{"id":60249,"date":"2012-09-11T10:19:10","date_gmt":"2012-09-11T08:19:10","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=60249"},"modified":"2012-09-11T10:19:10","modified_gmt":"2012-09-11T08:19:10","slug":"maskeradbalen-pa-folkoperan-premiar-26-september","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=60249","title":{"rendered":"Maskeradbalen p\u00e5 Folkoperan – premi\u00e4r 26 september"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Folkoperan presenterar en maskerad d\u00e4r D\u00f6den kl\u00e4r ut sig till Eros och f\u00f6rf\u00f6r kungen. En lustfylld och oroande Maskeradbal n\u00e4r Verdis musik h\u00e4nsynsl\u00f6st leker med k\u00e4nslorna.<\/p>\n

Musik: Giuseppe Verdi<\/p>\n

Libretto: Antonio Somma<\/p>\n

Svensk text: Magnus Lindman, musikalisk bearbetning: Martin Willert<\/p>\n

Maskeradbalen regisseras av Folkoperans nya konstn\u00e4rliga chef, Mellika Melouani Melani. Det \u00e4r hennes f\u00f6rsta operaproduktion p\u00e5 Folkoperans scen.<\/p>\n

Operadebutanten Yinjia Gong sjunger rollen som Kungen. Han har redan vunnit flera s\u00e5ngt\u00e4vlingar i Kina och i Sverige. Yinjia Gong avslutade sin masterutbildning p\u00e5 Operah\u00f6gskolan i Stockholm v\u00e5ren 2012.<\/p>\n

Sopranerna Paulina Pfeiffer och Lisa Carliot gestaltar simultant rollen som kungens f\u00f6rbjudna k\u00e4rlek, Amelia p\u00e5 scenen. Paulina Pfeiffer debuterade s\u00e4songen 2010\/11 p\u00e5 Kungliga Operan i rollen som Adalgisa i Norma samt Mimi i La Boh\u00e8me. Senaste s\u00e4songen har hon bland annat sjungit Judit i Riddar Bl\u00e5sk\u00e4ggs Borg p\u00e5 Kungliga Operan.<\/p>\n

Vi h\u00e4lsar \u00e4ven flera bekanta \u201dFolkoperans\u00e5ngare\u201d v\u00e4lkomna tillbaka; bland andra mezzosopranen Ulrika Tenstam i rollen som sp\u00e5kvinnan Ulrica, barytons\u00e5ngaren Olle Persson och Johan Rydh i rollen som Renato. De har gestaltat stora karakt\u00e4rsroller p\u00e5 Folkoperan genom \u00e5ren.<\/p>\n

Produktionsteam<\/strong><\/p>\n

Regi: Mellika Melouani Melani<\/p>\n

Musikalisk ledning: Joakim Unander<\/p>\n

Dirigenter: Joakim Unander\/Andreas Hanson<\/p>\n

Scenografi & ljus: Bengt Gom\u00e9r<\/p>\n

Kostym: Karin Erskine<\/p>\n

Mask & peruk: Ther\u00e9sia Frisk<\/p>\n

Videoprojektioner: Hans Appelqvist<\/p>\n

Koreografi: Charlotta \u00d6fverholm<\/p>\n

Folkoperans k\u00f6r och orkester<\/p>\n

Medverkande<\/strong><\/p>\n

Kungen: Yinjia Gong<\/p>\n

Renato: Olle Persson\/Johan Rydh<\/p>\n

Amelia: Paulina Pfeiffer och Lisa Carliot<\/p>\n

Ulrica: Ulrika Tenstam<\/p>\n

Oscar: Sara Wid\u00e9n<\/p>\n

Silvano: Dan McLellan\/Arash Azarbad (fr\u00e5n 1 nov)<\/p>\n

Samuel: Peter Haeggstr\u00f6m<\/p>\n

Tom: Andreas Lundmark.<\/p>\n","protected":false},"excerpt":{"rendered":"

Folkoperan presenterar en maskerad d\u00e4r D\u00f6den kl\u00e4r ut sig till Eros och f\u00f6rf\u00f6r kungen. En lustfylld och oroande Maskeradbal n\u00e4r Verdis musik h\u00e4nsynsl\u00f6st leker med k\u00e4nslorna. Musik: Giuseppe Verdi Libretto: Antonio Somma Svensk text: Magnus Lindman, musikalisk bearbetning: Martin Willert Maskeradbalen regisseras av Folkoperans nya konstn\u00e4rliga chef, Mellika Melouani Melani. Det \u00e4r hennes f\u00f6rsta operaproduktion […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[3540,8654],"class_list":{"0":"post-60249","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-film","7":"tag-maskeradbalen","8":"tag-sasongspreemiar-pa-folkoperan","9":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/60249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60249"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/60249\/revisions"}],"predecessor-version":[{"id":60253,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/60249\/revisions\/60253"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=60249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=60249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}