{"id":51057,"date":"2012-03-16T11:11:04","date_gmt":"2012-03-16T10:11:04","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=51057"},"modified":"2012-03-16T11:48:08","modified_gmt":"2012-03-16T10:48:08","slug":"operahistoriens-mest-kanda-kvinna-visas-pa-bio-live-fran-kungliga-operan-i-stockholm","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=51057","title":{"rendered":"Operahistoriens mest k\u00e4nda kvinna visas p\u00e5 bio &#8211; live fr\u00e5n Kungliga Operan i Stockholm"},"content":{"rendered":"<p>Carmen direkt fr\u00e5n Kungliga operan i Stockholm<\/p>\n<p>Musik<strong>:<\/strong>\u00a0Georges Bizet<\/p>\n<p>Text<strong>:<\/strong>\u00a0Henri Meilhac och Ludovic Hal\u00e9vy efter Prosper M\u00e9rim\u00e9es novell<\/p>\n<p>Utvalda biografer tillh\u00f6rande Folkets Hus\/Parker<\/p>\n<p>L\u00f6rdagen den 31 mars klockan 15:00<\/p>\n<p>Ber\u00e4knad l\u00e4ngd 3 timmar inklusive en paus<\/p>\n<p>&nbsp;<\/p>\n<p>Georges Bizets <em>Carmen<\/em> \u00e4r operahistoriens kanske mest ber\u00f6mda verk och den opera som spelats mest p\u00e5 Kungliga Operan, n\u00e4stan 1 500 g\u00e5nger.<\/p>\n<div>\n<p>Den h\u00e4r g\u00e5ngen \u00e4r det en ny spektakul\u00e4r upps\u00e4ttning som framst\u00e4ller <em>Carmen<\/em> som en frihets\u00e4lskande och modern kvinna.<strong> <\/strong>Huvudrollen, som tolkats av \u00f6ver femtio s\u00e5ngerskor p\u00e5 Operan &#8211; bland annat av nuvarande operachefen Birgitta Svend\u00e9n &#8211; gestaltas den h\u00e4r g\u00e5ngen av svenska mezzosopranen Katarina Leoson medan hennes rivaler Don Jos\u00e9 och Escamillo g\u00f6rs av den italienske tenoren Andrea Car\u00e9 och den engelsk-svenske basbarytonen Jeremy Carpenter. <strong><\/strong><\/p>\n<p>Bakom upps\u00e4ttningen st\u00e5r den franske regiss\u00f6ren Vincent Boussard, som har skapat en modern version, d\u00e4r de talade dialogpartierna tagits bort.<\/p>\n<blockquote><p>&#8211; N\u00e4r man tar bort dialogerna blir operan lite skarpare i sitt tilltal. Jag vill likna det vid en s\u00e5s, d\u00e4r kocken inte envisas med att sockra, s\u00e4ger Boussard.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><strong>Handling:<\/strong><br \/>\nI cigarettfabriken i Sevilla arbetar Carmen. Vacker och egensinnig \u00e4r hon en erotisk dr\u00f6m f\u00f6r soldaterna vid kasernen. Don Jos\u00e9 har aldrig upplevt n\u00e5got liknande n\u00e4r han h\u00f6r henne sjunga om k\u00e4rleken. Han gl\u00f6mmer sin trolovade Mica\u00ebla som v\u00e4ntar i hembyn och f\u00f6ljer Carmens v\u00e4g. Men Don Jos\u00e9 vill \u00e4ga k\u00e4rleken och Carmens hj\u00e4rta m\u00e5ste f\u00e5 flyga fritt. S\u00e5 dyker tjurf\u00e4ktaren Escamillo upp, stolt och sv\u00e5rf\u00e5ngad \u00e4r han en tvillingsj\u00e4l till Carmen&#8230;<\/p>\n<p>Carmen vill \u00e4lska vem hon vill, men f\u00e5r betala ett h\u00f6gt pris f\u00f6r sin k\u00e4rlek. Georges Bizets musik \u00e4r \u00f6msom medryckande, \u00f6msom demoniskt lidelsefull i operan som blivit v\u00e4rldens kanske mest k\u00e4nda. <em>Carmen<\/em> \u00e4r dr\u00f6mmen om Spanien \u2013 ett land som komposit\u00f6ren sj\u00e4lv aldrig bes\u00f6kte.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/?p=41461\">H\u00e4r kan du l\u00e4sa mer om vad jag och andra tyckte om premi\u00e4ren<\/a><\/p>\n<p>Du kan l\u00e4sa mer om opera p\u00e5 min blogg \u00a0<a href=\"http:\/\/www.operalogg.com\">Operalogg<\/a>, men ocks\u00e5 p\u00e5 <a href=\"www.mogensoperasidor.se\/index.htm\">Mogens Operasidor<\/a><\/p>\n<p><a href=\"fhp.nu\/Hem\/Live-pa-bio\/Opera\/Carmen\/\">Mer info<\/a><\/p>\n<p><strong>Produktionsteam<br \/>\n<\/strong>Regi: Vincent Boussard<br \/>\nDirigent: Daniel Blendulf<br \/>\n<strong><\/strong>Scenografi: Vincent Lemaire<br \/>\nKostym\/mask: Zana Bosnjak<br \/>\nLjus: Hans-\u00c5ke Sj\u00f6quist<\/p>\n<p><strong>I rollerna:<\/strong><br \/>\nCarmen &#8211; Katarina Leoson<br \/>\nDon Jos\u00e9 &#8211; Andrea Car\u00e9<br \/>\nEscamillo &#8211; Jeremy Carpenter<br \/>\nMicaela &#8211; Julia Spors\u00e9n<br \/>\nZuniga &#8211; Michael Schmidberger<br \/>\nMorales &#8211; P\u00e4r Nils\u00e9n<br \/>\nDancaire &#8211; Anton Eriksson<br \/>\nRemendado &#8211; Karl Rombo<br \/>\nFrasquita &#8211; Vivianne Holmberg<br \/>\nMercedes &#8211; Susanna Sundberg<\/p>\n<p>Kungliga Operans K\u00f6r, Barn fr\u00e5n Adolf Fredriks musikklasser, Kungliga Hovkapellet<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Carmen direkt fr\u00e5n Kungliga operan i Stockholm Musik:\u00a0Georges Bizet Text:\u00a0Henri Meilhac och Ludovic Hal\u00e9vy efter Prosper M\u00e9rim\u00e9es novell Utvalda biografer tillh\u00f6rande Folkets Hus\/Parker L\u00f6rdagen den 31 mars klockan 15:00 Ber\u00e4knad l\u00e4ngd 3 timmar inklusive en paus &nbsp; Georges Bizets Carmen \u00e4r operahistoriens kanske mest ber\u00f6mda verk och den opera som spelats mest p\u00e5 Kungliga Operan, [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":51062,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[6664,7560,3134],"class_list":{"0":"post-51057","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-film","8":"tag-carmen","9":"tag-folkets-husparkers-utvalda-biografer","10":"tag-kungliga-operan","11":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/51057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51057"}],"version-history":[{"count":5,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/51057\/revisions"}],"predecessor-version":[{"id":51060,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/51057\/revisions\/51060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/51062"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}