{"id":59709,"date":"2012-08-29T15:19:53","date_gmt":"2012-08-29T13:19:53","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=59709"},"modified":"2012-08-29T15:19:53","modified_gmt":"2012-08-29T13:19:53","slug":"bilder-art-of-the-streets-2012","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=59709","title":{"rendered":"Bilder: Art of the Streets 2012"},"content":{"rendered":"

Art of the Streets 2012
\n25-26 augusti
\nRiksteatern, K\u00e4gelbanan
\nStockholm<\/strong><\/p>\n

\"\"
\u00d6ppna v\u00e4ggen. Foto: Anders L\u00f6wdin<\/a><\/em><\/p>\n

F\u00f6r tredje \u00e5ret i rad s\u00e5 arrangerade i helgen Riksteatern <\/strong>Sveriges st\u00f6rsta konvent f\u00f6r graffiti och gatukonst. Konvent bj\u00f6d p\u00e5 bland andra svenska artister s\u00e5som Karma<\/strong>, MSCR<\/strong>, Seksie\/Bleckan<\/strong>, (ena halvan av Salongbeton)\u00a0och internationella stj\u00e4rnor som amerikanska Pose<\/strong>, danska Bates<\/strong> och s\u00e5 f\u00f6rst\u00e5s finl\u00e4ndska K65<\/a><\/strong>, ett graffiticrew f\u00f6r medlemmar \u00f6ver 65 \u00e5r. Max Good<\/strong> fr\u00e5n USA presenterade \u00e4ven sin intressanta film \u201dVigilante, Vigilante\u201d<\/strong>. Se Trailer h\u00e4r!<\/a><\/p>\n

\"\"
BATES. Foto: Anders L\u00f6wdin<\/a><\/em><\/p>\n

\"Karma,
Karma. Foto: Anders L\u00f6wdin<\/a><\/em><\/p>\n

\"\"
Karma. Foto: Anders L\u00f6wdin<\/a><\/em><\/p>\n

Nu p\u00e5 \u00e5r tre b\u00f6rjar Art of the Streets sakta s\u00e4tta sig. Konventet lockar m\u00e5nga entuastiska be\u00f6kare och unga som gamla bes\u00f6kte K\u00e4gelbanan i helgen. Graffiti \u00e4r v\u00e5r tids indikator och v\u00e4rdem\u00e4tare p\u00e5 m\u00f6jligheterna att kunna uttrycka sig. M\u00f6jligheterna att sj\u00e4lv bidra n\u00e5got till det offentliga rummet. N\u00e4r man f\u00f6rbjuder konstformen Graffiti g\u00f6r man sig direkt skyldig till inskr\u00e4nkningar i friheten. Parallellen till 70 \u2013 och 80-talens hysteri kring skateboardkulturen \u00e4r talande. Mellan 1978 och 1989 var skateboard totalf\u00f6rbjudet i Norge f\u00f6r att ta ett magstarkt exempel.<\/p>\n

Jag tycker att Riksteatern agerar f\u00f6red\u00f6mligt och ser deras insatser som en sorts isbrytare i ett kallt stockholmsklimat. Det \u00e4r insatser f\u00f6r en f\u00f6rtryckt konstform som vi kommer att komma ih\u00e5g den dag vi t\u00e4nker tillbaka n\u00e5gon g\u00e5ng i framtiden. <\/p>\n

Referenser: Riksteaterf\u00f6reningen\u00a0Graffitifr\u00e4mjandet<\/a>. Nolltoleransen<\/a>.<\/p>\n

Media: DN<\/a>, SvD<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Art of the Streets 2012 25-26 augusti Riksteatern, K\u00e4gelbanan Stockholm \u00d6ppna v\u00e4ggen. Foto: Anders L\u00f6wdin F\u00f6r tredje \u00e5ret i rad s\u00e5 arrangerade i helgen Riksteatern Sveriges st\u00f6rsta konvent f\u00f6r graffiti och gatukonst. Konvent bj\u00f6d p\u00e5 bland andra svenska artister s\u00e5som Karma, MSCR, Seksie\/Bleckan, (ena halvan av Salongbeton)\u00a0och internationella stj\u00e4rnor som amerikanska Pose, danska Bates och […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[62],"tags":[419,2076,8602,4756],"class_list":["post-59709","post","type-post","status-publish","format-standard","category-medie-och-kulturpolitik","tag-art-of-the-streets","tag-graffiti","tag-nolltoleransen","tag-riksteatern","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/59709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59709"}],"version-history":[{"count":8,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/59709\/revisions"}],"predecessor-version":[{"id":59721,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/59709\/revisions\/59721"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=59709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=59709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}