{"id":58328,"date":"2012-08-04T18:11:24","date_gmt":"2012-08-04T16:11:24","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=58328"},"modified":"2012-08-04T18:11:24","modified_gmt":"2012-08-04T16:11:24","slug":"stockholm-music-arts-elegant-marianne-faithfull-intog-skeppsholmen","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=58328","title":{"rendered":"Stockholm Music & Arts: Elegant Marianne Faithfull intog Skeppsholmen"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Marianne Faithfull<\/strong>
\nStockholm Music & Arts 3 augusti 2012
\nBetyg: 3<\/p>\n

Det bj\u00f6ds p\u00e5 en lyxig blandning av l\u00e5tar som speglade hela spektrumet av Marianne Faithfulls gedigna karri\u00e4r \u00e4ven om viss tonvikt, framf\u00f6r allt inledningsvis, l\u00e5g p\u00e5 senaste skivan Horses and High Heels<\/em>.\u00a0Alltifr\u00e5n As Tears Go By<\/em>, Stones-tolkningen som var hennes f\u00f6rsta inspelning som sjutton\u00e5rig, via Broken English<\/em> – titelsp\u00e5ret fr\u00e5n den hyllade \u00e5terkomsten ifr\u00e5n drogtr\u00e4sket som mynnade ut i ett imponerande gitarrsolo – till en svepande och effektdr\u00e4nkt The Stations.\u00a0<\/em>Hon presenterade artigt l\u00e5tarna och passade ibland \u00e4ven p\u00e5 att s\u00f6rpla i sig av sitt vita vin – det var liksom genomg\u00e5ende elegant utan att sakna attityd.<\/p>\n

\u00c4ven om hon f\u00f6r det mesta stod stilla p\u00e5 scen lyckades hennes stundtals r\u00e4tt motstr\u00e4viga r\u00f6st komplettera de genomskickliga musikaliska arrangemangen. Basisten, gitarristen och keyboardisten (som ibland \u00e4ven spelade oboe och saxofon) skapade fylliga och nyansrika ljudbilder och visade flera g\u00e5nger om p\u00e5 sin m\u00e5ngsidighet. Rockiga Prussian Blue<\/em>, ”hitten”\u00a0The Ballad of Lucy Jordan<\/em> samt Bob Dylan-tolkningen Baby Let Me Follow You Down<\/em>\u00a0– d\u00e4r hon enbart ackompanjerades av en akustisk gitarr – tog alla avstamp i olika v\u00e4rldar men f\u00f6renades tack vare bandets skicklighet.<\/p>\n

F\u00f6ljande l\u00e5tar spelades:<\/p>\n

Horses and High Heels
\nBrain Drain
\nWhy Did We Have to Part?
\nThe Stations
\nThe Crane Wife
\nBaby Let Me Follow You Down
\nPrussian Blue
\nCrazy Love
\nBroken English
\nAs Tears Go By
\nThe Ballad of Lucy Jordan
\nThe Tower of Song<\/p>\n

\"\"<\/a><\/p>\n

Foto: Lena Dahlstr\u00f6m<\/p>\n","protected":false},"excerpt":{"rendered":"

Marianne Faithfull Stockholm Music & Arts 3 augusti 2012 Betyg: 3 Det bj\u00f6ds p\u00e5 en lyxig blandning av l\u00e5tar som speglade hela spektrumet av Marianne Faithfulls gedigna karri\u00e4r \u00e4ven om viss tonvikt, framf\u00f6r allt inledningsvis, l\u00e5g p\u00e5 senaste skivan Horses and High Heels.\u00a0Alltifr\u00e5n As Tears Go By, Stones-tolkningen som var hennes f\u00f6rsta inspelning som sjutton\u00e5rig, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[3505,7631],"class_list":["post-58328","post","type-post","status-publish","format-standard","category-musik","tag-marianne-faithfull","tag-stockholm-music-arts","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58328"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58328\/revisions"}],"predecessor-version":[{"id":58350,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/58328\/revisions\/58350"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}