{"id":63022,"date":"2012-11-21T03:22:40","date_gmt":"2012-11-21T01:22:40","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=63022"},"modified":"2012-11-26T09:34:19","modified_gmt":"2012-11-26T07:34:19","slug":"ariel-pinks-haunted-graffiti-pa-debaser-medis","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=63022","title":{"rendered":"Ariel Pink&#8217;s Haunted Graffiti p\u00e5 Debaser Medis"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-63023\" title=\"ariel 1\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-1-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-1-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Ariel Pink&#8217;s Haunted Graffiti, Debaser Medis<\/strong><br \/>\n<em>20 november 2012<\/em><br \/>\nBetyg: 4<\/p>\n<p>Under en l\u00e5ng tid spelade Ariel Pink likt f\u00f6rebilden R. Stevie Moore bara in l\u00e5tar p\u00e5 sitt rum i Beverly Hills. M\u00e5nga l\u00e5tar stannade just d\u00e4r, i rummet.\u00a0V\u00e4ndpunkten kom n\u00e4r han snappades upp av 4AD som tvingade in honom i en ordentlig studio med ett riktigt band. Resultatet kom att bli ett av 2010 \u00e5rs mest kritikerrosade album\u00a0<em>Before Today<\/em>, varifr\u00e5n\u00a0<a href=\"http:\/\/youtu.be\/sc5D9K_TR44\"><em>Round and Round<\/em><\/a>\u00a0av den amerikanska musiksajten Pitchfork dessutom uts\u00e5gs till \u00e5rets b\u00e4sta l\u00e5t. Hur otroligt det \u00e4n skulle ha l\u00e5tit n\u00e5gra \u00e5r tidigare s\u00e5 var succ\u00e9n ett faktum. F\u00f6rv\u00e4ntningarna var s\u00e5ledes h\u00f6ga n\u00e4r den egensinnige l\u00e5tskrivaren tidigare i \u00e5r gav ut sitt andra album med sin Haunted Graffiti-upps\u00e4ttning &#8211;\u00a0<em>Mature Themes<\/em> &#8211;\u00a0ett kollage av mer eller mindre besynnerliga id\u00e9er som namnet till trots ofta k\u00e4nns r\u00e4tt barnsliga.<\/p>\n<p>Ju l\u00e4ngre in i studion Ariel Pink har hittat, desto mer material med potential att tilltala en bredare publik har han lyckats vaska fram.\u00a0Det b\u00e4sta exemplet \u00e4r\u00a0<a href=\"http:\/\/youtu.be\/Ta46M5rksBk\"><em>Only in My Dreams<\/em><\/a> &#8211; en briljant utf\u00f6rd The Byrds-parodi som lyfts fram av en catchy gitarrslinga. Men live framf\u00f6rs den slentrianm\u00e4ssigt relativt tidigt i setet. Det \u00e4r p\u00e5 gr\u00e4nsen till ironiskt, som att han vill s\u00e4ga &#8221;kolla p\u00e5 mig n\u00e4r jag driver med min st\u00f6rsta hit&#8221;.\u00a0N\u00e4r Pink, eller Rosenberg som han egentligen heter, med blonderat h\u00e5r och rosa jeans intog Debaser Medis i Stockholm f\u00f6r sin tredje Sverige-spelning p\u00e5 lika m\u00e5nga \u00e5r l\u00e5g fokus snarare p\u00e5 det lekfulla, teatraliska och infallsrika \u00e4n p\u00e5 att faktiskt framf\u00f6ra l\u00e5tarna s\u00e5som de l\u00e5ter p\u00e5 skiva. I post punk-influerade <em>Early Birds of Babylon<\/em> f\u00f6rvr\u00e4ngdes till exempel Ariel Pinks r\u00f6st till oigenk\u00e4nnlighet i &#8221;Houdini who this, do that, hey how does he do that&#8221;-partierna.<\/p>\n<p>L\u00e5tvalet lutar tungt p\u00e5 <em>Mature Themes<\/em> men han lyckas \u00e4ven sl\u00e4nga in lite \u00e4ldre l\u00e5tar s\u00e5som <a href=\"http:\/\/youtu.be\/81LO9A4WR9A\"><em>Among Dreams<\/em><\/a> och <a href=\"http:\/\/youtu.be\/eHqfB4XM_dM\"><em>She&#8217;s My Girl<\/em><\/a>.\u00a0Fr\u00e5n <em>Before Today<\/em> spelas dock bara <a href=\"http:\/\/youtu.be\/hMNPWT6WDJQ\"><em>Fright Night<\/em><\/a>,\u00a0<a href=\"http:\/\/youtu.be\/91lMOYMuN40\"><em>Menopause Man<\/em><\/a> och avslutningsnumret <em>Round and Round<\/em> vilka alla tillh\u00f6r konsertens h\u00f6jdpunkter. Av \u00a0de nya l\u00e5tarna imponerar framf\u00f6r allt <em>Symphony of a Nymph<\/em> som flirtar med The Beatles <em>Love Me Do\u00a0<\/em>vilket f\u00e5r symbolisera Ariel Pinks k\u00e4rlek f\u00f6r att l\u00e4gga pussel med mer eller mindre tydliga musikaliska referenser.<\/p>\n<p>\u00c4r du inte insatt i Ariel Pinks musik kan hans spretiga l\u00e5tar, som n\u00e4r de framf\u00f6rs live har en tendens att bli \u00e4nnu mer bisarra, nog bli r\u00e4tt frustrerande. Men f\u00f6r oss andra, vi som \u00e4r \u00f6vertygade om att han \u00e4r ett geni, \u00e4r det rent av en uppvisning. Inte minst\u00a0beror det p\u00e5 att trion i Haunted Graffiti \u00e4r tillr\u00e4ckligt skickliga medmusiker f\u00f6r att Ariel Pink ska kunna komma undan med sin utflippade stil &#8211; \u00e4ven om det inte g\u00e5r fullt s\u00e5 vilt till som n\u00e4r han spelade p\u00e5 Debaser Slussen tv\u00e5 \u00e5r tidigare.<\/p>\n<p><strong><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-63024\" title=\"ariel 2\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-2-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-2-300x197.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-2-1024x673.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>F\u00f6ljande l\u00e5tar spelades:<\/strong><\/p>\n<p>Kinski Assassin<br \/>\nIs This the Best Spot?<br \/>\nPink Slime<br \/>\nMature Themes<br \/>\nOnly in My Dreams<br \/>\nFacts of Destiny<br \/>\nDriftwood<br \/>\nStrange Fires<br \/>\nAmong Dreams<br \/>\nEarly Birds of Babylon<br \/>\nShe&#8217;s My Girl<br \/>\nFright Night (Nevermore)<br \/>\nMenopause Man<br \/>\nNostradamus &amp; Me<\/p>\n<p><strong>Extranummer:<\/strong><\/p>\n<p>Symphony of the Nymph<br \/>\nRound and Round<\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-63025\" title=\"ariel 3\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-3-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-3-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/ariel-3-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/uJAMZyuCYWg?list=PLPjurbCq1e0aAqU8dfZeC4U1cttyBHqC7&amp;hl=sv_SE\" frameborder=\"0\" width=\"640\" height=\"360\"><\/iframe><\/p>\n<p>Foto: Jonatan S\u00f6dergren<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ariel Pink&#8217;s Haunted Graffiti, Debaser Medis 20 november 2012 Betyg: 4 Under en l\u00e5ng tid spelade Ariel Pink likt f\u00f6rebilden R. Stevie Moore bara in l\u00e5tar p\u00e5 sitt rum i Beverly Hills. M\u00e5nga l\u00e5tar stannade just d\u00e4r, i rummet.\u00a0V\u00e4ndpunkten kom n\u00e4r han snappades upp av 4AD som tvingade in honom i en ordentlig studio med [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[398,400,1187,8176,9008,9009,9010],"class_list":["post-63022","post","type-post","status-publish","format-standard","category-musik","tag-ariel-pink","tag-ariel-pinks-haunted-graffiti","tag-debaser","tag-mature-themes","tag-only-in-my-dreams","tag-round-and-round","tag-symphony-of-the-nymph","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/63022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=63022"}],"version-history":[{"count":9,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/63022\/revisions"}],"predecessor-version":[{"id":63235,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/63022\/revisions\/63235"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=63022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=63022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=63022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}