{"id":51113,"date":"2012-03-17T03:05:45","date_gmt":"2012-03-17T02:05:45","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=51113"},"modified":"2012-03-18T12:30:18","modified_gmt":"2012-03-18T11:30:18","slug":"cass-mccombs-pa-debaser-slussen","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=51113","title":{"rendered":"Cass McCombs p\u00e5 Debaser Slussen"},"content":{"rendered":"

Cass McCombs, Debaser Slussen<\/strong>
\nBetyg: 3<\/p>\n

Cass McCombs har kallats f\u00f6r mycket. Vandrande folksj\u00e4l eller Kalifornien-baserad existentialist. Den framlidne brittiske radiopersonligheten John Peel valde att kalla honom diskret men briljant och jag kan inte annat \u00e4n inst\u00e4mma \u2013 \u00e4ven om jag sj\u00e4lv tycker att skepnaden hans l\u00e5tar tar f\u00f6r det mesta b\u00e4st beskrivs som l\u00e5gm\u00e4lda mysterier.<\/p>\n

Ofta \u00e4r det sv\u00e5rt att s\u00e4tta fingret p\u00e5 exakt vad han f\u00f6rs\u00f6ker f\u00f6rmedla. Det \u00e4r visserligen inte lika p\u00e5r\u00f6kt som hos m\u00e5nga av hans kollegor men det \u00e4r, p\u00e5 gott och ont, rakt igenom flummigt. Inledande Love Thine Enemy<\/em>, som kan ha varit kv\u00e4llens h\u00f6jdpunkt, \u00e4r ett tydligt exempel p\u00e5 en l\u00e5t som v\u00e4cker fler fr\u00e5gor \u00e4n den besvarar.<\/p>\n

F\u00f6rra \u00e5ret sl\u00e4pptes de b\u00e5da albumen Wit’s End<\/em> och Humor Risk<\/em> vilka konserten i stor utstr\u00e4ckning kretsar kring. En av de \u00e4ldre l\u00e5tarna som spelades var uppbyggande Equinox<\/em> som \u00e4ven den tillh\u00f6rde kv\u00e4llens mest minnesv\u00e4rda stunder. \u00d6verlag \u00e4r det b\u00e4st n\u00e4r bandet tar i lite extra.<\/p>\n

Hur charmigt det \u00e4n m\u00e5 vara kan jag inte ge ett h\u00f6gre betyg \u00e4n en trea. Precis som det ska vara en fredagskv\u00e4ll m\u00f6ts jag, \u00e5tminstone vid konsertens b\u00f6rjan, av ett n\u00e4stintill fullsmockat Debaser Slussen – men bara en bit in i Cass McCombs set \u00e4r det inte mer \u00e4n halvfullt. Kanske \u00e4r det inte alla som f\u00f6rst\u00e5r sig p\u00e5 enigmat Cass McCombs \u2013 av f\u00f6rst\u00e5eliga anledningar hamnar hans musik ju inte precis i facket \u201dden ultimata fredagsunderh\u00e5llningen\u201d. Dessutom \u00e4r det m\u00e5nga nyanser man g\u00e5r miste om live men som \u00e4r desto enklare att urskilja p\u00e5 skiva. Dock tycker jag han \u00e4r konsekvent och trogen sitt uttryck vilket i dagens musikindustri f\u00f6rtj\u00e4nar st\u00e5ende ovationer.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

Foto: Nikko Kn\u00f6sch<\/p>\n","protected":false},"excerpt":{"rendered":"

Cass McCombs, Debaser Slussen Betyg: 3 Cass McCombs har kallats f\u00f6r mycket. Vandrande folksj\u00e4l eller Kalifornien-baserad existentialist. Den framlidne brittiske radiopersonligheten John Peel valde att kalla honom diskret men briljant och jag kan inte annat \u00e4n inst\u00e4mma \u2013 \u00e4ven om jag sj\u00e4lv tycker att skepnaden hans l\u00e5tar tar f\u00f6r det mesta b\u00e4st beskrivs som l\u00e5gm\u00e4lda […]<\/p>\n","protected":false},"author":3,"featured_media":51237,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,22],"tags":[7566,1190],"class_list":["post-51113","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","category-skivor","tag-cass-mccombs","tag-debaser-slussen","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/51113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51113"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/51113\/revisions"}],"predecessor-version":[{"id":51244,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/51113\/revisions\/51244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/51237"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}