{"id":64092,"date":"2012-12-11T20:57:01","date_gmt":"2012-12-11T18:57:01","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=64092"},"modified":"2012-12-11T20:57:01","modified_gmt":"2012-12-11T18:57:01","slug":"ett-av-varldens-storsta-operaverk-pa-bio-i-sverige-direktsands-fran-metropolitan-i-new-york","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=64092","title":{"rendered":"Ett av v\u00e4rldens st\u00f6rsta operaverk p\u00e5 bio i Sverige – direkts\u00e4nds fr\u00e5n Metropolitan i New York"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Verdis opera Aida om det antika Egypten har ikonstatus i operav\u00e4rlden och scenografin \u00e4r en av de mest storslagna. V\u00e4rldstj\u00e4rnan Liudmyla Monastyrska g\u00f6r huvudrollen i operan som direkts\u00e4nds till inte mindre \u00e4n 93 av Folkets Hus och Parkers biografer, 15 december klockan 19.00.<\/p>\n

\u201dOm du n\u00e5gonsin undrat varf\u00f6r man talar om \u201dstor\u201d opera, s\u00e5 visar Metropolitans magnifika produktion av Verdis Aida vad det hela handlar om\u201d,<\/p><\/blockquote>\n

skriver Huffington Post i sin recension av Aida-premi\u00e4ren p\u00e5 Metropolitan.<\/p>\n

New York Times beskriver den ukrainska operastj\u00e4rnan Liudmyla Monastyrska som en artist i full blom, beg\u00e5vad med en uts\u00f6kt sopranr\u00f6st som beh\u00e5ller sin gl\u00f6d \u00e4ven i de spr\u00f6daste s\u00e5ngpartierna. Hon g\u00f6r sin debut p\u00e5 Metropolitan som Aida.<\/p>\n

Fabio Luisi dirigerar sin f\u00f6rsta Met-upps\u00e4ttning av operan. Sonja Frisells spektakul\u00e4ra iscens\u00e4ttning anv\u00e4nder Met-scenens alla resurser f\u00f6r att \u00e5terskapa det grandiosa antika Egypten.<\/p>\n

Den etiopiska prinsessan Aida lever som slav hos Faraos dotter Amneris. Hennes beundrare, officeren Radam\u00e8s, slits mellan k\u00e4rlek och pliktk\u00e4nslan mot fosterlandet, Egypten.<\/p>\n

Du kan l\u00e4sa synopsis p\u00e5 Mogens Operasidor<\/a><\/p>\n

Aida direkts\u00e4nds till biografer p\u00e5 f\u00f6ljande platser: Ale, Alings\u00e5s, Arboga, Arbr\u00e5, Blomsterm\u00e5la, Boden, Borgholm, Boxholm, Br\u00e4cke, B\u00e5stad, Danderyd, Edsbyn, Eksj\u00f6, Emmaboda, Fagersta, Falkenberg, Filipstad, Gide\u00e5, Gislaved, Gusum, G\u00e4vle, G\u00f6teborg, Hallunda, Heby, Helsingborg, Hultsfred, Hunnebostrand, Kallh\u00e4ll, Kiruna, Kivik, Krokstrand, Kumla, Kung\u00e4lv, K\u00f6ping, Laholm, Lidk\u00f6ping, Lilla Edet, Ljungby, Ljusdal, Lomma, Lund, Lycksele, Lysekil, Malm\u00f6, Mariehamn, Motala, M\u00f6rrum, Nora, Norrk\u00f6ping, Nossebro, Nyk\u00f6ping, Nyn\u00e4shamn, Osby, Oskarshamn, Partille, Pite\u00e5, Sigtuna, Simrishamn, Skene, Skoghall, Skurup, Sk\u00e4rhamn, Sk\u00f6vde, Sollefte\u00e5, Sp\u00e5nga, Stenungsund, Stockholm, Sunne, Sval\u00f6v, S\u00f6dert\u00e4lje, S\u00f6r\u00e5ker, Tomelilla, Torslanda, Tranemo, Trelleborg, Trollh\u00e4ttan, Tumba, Ulricehamn, Ume\u00e5, Varberg, Vaxholm, Visby, V\u00e4ster\u00e5s, Ystad, \u00c5m\u00e5l, \u00c5nge, \u00c5seda, \u00c5sele, \u00c4lmhult.<\/p>\n

I rollerna:<\/strong><\/p>\n

Liudmyla Monastyrska – Aida<\/p>\n

Olga Borodina – Amneris<\/p>\n

Roberto Alagna – Radam\u00e8s<\/p>\n

George Gagnidze – Amonasro<\/p>\n

\u0160tefan Koc\u00e1n – Ramfis<\/p>\n

Mikl\u00f3s Sebesty\u00e9n – Kungen<\/p>\n

Produktionsteam<\/strong><\/p>\n

Dirigent: Fabio Luisi<\/p>\n

Regiss\u00f6r: Sonja Frisell<\/p>\n

Scenografi: Gianni Quaranta<\/p>\n

Kostym: Dada Saligeri<\/p>\n

Ljuss\u00e4ttning: Gil Wechsler<\/p>\n

Koreografi: Alexei Ratmansky<\/p>\n","protected":false},"excerpt":{"rendered":"

Verdis opera Aida om det antika Egypten har ikonstatus i operav\u00e4rlden och scenografin \u00e4r en av de mest storslagna. V\u00e4rldstj\u00e4rnan Liudmyla Monastyrska g\u00f6r huvudrollen i operan som direkts\u00e4nds till inte mindre \u00e4n 93 av Folkets Hus och Parkers biografer, 15 december klockan 19.00. \u201dOm du n\u00e5gonsin undrat varf\u00f6r man talar om \u201dstor\u201d opera, s\u00e5 visar […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[7813,4163,9127,6210],"class_list":{"0":"post-64092","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-film","7":"tag-aida","8":"tag-operabio","9":"tag-pa-fhp-digitala-biografkedja","10":"tag-verdiopera","11":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/64092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=64092"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/64092\/revisions"}],"predecessor-version":[{"id":64095,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/64092\/revisions\/64095"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=64092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=64092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=64092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}