{"id":60586,"date":"2012-09-19T10:54:47","date_gmt":"2012-09-19T08:54:47","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=60586"},"modified":"2012-09-19T10:55:51","modified_gmt":"2012-09-19T08:55:51","slug":"60586","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=60586","title":{"rendered":"V\u00e4rlds- eller urpremi\u00e4r p\u00e5 The Elephant Man p\u00e5 NorrlandsOperan 6 oktober"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Carl Unander Scahrin<\/p>\n

NorrlandsOperan presenterar: The Elephant Man – The Terrible Tale of the Elephant Man and Jack the Ripper, Two Freaks of Nature.<\/p>\n

Publiken kan se fram emot sp\u00e4nnande ny teknik i en tidl\u00f6s inramning.<\/p>\n

”Ett slags vaudeville i operaformat”,<\/p><\/blockquote>\n

s\u00e4ger regiss\u00f6ren Keith Turnbull.<\/p>\n

 <\/p>\n

V\u00e4rldspremi\u00e4ren sker den 6 oktober i Ume\u00e5.<\/p>\n

The Elephant Man \u00e4r ett helt nytt verk som NorrlandsOperan har best\u00e4llt av librettisten Michael Williams och tons\u00e4ttaren Carl Unander-Scharin.<\/p>\n

Handlingen utspelar sig i England i slutet av 1800-talet. Tv\u00e5 m\u00e4n levde h\u00e4r samtidigt, Joseph Merrick, \u00e4ven kallad Elefantmannen p\u00e5 grund av sin deformerade kropp och Jack the Ripper, seriem\u00f6rdaren som satte skr\u00e4ck i Londonborna.<\/p>\n

I operan l\u00e5ter Michael Williams de b\u00e5da m\u00e4nnen m\u00f6tas, och ser till att \u00e4ven Elefantmannen tr\u00e4ffar Ginger. Hon var ett av Jack Uppsk\u00e4rarens mest k\u00e4nda offer och som h\u00e4r utvecklas genom en specialskriven sopranroll f\u00f6r Susanna Levonen.<\/p>\n

Det h\u00e4r \u00e4r tons\u00e4ttaren Carl Unander-Scharins f\u00f6rsta verk f\u00f6r NorrlandsOperan. Hans genuina intresse f\u00f6r teknik och musik tar sig uttryck n\u00e4r han komponerar.<\/p>\n

-Elefantmannen l\u00e4r ha haft kronisk luftr\u00f6rskatarr. Det kan man inte bortse fr\u00e5n n\u00e4r man ska gestalta honom musikaliskt,<\/p><\/blockquote>\n

s\u00e4ger han. D\u00e4rf\u00f6r har Carl skapat ett nytt elektroniskt instrument f\u00f6r att kunna g\u00f6ra det: Throat III, specialutrustat med sensorer som g\u00f6r att s\u00e5ngaren, n\u00e4r han r\u00f6r handen, kan kontrollera sin r\u00f6sts klang p\u00e5 olika s\u00e4tt.<\/p>\n

 <\/p>\n

Operans regiss\u00f6r \u00e4r kanadensiske Keith Turnbull, som n\u00e4stan uteslutande arbetar med nyskrivna verk. Den innovativa videodesignen \u00e4r signerad Lene Juhl & Mark Viktov och f\u00f6r de tidsenliga kostymerna ansvarar Annsofi Nyberg.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Carl Unander Scahrin NorrlandsOperan presenterar: The Elephant Man – The Terrible Tale of the Elephant Man and Jack the Ripper, Two Freaks of Nature. Publiken kan se fram emot sp\u00e4nnande ny teknik i en tidl\u00f6s inramning. ”Ett slags vaudeville i operaformat”, s\u00e4ger regiss\u00f6ren Keith Turnbull.   V\u00e4rldspremi\u00e4ren sker den 6 oktober i Ume\u00e5. The Elephant […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[4037,8710,6124],"class_list":{"0":"post-60586","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-film","7":"tag-norrlandsoperan","8":"tag-the-elephant-man","9":"tag-urpremiar","10":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/60586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60586"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/60586\/revisions"}],"predecessor-version":[{"id":60590,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/60586\/revisions\/60590"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=60586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=60586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}