{"id":52659,"date":"2012-04-10T12:17:00","date_gmt":"2012-04-10T10:17:00","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=52659"},"modified":"2012-04-10T12:18:05","modified_gmt":"2012-04-10T10:18:05","slug":"hasse-alfredsons-den-enfaldige-mordare-satts-upp-pa-helsingborgs-stadsteater","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=52659","title":{"rendered":"Hasse Alfredsons &#8221;Den enfaldige m\u00f6rdare&#8221; s\u00e4tts upp p\u00e5 Helsingborgs stadsteater"},"content":{"rendered":"<p>En av h\u00f6stens mest intressanta teaterupps\u00e4ttningar st\u00e5r Helsingborgs stadsteater f\u00f6r. Hasse Alfredsons hyllade och prisbel\u00f6nta ber\u00e4ttelse g\u00f6rs f\u00f6r f\u00f6rsta g\u00e5ngen n\u00e5gonsin p\u00e5 en teaterscen.  F\u00f6rest\u00e4llningen baseras p\u00e5 Hasse Alfredsons film Den enfaldige m\u00f6rdaren (1982) och hans bok En ond man (1980), <a href=\"http:\/\/www.mynewsdesk.com\/se\/pressroom\/helsingborgs_stadsteater\/pressrelease\/view\/nyskrivet-svenskt-paa-helsingborgs-stadsteater-hoesten-2012-den-enfaldige-moerdaren-749127\">ber\u00e4ttar ett pressmeddelande<\/a>:<\/p>\n<p>I filmen gjorde Hasse Alfredson sj\u00e4lv rollen som fabrik\u00f6ren. Den spelas nu av ingen mindre \u00e4n Guldbaggevinnaren Michael Segerstr\u00f6m. I den klassiska rollen som Sven \u201dIdioten\u201d kommer vi att se Erik Borgeke som bl.a. medverkat i Mycket v\u00e4sen f\u00f6r ingenting p\u00e5 Malm\u00f6 Stadsteater. Den centrala rollen som Idiotens syster Vera spelas av Helsingborgs stadsteaters Cecilia Borss\u00e9n.<\/p>\n<p>F\u00f6r manus st\u00e5r en av Sveriges mest intressanta dramatiker, Dennis Magnusson, och f\u00f6r regin svarar Dennis Sandin, som st\u00e5tt bakom m\u00e5nga rosade f\u00f6rest\u00e4llningar p\u00e5 bland andra Uppsala stadsteater och Malm\u00f6 Stadsteater.<\/p>\n<p>Premi\u00e4r p\u00e5 Storan p\u00e5 Helsingborgs stadsteater 15 september.<\/p>\n<p>L\u00e4s \u00e4ven andra bloggares \u00e5sikter om <a href=\"http:\/\/bloggar.se\/om\/Hasse+Alfredson\" rel=\"tag\">Hasse Alfredson<\/a>, <a href=\"http:\/\/bloggar.se\/om\/Helsingborgs+stadsteater\" rel=\"tag\">Helsingborgs stadsteater<\/a>, <a href=\"http:\/\/bloggar.se\/om\/Den+enfaldige+m%F6rdaren\" rel=\"tag\">Den enfaldige m\u00f6rdaren<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En av h\u00f6stens mest intressanta teaterupps\u00e4ttningar st\u00e5r Helsingborgs stadsteater f\u00f6r. Hasse Alfredsons hyllade och prisbel\u00f6nta ber\u00e4ttelse g\u00f6rs f\u00f6r f\u00f6rsta g\u00e5ngen n\u00e5gonsin p\u00e5 en teaterscen. F\u00f6rest\u00e4llningen baseras p\u00e5 Hasse Alfredsons film Den enfaldige m\u00f6rdaren (1982) och hans bok En ond man (1980), ber\u00e4ttar ett pressmeddelande: I filmen gjorde Hasse Alfredson sj\u00e4lv rollen som fabrik\u00f6ren. Den spelas [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":52660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30],"tags":[7763,7762,2247],"class_list":["post-52659","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film","category-teater","tag-den-enfaldige-mordaren","tag-hasse-alfredson","tag-helsingborgs-stadsteater","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/52659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52659"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/52659\/revisions"}],"predecessor-version":[{"id":52662,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/52659\/revisions\/52662"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/52660"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=52659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=52659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=52659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}