{"id":50384,"date":"2012-03-08T12:28:15","date_gmt":"2012-03-08T11:28:15","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=50384"},"modified":"2012-03-08T15:55:36","modified_gmt":"2012-03-08T14:55:36","slug":"feist-pa-cirkus","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=50384","title":{"rendered":"Feist p\u00e5 Cirkus"},"content":{"rendered":"

Feist, Cirkus<\/strong>
\nBetyg: 4<\/p>\n

Det dr\u00f6jer bara ett \u00f6gonblick efter det att den f\u00f6rsta tonen i inledande Undiscovered First<\/em> tagits innan appl\u00e5derna fr\u00e5n ett uts\u00e5lt Cirkus tystnar och den p\u00e5 f\u00f6rhand f\u00f6rv\u00e4ntansfulla k\u00e4nslan \u00f6verg\u00e5r till tyst och and\u00e4ktig beundran. P\u00e5 scen ser Feist ut att vara betydligt mindre \u00e4n jag hade f\u00f6rest\u00e4llt mig men den distinkt honungslena r\u00f6sten \u00e4r desto st\u00f6rre.<\/p>\n

En salig blandning v\u00e4rme, innerlighet och magi uppst\u00e5r i de d\u00e4r l\u00e5tarna som p\u00e5 skiva \u00e4r aningen fridfulla och gemytliga men ikv\u00e4ll v\u00e4xer med tornadoliknande proportioner. Den samspelta upps\u00e4ttningen \u2013 som ut\u00f6ver Feist bland annat best\u00e5r av en finst\u00e4mt k\u00f6rande trio vid namn Mountain Man \u2013 innefattar s\u00e5 m\u00e5nga olika nyanser att det aldrig blir ointressant. Inte ens n\u00e4r instrumentens vid ett tillf\u00e4lle kraftfulla ljudfrekvenser f\u00e5r scenen att vibrera s\u00e5 mycket att hennes tequila spills ut.<\/p>\n

I stor utstr\u00e4ckning plockas material fr\u00e5n senaste skivan Metals<\/em> men de rytmiskt tribala och stundtals n\u00e5got monotona aspekterna i l\u00e5tar som How Come You Never Go There<\/em> och The Bad in Each Other<\/em> \u00e4r n\u00e5got man g\u00e5r miste om p\u00e5 skiva. I den lite \u00e4ldre My Moon My Man<\/em> visar hon sin skicklighet som gitarrist och i den efterf\u00f6ljande hastiga versionen av poppiga I Feel It All<\/em> bjuder hon upp till dans. Att hon som extranummer spelar souliga The Limit to Your Love<\/em> \u2013 som ju \u00e4ven tolkats av James Blake \u2013 kompenserar mer \u00e4n v\u00e4l f\u00f6r att hon v\u00e4grar spela sin st\u00f6rsta hit 1234<\/em>. Avslutande Intuition<\/em>, som hon f\u00f6rklarar \u00e4r hennes egen favorit, till\u00e4gnas en i publiken som tatuerat in en textrad fr\u00e5n l\u00e5ten. <\/p>\n

F\u00f6ljande l\u00e5tar spelades under kv\u00e4llen:<\/p>\n

Undiscovered First
\nA Commotion
\nGraveyard
\nThe Circle Married the Line
\nHow Come You Never Go There
\nMushaboom
\nMy Moon My Man
\nI Feel It All
\nSo Sorry
\nAnti-Pioneer
\nThe Bad in Each Other
\nPast in Present<\/em>
\nMountain Man framf\u00f6r en l\u00e5t sj\u00e4lva p\u00e5 scen
\nComfort Me
\nCaught a Long Wind
\nGet It Wrong, Get It Right<\/em><\/p>\n

Extranummer 1<\/strong>
\nThe Limit to Your Love
\nSealion
\nLet It Die<\/em><\/p>\n

Extranummer 2<\/strong>
\nKnow How<\/em> (tillsammans med Eirik Boe fr\u00e5n Kings of Conveniance)
\nIntuition<\/em><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

Relaterat: Expressen<\/a><\/p>\n

L\u00e4s \u00e4ven andra bloggares \u00e5sikter om Feist<\/a>, Cirkus<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Feist, Cirkus Betyg: 4 Det dr\u00f6jer bara ett \u00f6gonblick efter det att den f\u00f6rsta tonen i inledande Undiscovered First tagits innan appl\u00e5derna fr\u00e5n ett uts\u00e5lt Cirkus tystnar och den p\u00e5 f\u00f6rhand f\u00f6rv\u00e4ntansfulla k\u00e4nslan \u00f6verg\u00e5r till tyst och and\u00e4ktig beundran. P\u00e5 scen ser Feist ut att vara betydligt mindre \u00e4n jag hade f\u00f6rest\u00e4llt mig men den […]<\/p>\n","protected":false},"author":3,"featured_media":50385,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[1007,1686],"class_list":{"0":"post-50384","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musik","8":"tag-cirkus","9":"tag-feist","10":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/50384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=50384"}],"version-history":[{"count":8,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/50384\/revisions"}],"predecessor-version":[{"id":50440,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/50384\/revisions\/50440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/50385"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=50384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=50384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=50384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}