{"id":58770,"date":"2012-08-11T03:34:44","date_gmt":"2012-08-11T01:34:44","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=58770"},"modified":"2012-08-14T01:55:28","modified_gmt":"2012-08-13T23:55:28","slug":"way-out-west-blur-infriar-forvantningarna","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=58770","title":{"rendered":"Way Out West: Blur infriar f\u00f6rv\u00e4ntningarna"},"content":{"rendered":"<p><strong>Blur, Flamingo<\/strong><br \/>\nWay Out West 10 augusti 2012<br \/>\nBetyg: 4<\/p>\n<p>Vad ska man egentligen f\u00f6rv\u00e4nta sig n\u00e4r ett av 90-talets mest inflytelserika brittiska band \u00e5terf\u00f6renas. Vanligtvis \u00e4r skepticism ber\u00e4ttigad men n\u00e4r Blur s\u00e5lde ut Hyde Park tv\u00e5 g\u00e5nger om 2009 stod det klart att ingenting hade f\u00f6r\u00e4ndrats. N\u00e4r Damon Albarn kliver p\u00e5 Flamingo-scenen \u00e4r det till och med i samma gamla Fred Perry-pik\u00e9 som vi \u00e4r vana vid.<\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-58775\" title=\"Blur-2\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-200x133.jpg 200w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-175x116.jpg 175w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-344x230.jpg 344w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-97x65.jpg 97w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-80x53.jpg 80w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-150x100.jpg 150w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-590x393.jpg 590w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2-920x613.jpg 920w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-2.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Redan n\u00e4r Bon Iver h\u00e5ller p\u00e5 att avsluta sin spelning p\u00e5 scenen mitt emot sjunger de mest f\u00f6rv\u00e4ntansfulla fansen p\u00e5 alls\u00e5ngsklassikern\u00a0<em>Tender<\/em>. Bandet inleder sedan med <em>Girls and Boys<\/em> och det bjuds p\u00e5 en ordentlig hitkavalkad. Men \u00e4ven mer s\u00e4llsynta l\u00e5tar &#8211; s\u00e5som B-sidan <em>Young and Lovely<\/em> &#8211; f\u00e5r plats i l\u00e5tlistan. <em>Out of Time<\/em> \u00e4r ett m\u00f6te mellan brittpop och afrikansk musik. Av de tv\u00e5 nya l\u00e5tarna faller mig framf\u00f6r allt Beatles-inspirerade <em>Under the Westway<\/em> i smaken och avslutningsnumret <em>The Universal<\/em> \u00e4r precis lika vacker som p\u00e5 skiva.<\/p>\n<p>Ofta f\u00e5r l\u00e5tarna tala f\u00f6r sig sj\u00e4lva, men \u00e5 andra sidan beh\u00f6vs inget mellansnack. Vi har alla en relation till l\u00e5tarna. Vi kan alla sjunga med i <em>Parklife<\/em> och <em>Song 2<\/em> &#8211; som f\u00f6ga f\u00f6rv\u00e5nande \u00e4r de tv\u00e5 l\u00e5tar som f\u00e5r ig\u00e5ng publiken i s\u00e4rklass mest.<\/p>\n<p>F\u00f6rutom Damon Albarn har \u00e4ven lo fi-gitarristen Graham Coxon en gedigen solokarri\u00e4r att \u00e4gna sig \u00e5t &#8211; s\u00e5 vem vet n\u00e4r, eller ens om, vi kommer f\u00e5 se Blur igen. P\u00e5 s\u00f6ndag spelar de p\u00e5 OS-avslutningen, men d\u00e4refter verkar det inte finnas n\u00e5gra konkreta planer. D\u00e4remot visar Way Out West-spelningen att Blur anno 2012 \u00e4r fyra kompisar som unnar sig sj\u00e4lva &#8211; och fansen &#8211; n\u00e5gra f\u00e5 exklusiva spelningar f\u00f6r att alla de d\u00e4r klassiska l\u00e5tarnas skull.<\/p>\n<p>F\u00f6ljande l\u00e5tar spelades:<\/p>\n<p>Girls and Boys<br \/>\nTracy Jacks<br \/>\nJubilee<br \/>\nBeetlebum<br \/>\nCoffee and TV<br \/>\nOut of Time<br \/>\nYoung and Lovely<br \/>\nTrimm Trabb<br \/>\nCaramel<br \/>\nParklife<br \/>\nThe Puritan<br \/>\nPopscene<br \/>\nSong 2<br \/>\nTender<br \/>\nThis is a Low<\/p>\n<p>Sing<br \/>\nUnder the Westway<br \/>\nIntermission<br \/>\nEnd of a Century<br \/>\nFor Tomorrow<br \/>\nThe Universal<\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-58776\" title=\"Blur-3\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-200x133.jpg 200w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-175x116.jpg 175w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-344x230.jpg 344w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-97x65.jpg 97w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-80x53.jpg 80w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-150x100.jpg 150w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-590x393.jpg 590w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3-920x613.jpg 920w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/08\/Blur-3.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Blur, Flamingo Way Out West 10 augusti 2012 Betyg: 4 Vad ska man egentligen f\u00f6rv\u00e4nta sig n\u00e4r ett av 90-talets mest inflytelserika brittiska band \u00e5terf\u00f6renas. Vanligtvis \u00e4r skepticism ber\u00e4ttigad men n\u00e4r Blur s\u00e5lde ut Hyde Park tv\u00e5 g\u00e5nger om 2009 stod det klart att ingenting hade f\u00f6r\u00e4ndrats. N\u00e4r Damon Albarn kliver p\u00e5 Flamingo-scenen \u00e4r det [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":58771,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[755,1106,6353],"class_list":["post-58770","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","tag-blur","tag-damon-albarn","tag-way-out-west","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58770"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58770\/revisions"}],"predecessor-version":[{"id":58934,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58770\/revisions\/58934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/58771"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}