{"id":62475,"date":"2012-11-11T03:04:28","date_gmt":"2012-11-11T01:04:28","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=62475"},"modified":"2012-11-11T03:05:09","modified_gmt":"2012-11-11T01:05:09","slug":"i-break-horses-pa-debaser-slussen-2","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=62475","title":{"rendered":"I Break Horses p\u00e5 Debaser Slussen"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/break1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-62476\" title=\"break\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/break1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/break1-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/11\/break1.jpg 618w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>I Break Horses, Debaser Slussen<\/strong><br \/>\n<em>10 november 2012<\/em><br \/>\nBetyg: 4<\/p>\n<p>Det tog tre \u00e5r f\u00f6r Maria Lind\u00e9n och Fredrick Balck att spela in <a href=\"http:\/\/www.ibreakhorses.se\/\">I Break Horses<\/a> debutskiva\u00a0<em>Hearts<\/em>\u00a0som gavs ut f\u00f6rra \u00e5ret. Visst, det \u00e4r ingenting j\u00e4mf\u00f6rt med de 21 \u00e5r det har tagit f\u00f6r Kevin Shields att f\u00f6lja upp\u00a0<em>Loveless<\/em>, men vi kan nog ana vissa drag av studioperfektion hos den svenska indiepopkostymen.<\/p>\n<p>P\u00e5 f\u00f6rhand fanns det kanske vissa fr\u00e5getecken. Det \u00e4r ju f\u00f6rst p\u00e5 senare tid som bandet &#8211; som tycks ha b\u00f6rjat som ett studioprojekt &#8211; ens b\u00f6rjat komma ut och spela, men det skulle visa sig att I Break Horses \u00e4ven \u00e4r en utm\u00e4rkt liveakt. Efter en festivalsommar som bland annat hade sv\u00e4ngarna f\u00f6rbi Way Out West var det \u00e4ntligen dags f\u00f6r deras f\u00f6rsta spelning p\u00e5 hemmaplan. Eftersom det var helg och fritt intr\u00e4de innan 22:00 var det dessutom inf\u00f6r en f\u00f6rv\u00e4ntansfull storpublik.<\/p>\n<p>Tillsammans med tre medmusiker svepte Lind\u00e9n och Balck\u00a0in oss i ett ljuvligt skimmer. De s\u00e5g ut som silhuetter uppbackade av en bl\u00e4ndande dr\u00f6msk ljusshow.<\/p>\n<p>De ofr\u00e5nkomliga shoegaze-j\u00e4mf\u00f6relserna med band som My Bloody Valentine och Slowdive k\u00e4nns \u00e4nnu mer ber\u00e4ttigade live \u00e4n p\u00e5 skiva. Delvis eftersom Lind\u00e9ns reverbdr\u00e4nka vibrato f\u00f6rsvinner bakom de storslagna ljudmattorna (som mestadels best\u00e5r av synthar, synthar och \u00e5terigen synthar). Delvis eftersom de nyttjar olika typer av v\u00e4sen, om \u00e4n inte lika aggressiva som f\u00f6reg\u00e5ngarna, f\u00f6r att skapa st\u00e4mning.\u00a0Men deras pulserande musik sv\u00e4var ocks\u00e5 i gr\u00e4nslandet mellan mer samtida elektroniska akter s\u00e5som M83 och Washed Out.<\/p>\n<p>Fast egentligen beh\u00f6ver man inte j\u00e4mf\u00f6ra I Break Horses med n\u00e5got annat band. De st\u00e5r utm\u00e4rkt p\u00e5 egna ben. Deras sound \u00e4r unikt, dr\u00f6msk och fullst\u00e4ndigt vackert. I kombination med ljusshowen k\u00e4nns det som att iaktta den mest perfekta av soluppg\u00e5ngar en dimmig sommarmorgon.<\/p>\n<p>De premi\u00e4rspelade \u00e4ven en ny l\u00e5t som f\u00e5r mig att l\u00e4ngta efter ett nytt album. F\u00f6rhoppningsvis tar det inte 21 \u00e5r att f\u00e4rdigst\u00e4lla.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/-Sg7YkPnEYw\" frameborder=\"0\" width=\"640\" height=\"360\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I Break Horses, Debaser Slussen 10 november 2012 Betyg: 4 Det tog tre \u00e5r f\u00f6r Maria Lind\u00e9n och Fredrick Balck att spela in I Break Horses debutskiva\u00a0Hearts\u00a0som gavs ut f\u00f6rra \u00e5ret. Visst, det \u00e4r ingenting j\u00e4mf\u00f6rt med de 21 \u00e5r det har tagit f\u00f6r Kevin Shields att f\u00f6lja upp\u00a0Loveless, men vi kan nog ana vissa [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[1190,8944,8943],"class_list":["post-62475","post","type-post","status-publish","format-standard","category-musik","tag-debaser-slussen","tag-hearts","tag-i-break-horses","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/62475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=62475"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/62475\/revisions"}],"predecessor-version":[{"id":62480,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/62475\/revisions\/62480"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=62475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=62475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=62475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}