{"id":55488,"date":"2012-06-02T16:49:42","date_gmt":"2012-06-02T14:49:42","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=55488"},"modified":"2012-06-03T16:08:33","modified_gmt":"2012-06-03T14:08:33","slug":"the-cure-pa-primavera-sound","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=55488","title":{"rendered":"The Cure p\u00e5 Primavera Sound"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-231x300.jpg\" alt=\"\" title=\"cure\" width=\"231\" height=\"300\" class=\"alignnone size-medium wp-image-55489\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-231x300.jpg 231w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-789x1024.jpg 789w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-173x225.jpg 173w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-115x150.jpg 115w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-177x230.jpg 177w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-50x65.jpg 50w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-61x80.jpg 61w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-590x765.jpg 590w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/06\/cure-920x1193.jpg 920w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><\/a><\/p>\n<p><strong>The Cure, San Miguel Stage<\/strong><br \/>\nBetyg: 4<\/p>\n<p>Det dr\u00f6jer till extranumren. Sedan vaknar Robert Smith och hans manskap som inf\u00f6r den h\u00e4r europeiska festivalturn\u00e9n \u00e4r f\u00f6rst\u00e4rkta med David Bowies gamla gitarrist Reeves Gabrels. Inledningen med <em>Plainsong<\/em>, <em>Pictures of You<\/em> och <em>High<\/em> \u00e4r visserligen som sig b\u00f6r men att ordinarie setlisten var identisk med den de spelade p\u00e5 turn\u00e9premi\u00e4ren p\u00e5 Pinkpop i Nederl\u00e4nderna n\u00e5gra dagar tidigare var lite tr\u00f6tt och f\u00f6ruts\u00e4gbart. <\/p>\n<p>Kanske beror det p\u00e5 att Robert Smith byt ut \u00f6len mot apelsinjuice, men bandet verkar mer koncentrerat och fokuserat \u00e4n n\u00e5gonsin. D\u00e4remot saknar jag nerven. I tyngre l\u00e5tar som <em>One Hundred Years<\/em> och <em>Disintegration<\/em> l\u00e5ter de n\u00e4stan som en fallande dinosaurie. Nej, det \u00e4r hitsen och rariteterna (mest f\u00f6rv\u00e5nad var jag \u00f6ver att de spelade <em>Just One Kiss<\/em>) som r\u00e4ddar spelningen.<\/p>\n<p>F\u00f6rsta omg\u00e5ngen extranummer till\u00e4gnades skivan <em>Kiss Me, Kiss Me, Kiss Me<\/em> fr\u00e5n 1987. Under andra rundan spelades till den spanska publikens f\u00f6rtjusning flamencoklingande <em>The Blood<\/em> s\u00e5v\u00e4l som l\u00e5tar fr\u00e5n <em>The Top<\/em> (<em>Dressing Up<\/em>, <em>The Caterpillar<\/em>) och rariteten <em>Just One Kiss<\/em>. Kv\u00e4llen avslutades sedan s\u00e5klart i alls\u00e5ng och <em>Boys Don&#8217;t Cry<\/em>.<\/p>\n<p><strong>F\u00f6ljande l\u00e5tar spelades:<\/strong><\/p>\n<p>Plainsong<br \/>\nPictures of You<br \/>\nHigh<br \/>\nThe End of the World<br \/>\nLovesong<br \/>\nPush<br \/>\nInbetween Days<br \/>\nJust Like Heaven<br \/>\nFrom the Edge of the Deep Green Sea<br \/>\nThe Hungry Ghost<br \/>\nPlay for Today<br \/>\nA Forest (med bitar av Happy Birthday Simon mot slutet)<br \/>\nBananafishbones<br \/>\nLullaby<br \/>\nThe Walk<br \/>\nMint Car<br \/>\nFriday I&#8217;m in Love<br \/>\nDoing the Unstuck<br \/>\nTrust<br \/>\nWant<br \/>\nWrong Number<br \/>\nOne Hundred Years<br \/>\nDisintegration<\/p>\n<p>The Kiss<br \/>\nIf Only Tonight We Could Sleep<br \/>\nFight<\/p>\n<p>Dressing Up<br \/>\nLovecats<br \/>\nThe Blood<br \/>\nThe Caterpillar<br \/>\nClose to Me<br \/>\nJust One Kiss<br \/>\nLet&#8217;s Go to Bed<br \/>\nSleep When I&#8217;m Dead<br \/>\nWhy Can&#8217;t I Be You?<\/p>\n<p>Boys Don&#8217;t Cry<\/p>\n<p><strong>H\u00e4r kan ni se videoklipp fr\u00e5n spelningen:<\/strong><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/7UD1MXgiM2k\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/VMdsKCWweW4\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/PBUfU8fkMNw\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/A8c5tVRLKRk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Cure, San Miguel Stage Betyg: 4 Det dr\u00f6jer till extranumren. Sedan vaknar Robert Smith och hans manskap som inf\u00f6r den h\u00e4r europeiska festivalturn\u00e9n \u00e4r f\u00f6rst\u00e4rkta med David Bowies gamla gitarrist Reeves Gabrels. Inledningen med Plainsong, Pictures of You och High \u00e4r visserligen som sig b\u00f6r men att ordinarie setlisten var identisk med den de [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":55489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[8129,8137,5723],"class_list":{"0":"post-55488","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musik","8":"tag-primavera","9":"tag-primavera-sound","10":"tag-the-cure","11":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55488"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55488\/revisions"}],"predecessor-version":[{"id":55521,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55488\/revisions\/55521"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/55489"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}