{"id":55262,"date":"2012-05-30T12:52:56","date_gmt":"2012-05-30T10:52:56","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=55262"},"modified":"2012-05-30T12:52:56","modified_gmt":"2012-05-30T10:52:56","slug":"nuckan-och-skurken-av-gian-carlo-menotti-the-old-maid-and-the-thief-1939-handlar-om-brott-begangna-i-det-godas-namn","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=55262","title":{"rendered":"Nuckan och Skurken av Gian-Carlo Menotti (The old Maid and the Thief, 1939) handlar om brott beg\u00e5ngna i Det Godas namn."},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/05\/nuckanochskurkan.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-55263\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/05\/nuckanochskurkan.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/05\/nuckanochskurkan.jpg 150w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/05\/nuckanochskurkan-65x65.jpg 65w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/05\/nuckanochskurkan-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>Operafars om konstn\u00e4rlig st\u00f6ld<\/p>\n<p>Premi\u00e4r p\u00e5 \u00c5rsta Teater 19 juni 2012<\/p>\n<h2><\/h2>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Tanken \u201com man bara har goda avsikter s\u00e5 upph\u00f6r det brottsliga med en st\u00f6ld\u201d \u00e4r oerh\u00f6rt intressant ur ett konstn\u00e4rligt perspektiv. I det postmoderna har sj\u00e4lva reproducerandet av andras upphovsr\u00e4tt blivit en naturlig del i konsten. Detta vill vi utforska och dra till sin spets.<\/p>\n<p>Hela regikoncept \u00e4r d\u00e4rf\u00f6r byggt p\u00e5 en konstn\u00e4rlig st\u00f6ld, inv\u00e4vt i sj\u00e4lva verket. Detta sker i en avancerad (inte minst att repetera!) och mycket dr\u00e5plig form med fler \u00e4n ett metaplan. S\u00e5ngarna spelar sig sj\u00e4lva som spelar rollerna i operan i direkts\u00e4ndning.<\/p>\n<p>Skelettet till f\u00f6rest\u00e4llningen \u00e4r byggt och nu forts\u00e4tter vi att trimma farsmusklerna.\u00a0En bra fars kr\u00e4ver god kondition och h\u00f6g precision, s\u00e5 musikaliska repetitioner varvas med timing-rep och unders\u00f6kande av rollernas relationer. Situationskomiken v\u00e4xer fram och m\u00e5let \u00e4r s\u00e5klart en riktigt v\u00e4ltr\u00e4nad och v\u00e4lklingande farssprinter till premi\u00e4r!<\/p>\n<p>KAMRATERNA<\/p>\n<p>Kamraterna grundades 2006 och Nuckan &amp; Skurken \u00e4r gruppens femte produktion. 2011 intogs scenen p\u00e5 \u00c5rsta Teater med Zaide av Mozart som blev en publik- och kritikersucc\u00e9. Tidigare har man spelat\u00a0<em>\u00c4lskaren<\/em>\u00a0av Harold Pinter och\u00a0<em>Hj\u00e4ltar som vi<\/em>\u00a0av Thomas Brussig och\u00a0<em>Parias<\/em>\u00a0av August Strindberg och Ola Hansson.<\/p>\n<p>MEDVERKANDE<\/p>\n<p>S\u00e5ngare: Therese Badman Stenius, Sara Wid\u00e9n, Caroline Christensen &amp; Linus Flogell<\/p>\n<p>Sk\u00e5despelare: Monica Almqvist-Lov\u00e9n &amp; Dan Turd\u00e9n<\/p>\n<p>Piano: Martin Virin<\/p>\n<p>Regi och scenografi: Dan Turd\u00e9n<\/p>\n<p>Kostym: \u00c5sa Norman<\/p>\n<p>\u00d6vers\u00e4ttning: Magnus Lindman<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Operafars om konstn\u00e4rlig st\u00f6ld Premi\u00e4r p\u00e5 \u00c5rsta Teater 19 juni 2012 &nbsp; &nbsp; Tanken \u201com man bara har goda avsikter s\u00e5 upph\u00f6r det brottsliga med en st\u00f6ld\u201d \u00e4r oerh\u00f6rt intressant ur ett konstn\u00e4rligt perspektiv. I det postmoderna har sj\u00e4lva reproducerandet av andras upphovsr\u00e4tt blivit en naturlig del i konsten. Detta vill vi utforska och dra [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[8117,4598],"class_list":["post-55262","post","type-post","status-publish","format-standard","category-film","tag-operafars-nuckan-och-skurken","tag-pa-arsta-teater","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55262"}],"version-history":[{"count":4,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55262\/revisions"}],"predecessor-version":[{"id":55289,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55262\/revisions\/55289"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}