{"id":65226,"date":"2013-01-17T15:40:58","date_gmt":"2013-01-17T13:40:58","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=65226"},"modified":"2013-01-17T18:49:02","modified_gmt":"2013-01-17T16:49:02","slug":"tips-serkan-denizer-dafuq","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=65226","title":{"rendered":"Tips: Serkan Denizer &#8211; Dafuq"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/kulturbloggen.com\/?attachment_id=65227\" rel=\"attachment wp-att-65227\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-65227\" alt=\"bonerizing\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/01\/bonerizing.jpg\" width=\"219\" height=\"265\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/01\/bonerizing.jpg 1875w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/01\/bonerizing-248x300.jpg 248w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2013\/01\/bonerizing-847x1024.jpg 847w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><\/a><\/p>\n<p>2008 grundade Serkan Denizer den G\u00f6teborgsbaserade labeln <a href=\"https:\/\/www.facebook.com\/BonerizingRec\">Bonerizing Records<\/a>.<span style=\"font-size: 13px; line-height: 19px;\">\u00a0Sedan dess har support kommit fr\u00e5n olika \u00e4ndar av v\u00e4rldseliten inom elektronisk dansmusik; Knife Party, Porter Robinson och BBC Radio 1 f\u00f6r att n\u00e4mna n\u00e5gra.<\/span><\/p>\n<p>Idag \u00e4r Bonerizing Records ett av nordens ledande independentbolag inom genren electro house, men de har \u00e4ven sl\u00e4ppt l\u00e5tar inom glitch hop och dubstep.<\/p>\n<p>&#8211;\u00a0<em>Vi har haft en hel del sl\u00e4pp som blivit v\u00e4ldigt stora, till exempel den k\u00e4nda svenska duon F.O.O.L som sl\u00e4ppte ett helt album med 8 originalsp\u00e5r kallat \u201dMelodies of the Ordinary\u201d . D\u00e4rmed fick vi v\u00e4ldigt stor uppm\u00e4rksamhet med tanke p\u00e5 att F.O.O.L \u00e4r en s\u00e5pass stor akt som spelar p\u00e5 festivaler och klubbar runt om i hela v\u00e4rlden<\/em>, ber\u00e4ttar Denizer.<\/p>\n<p>F\u00f6rutom att driva sitt eget skivbolag arbetar Serkan Denizer \u00e4ven som DJ och producent, snart ger han ut en debut-EP och han har ytterligare ett sl\u00e4pp p\u00e5 g\u00e5ng. Smakprov finns h\u00e4r:\u00a0<a href=\"https:\/\/soundcloud.com\/serkan-denizer\">https:\/\/soundcloud.com\/serkan-denizer<\/a>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F74922919\" height=\"166\" width=\"100%\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2008 grundade Serkan Denizer den G\u00f6teborgsbaserade labeln Bonerizing Records.\u00a0Sedan dess har support kommit fr\u00e5n olika \u00e4ndar av v\u00e4rldseliten inom elektronisk dansmusik; Knife Party, Porter Robinson och BBC Radio 1 f\u00f6r att n\u00e4mna n\u00e5gra. Idag \u00e4r Bonerizing Records ett av nordens ledande independentbolag inom genren electro house, men de har \u00e4ven sl\u00e4ppt l\u00e5tar inom glitch hop [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[9330,9329,9328],"class_list":{"0":"post-65226","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"tag-bonerizing-records","8":"tag-dafuq","9":"tag-serkan-denizer","10":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/65226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=65226"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/65226\/revisions"}],"predecessor-version":[{"id":65238,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/65226\/revisions\/65238"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=65226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=65226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=65226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}