{"id":53420,"date":"2012-04-25T11:53:20","date_gmt":"2012-04-25T09:53:20","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=53420"},"modified":"2012-04-25T11:53:42","modified_gmt":"2012-04-25T09:53:42","slug":"var-fjarde-besokare-pa-dramaten-ar-barn-och-ungdomar","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=53420","title":{"rendered":"Var fj\u00e4rde bes\u00f6kare p\u00e5 Dramaten \u00e4r barn och ungdom"},"content":{"rendered":"<p>Fortsatt m\u00e5nga unga bes\u00f6kare p\u00e5 Dramaten 2011, skriver Dramaten i ett pressmeddelande. Den svenska nationalscenen har haft \u00e5rsst\u00e4mma och siffrorna som redogjorts f\u00f6r d\u00e5 ber\u00e4ttar att andelen biljetter s\u00e5lda med barn- och ungdomsrabatt 2011 uppgick till 23 procent, samma niv\u00e5 som 2010.<\/p>\n<p>Mer siffror om Dramaten:<br \/>\nDramaten har under 2011 haft 27 produktioner p\u00e5 repertoaren. Totalt spelades 1.061 f\u00f6rest\u00e4llningar \u2013 inklusive g\u00e4stspel, turn\u00e9er och \u00f6vriga arrangemang \u2013 f\u00f6r 237 613 bes\u00f6kare. Bel\u00e4ggningen uppgick till 75 procent j\u00e4mf\u00f6rt med 85 procent 2010.<br \/>\nDramaten turnerade med tre produktioner till elva st\u00e4der i Sverige. En produktion lives\u00e4ndes till 42 biografer i landet. <\/p>\n<p>Resultatet f\u00f6re bokslutsdispositioner var -5,4 mkr j\u00e4mf\u00f6rt med -3 mkr f\u00f6reg\u00e5ende \u00e5r. Det egna kapitalet uppgick till 11,7 mkr och obeskattade reserver till 2,5 mkr. Likvida medel \u00f6kade med 0,7 mkr till 45,7 mkr.<br \/>\nUnder 2012 \u00e5rs fyra f\u00f6rsta m\u00e5nader har genomsnittsbel\u00e4ggningen stigit till 87 procent.<\/p>\n<p><strong><a href=\"http:\/\/www.dramaten.se\/Dramaten\/Om-Dramaten\/Bolagsstyrning\/Arsredovisning\/\">Hela \u00e5rsredovisningen hittar du h\u00e4r.<\/a><\/strong><\/p>\n<p>L\u00e4s \u00e4ven andra bloggares \u00e5sikter om <a href=\"http:\/\/bloggar.se\/om\/Dramaten\" rel=\"tag\">Dramaten<\/a>, <a href=\"http:\/\/bloggar.se\/om\/ungdomskultur\" rel=\"tag\">ungdomskultur<\/a>, <a href=\"http:\/\/bloggar.se\/om\/barnkultur\" rel=\"tag\">barnkultur<\/a>, <a href=\"http:\/\/bloggar.se\/om\/kulturpolitik\" rel=\"tag\">kulturpolitik<\/a>, <a href=\"http:\/\/bloggar.se\/om\/kulturekonomi\" rel=\"tag\">kulturekonomi<\/a>, <a href=\"http:\/\/bloggar.se\/om\/%E5rsredovisning\" rel=\"tag\">\u00e5rsredovisning<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fortsatt m\u00e5nga unga bes\u00f6kare p\u00e5 Dramaten 2011, skriver Dramaten i ett pressmeddelande. Den svenska nationalscenen har haft \u00e5rsst\u00e4mma och siffrorna som redogjorts f\u00f6r d\u00e5 ber\u00e4ttar att andelen biljetter s\u00e5lda med barn- och ungdomsrabatt 2011 uppgick till 23 procent, samma niv\u00e5 som 2010. Mer siffror om Dramaten: Dramaten har under 2011 haft 27 produktioner p\u00e5 repertoaren. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":53421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[62,20,30],"tags":[7870,540,1366,7869,3109,7868],"class_list":{"0":"post-53420","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-medie-och-kulturpolitik","8":"category-film","9":"category-teater","10":"tag-arsredovisning","11":"tag-barnkultur","12":"tag-dramaten","13":"tag-kulturekonomi","14":"tag-kulturpolitik","15":"tag-ungdomskultur","16":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/53420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53420"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/53420\/revisions"}],"predecessor-version":[{"id":53423,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/53420\/revisions\/53423"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/53421"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=53420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=53420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}