{"id":57259,"date":"2012-07-08T14:20:04","date_gmt":"2012-07-08T12:20:04","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=57259"},"modified":"2012-07-08T14:20:38","modified_gmt":"2012-07-08T12:20:38","slug":"roskilde-festival-cold-specks-framfor-sina-makabra-latar-med-glimten-i-ogat","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=57259","title":{"rendered":"Roskilde Festival: Cold Specks framf\u00f6r sina makabra l\u00e5tar med glimten i \u00f6gat"},"content":{"rendered":"<p><strong>Cold Specks, Pavilion Stage<\/strong><br \/>\nRoskilde Festival 7 juli 2012<br \/>\nBetyg: 3<\/p>\n<p>Trots att Kanada-f\u00f6dde s\u00e5ngerskan Cold Specks, eller Al Spx som hon egentligen heter, bara har sl\u00e4ppt en skiva \u00e4r det inf\u00f6r ett mer \u00e4n fullsatt Pavilion Stage hon g\u00f6r sin debutspelning p\u00e5 nordisk mark. Hon f\u00e5r till och med ledmotivet ur <em>Fresh Prince of Bel Air<\/em> att l\u00e5ta som en begravning samtidigt som hennes mellansnack ungef\u00e4r lyder: &#8221;What&#8217;s the definition of trust? One cannibal giving another cannibal a blowjob&#8221;. Hon framf\u00f6r sina makabra l\u00e5tar med glimten i \u00f6gat.<\/p>\n<p><em><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-57282\" title=\"cold specks 3\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-1024x682.jpg 1024w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-200x133.jpg 200w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-175x116.jpg 175w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-345x230.jpg 345w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-97x65.jpg 97w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-80x53.jpg 80w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-150x100.jpg 150w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-590x393.jpg 590w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/07\/cold-specks-31-920x613.jpg 920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Blank Maps<\/em>, den l\u00e5t jag personligen s\u00e5g fram emot mest, spelas redan som tredje l\u00e5t och l\u00e5ter inte alls lika sj\u00e4lfylld som p\u00e5 skiva. Men i takt med att mina f\u00f6rv\u00e4ntningar sjunker kan jag b\u00f6rja njuta av spelningen f\u00f6r vad den egentligen \u00e4r. Textm\u00e4ssigt pr\u00e4glas det av uppbrottet med hennes religi\u00f6sa familj, vilka inte st\u00f6djer hennes musikkari\u00e4r, och under vissa l\u00e5tar &#8211; jag t\u00e4nker framf\u00f6r allt p\u00e5 <em>Hector<\/em> och <em>Holland<\/em> &#8211; f\u00e5r jag g\u00e5shud. Efter lite mer en en timme av gotisk gospel avslutar hon spelningen, som kanske hade passat b\u00e4ttre p\u00e5 den snyggare och lite mer intima Gloria-scenen, med att sjunga <em>One Stepstone<\/em> a capella.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/_yLmWQT8Bag\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Foto: Jonatan S\u00f6dergren<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cold Specks, Pavilion Stage Roskilde Festival 7 juli 2012 Betyg: 3 Trots att Kanada-f\u00f6dde s\u00e5ngerskan Cold Specks, eller Al Spx som hon egentligen heter, bara har sl\u00e4ppt en skiva \u00e4r det inf\u00f6r ett mer \u00e4n fullsatt Pavilion Stage hon g\u00f6r sin debutspelning p\u00e5 nordisk mark. Hon f\u00e5r till och med ledmotivet ur Fresh Prince of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":57281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[6953,8305,4843],"class_list":["post-57259","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","tag-cold-specks","tag-pavilion-stage","tag-roskilde","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/57259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=57259"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/57259\/revisions"}],"predecessor-version":[{"id":57284,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/57259\/revisions\/57284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/57281"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=57259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=57259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=57259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}