{"id":52489,"date":"2012-04-06T13:13:13","date_gmt":"2012-04-06T11:13:13","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=52489"},"modified":"2012-04-07T03:22:56","modified_gmt":"2012-04-07T01:22:56","slug":"the-cures-50-basta-latar","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=52489","title":{"rendered":"The Cures 50 b\u00e4sta l\u00e5tar"},"content":{"rendered":"<p>Hultsfredsfestivalen n\u00e4rmar sig med stormsteg. Affischerna b\u00f6rjar dyka upp lite varstans p\u00e5 stan. P\u00e5 gatorna. I kollektivtrafiken. Affischerna pryds av en akt som inte spelat p\u00e5 Hultsfred sedan 1996 &#8211; The Cure. De brittiska legenderna med Robert Smith i spetsen. I \u00f6ver trettio \u00e5rs tid har det inflytelserika bandet blandat banala popl\u00e5tar som <em>The Lovecats<\/em>, <em>Boys Don&#8217;t Cry<\/em> och <em>Friday I&#8217;m in Love<\/em> med fatalistisk doom and gloom i stil med <em>One Hundred Years<\/em> och <em>Disintegration<\/em>. Utan att n\u00e5gonsin f\u00e5 sin integritet ifr\u00e5gasatt. Vi firar dr\u00f6mmen om den perfekta festivalsommaren genom att ranka ett av v\u00e4rldens b\u00e4sta bands 50 b\u00e4sta l\u00e5tar.<\/p>\n<p>1. Pictures of You<br \/>\n2. A Forest<br \/>\n3. Just Like Heaven<br \/>\n4. Inbetween Days<br \/>\n5. Plainsong<br \/>\n6. Push<br \/>\n7. One Hundred Years<br \/>\n8. Lullaby<br \/>\n9. A Night Like This<br \/>\n10. From the Edge of the Deep Green Sea<br \/>\n11. Faith<br \/>\n12. Friday I&#8217;m in Love<br \/>\n13. Close to Me<br \/>\n14. The Caterpillar<br \/>\n15. Love Song<br \/>\n16. Disintegration<br \/>\n17. To Wish Impossible Things<br \/>\n18. The Walk<br \/>\n19. Boys Don&#8217;t Cry<br \/>\n20. Trust<br \/>\n21. Play for Today<br \/>\n22. How Beautiful You Are<br \/>\n23. Cold<br \/>\n24. Charlotte Sometimes<br \/>\n25. The Same Deep Water As You<br \/>\n26. A Strange Day<br \/>\n27. Let&#8217;s Go to Bed<br \/>\n28. High<br \/>\n29. The Hanging Garden<br \/>\n30. Doing the Unstuck<br \/>\n31. If Only Tonight We Could Sleep<br \/>\n32. M<br \/>\n33. Shake Dog Shake<br \/>\n34. Why Can&#8217;t I Be You?<br \/>\n35. A Letter to Elise<br \/>\n36. Dressing Up<br \/>\n37. Underneath the Stars<br \/>\n38. This Twilight Garden<br \/>\n39. Going Nowhere<br \/>\n40. Three Imaginary Boys<br \/>\n41. The Only One<br \/>\n42. The 13th<br \/>\n43. Jupiter Crash<br \/>\n44. Jumping Someone Else&#8217;s Train<br \/>\n45. Primary<br \/>\n46. The Exploding Boy<br \/>\n47. Untitled<br \/>\n48. Killing an Arab<br \/>\n49. Catch<br \/>\n50. 10:15 Saturday Night<\/p>\n<p><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/UmFFTkjs-O0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hultsfredsfestivalen n\u00e4rmar sig med stormsteg. Affischerna b\u00f6rjar dyka upp lite varstans p\u00e5 stan. P\u00e5 gatorna. I kollektivtrafiken. Affischerna pryds av en akt som inte spelat p\u00e5 Hultsfred sedan 1996 &#8211; The Cure. De brittiska legenderna med Robert Smith i spetsen. I \u00f6ver trettio \u00e5rs tid har det inflytelserika bandet blandat banala popl\u00e5tar som The Lovecats, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":52490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[2332,5723],"class_list":["post-52489","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","tag-hultsfred","tag-the-cure","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/52489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52489"}],"version-history":[{"count":7,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/52489\/revisions"}],"predecessor-version":[{"id":52516,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/52489\/revisions\/52516"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/52490"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=52489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=52489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=52489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}