{"id":58727,"date":"2012-08-10T14:10:19","date_gmt":"2012-08-10T12:10:19","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=58727"},"modified":"2012-08-10T14:21:59","modified_gmt":"2012-08-10T12:21:59","slug":"way-out-west-hot-chip-forvandlade-festivalen-till-ett-disco","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=58727","title":{"rendered":"Way Out West: Hot Chip f\u00f6rvandlade festivalen till ett disco"},"content":{"rendered":"<p><strong>Hot Chip, Linn\u00e9<\/strong><br \/>\nWay Out West 9 augusti 2012<br \/>\nBetyg: 4<\/p>\n<p>Det var publiken som stod f\u00f6r festen n\u00e4r Hot Chip intog Linn\u00e9-scenen samtidigt som The Black Keys spelade p\u00e5 festivalens st\u00f6rsta scen under torsdagskv\u00e4llen. Fr\u00e5n inledande <em>And I Was a Boy from School<\/em> via hits som <em>Over and Over<\/em>, <em>I Feel Better<\/em> och en n\u00e5got omgjord version av <em>Ready for the Floor<\/em> f\u00f6rvandlade Way Out West till ett lyxigt disco. En hitkavalkad som sedan de spelade p\u00e5 Popaganda tv\u00e5 \u00e5r tidigare har blivit om m\u00f6jligt \u00e4nnu b\u00e4ttre nu n\u00e4r de tidigare under sommaren sl\u00e4ppte sin kanske hittills starkaste skiva <em>In Our Heads<\/em>. Jag saknade visserligen <em>Motion Sickness<\/em> men av de nya l\u00e5tarna sticker <em>Don&#8217;t Deny Your Heart<\/em> och framf\u00f6r allt <em>Flutes<\/em> ut som briljanta dansgolvsfyllare.<\/p>\n<p>Frontfiguren Alexis Taylor \u00e4r en kortvuxen man som n\u00e4r han g\u00f6mmer sig bakom ett hav av synthar knappt g\u00e5r att se. Ibland g\u00f6r han en tur ut p\u00e5 scenkanten d\u00e4r han sl\u00e4pper loss och dansar helt oh\u00e4mmat &#8211; som f\u00f6r att bevisa att han faktiskt existerar. Precis som r\u00f6sten, som l\u00e5ten som en hybrid mellan Neil Tennants ljusa och Bernard Sumners svajiga, \u00e4r det en charmig och sympatisk syn. Med r\u00f6tterna i just 80-talets elektroniska musik bevisar &#8211; som om vi beh\u00f6vde bli p\u00e5minda &#8211; Hot Chip att London fortfarande \u00e4r Mekka f\u00f6r dansant pop. \u00c4ven om de p\u00e5 skiva kan bli lite f\u00f6r intelligenta f\u00f6r sitt eget b\u00e4sta fyller \u00e4r det live bara en sak som g\u00e4ller n\u00e4r hela Way Out West f\u00f6rvandlas till ett disco: Dans, dans, dans.<\/p>\n<p>F\u00f6ljande l\u00e5tar spelades:<\/p>\n<p>And I Was a Boy from School<br \/>\nDon&#8217;t Deny Your Heart<br \/>\nOne Life Stand<br \/>\nNight and Day<br \/>\nFlutes<br \/>\nOver and Over<br \/>\nHow Do You Do?<br \/>\nI Feel Better<br \/>\nReady for the Floor<br \/>\nEverywhere<br \/>\nHold On<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/5GOZjlwIwfk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hot Chip, Linn\u00e9 Way Out West 9 augusti 2012 Betyg: 4 Det var publiken som stod f\u00f6r festen n\u00e4r Hot Chip intog Linn\u00e9-scenen samtidigt som The Black Keys spelade p\u00e5 festivalens st\u00f6rsta scen under torsdagskv\u00e4llen. Fr\u00e5n inledande And I Was a Boy from School via hits som Over and Over, I Feel Better och en [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":58752,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[2314,6353],"class_list":["post-58727","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","tag-hot-chip","tag-way-out-west","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58727"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58727\/revisions"}],"predecessor-version":[{"id":58760,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58727\/revisions\/58760"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/58752"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}