{"id":55082,"date":"2012-05-26T23:18:31","date_gmt":"2012-05-26T21:18:31","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=55082"},"modified":"2012-05-27T02:47:07","modified_gmt":"2012-05-27T00:47:07","slug":"the-cure-latlista-fran-turnepremiaren","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=55082","title":{"rendered":"The Cure: L\u00e5tlista fr\u00e5n turn\u00e9premi\u00e4ren"},"content":{"rendered":"<p>1992 sl\u00e4ppte The Cure albumet <em>Wish<\/em> som inneh\u00f6ll deras st\u00f6rsta hit <em>Friday I&#8217;m in Love<\/em>. Tjugo \u00e5r senare, p\u00e5 turn\u00e9premi\u00e4ren p\u00e5 Pink Pop-festivalen i Nederl\u00e4nderna, spelades 29 l\u00e5tar varav 5 plockades fr\u00e5n just <em>Wish<\/em>-skivan. P\u00e5 scen g\u00e4stades The Cure av David Bowie-gitarristen Reeves Gabrels (\u00e4r han med i bandet nu eller var det h\u00e4r bara en eng\u00e5ngsh\u00e4ndelse?) och l\u00e5tlistan bj\u00f6d minst sagt p\u00e5 en del \u00f6verraskningar &#8211; ta till exempel <em>Bananafishbones<\/em>, fr\u00e5n den psykedeliska skivan <em>The Top<\/em> fr\u00e5n 1984, som inte spelats live p\u00e5 \u00e5r och dagar!<\/p>\n<p>Den 15:e juni spelar The Cure p\u00e5 Hultsfred och med en setlist som denna \u00f6nskar vi att vi var d\u00e4r nu (f\u00e5r man dr\u00f6mma s\u00e5 byter de visserligen ut <em>Wrong Number<\/em> mot <em>A Letter to Elise<\/em> och <em>Sleep When I&#8217;m Dead<\/em> mot <em>The Caterpillar<\/em>):<\/p>\n<p>Plainsong<br \/>\nPictures of You<br \/>\nHigh<br \/>\nThe End of the World<br \/>\nLovesong<br \/>\nPush<br \/>\nInbetween Days<br \/>\nJust Like Heaven<br \/>\nFrom the Edge of the Deep Green Sea<br \/>\nThe Hungry Ghost<br \/>\nPlay for Today<br \/>\nA Forest<br \/>\nBananafishbones<br \/>\nLullaby<br \/>\nThe Walk<br \/>\nMint Car<br \/>\nFriday I&#8217;m in Love<br \/>\nDoing the Unstuck<br \/>\nTrust<br \/>\nWant<br \/>\nWrong Number<br \/>\nOne Hundred Years<br \/>\nDisintegration<\/p>\n<p><strong>Extranummer:<\/strong><br \/>\nThe Lovecats<br \/>\nClose to Me<br \/>\nLet&#8217;s Go to Bed<br \/>\nSleep When I&#8217;m Dead<br \/>\nWhy Can&#8217;t I Be You?<br \/>\nBoys Don&#8217;t Cry<\/p>\n<p>Bilder fr\u00e5n konserten hittar ni <a href=\"http:\/\/www.flickr.com\/photos\/3fm\/tags\/cure\/\">h\u00e4r<\/a>.<\/p>\n<p>Och s\u00e5 ett videoklipp fr\u00e5n framf\u00f6randet av <em>Friday I&#8217;m in Love<\/em>:<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/qlH_b_aYlhw\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>1992 sl\u00e4ppte The Cure albumet Wish som inneh\u00f6ll deras st\u00f6rsta hit Friday I&#8217;m in Love. Tjugo \u00e5r senare, p\u00e5 turn\u00e9premi\u00e4ren p\u00e5 Pink Pop-festivalen i Nederl\u00e4nderna, spelades 29 l\u00e5tar varav 5 plockades fr\u00e5n just Wish-skivan. P\u00e5 scen g\u00e4stades The Cure av David Bowie-gitarristen Reeves Gabrels (\u00e4r han med i bandet nu eller var det h\u00e4r bara [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":55089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[2332,3396,8091,5723],"class_list":["post-55082","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","tag-hultsfred","tag-latlista","tag-pinkpop","tag-the-cure","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55082"}],"version-history":[{"count":10,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55082\/revisions"}],"predecessor-version":[{"id":55105,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/55082\/revisions\/55105"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/55089"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}