\u00e4ljs ut lika snabbt som biljetterna till Glasvegas konsert. Fast stockholmarna f\u00e5r vackert ta sig till s\u00f6dra Sverige, f\u00f6r spelningen \u00e4r i Mejeriet i Lund.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[3004,3379,5306],"class_list":["post-6569","post","type-post","status-publish","format-standard","category-film","tag-konserter","tag-lund","tag-spelningar","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/6569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6569"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/6569\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}