{"id":50266,"date":"2012-03-07T01:58:49","date_gmt":"2012-03-07T00:58:49","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=50266"},"modified":"2012-03-07T02:26:03","modified_gmt":"2012-03-07T01:26:03","slug":"peter-hook-and-the-light-pa-debaser-slussen","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=50266","title":{"rendered":"Peter Hook and the Light p\u00e5 Debaser Slussen"},"content":{"rendered":"

Peter Hook and the Light, Debaser Slussen<\/strong>
\nBetyg: 3<\/p>\n

Det var med blandade k\u00e4nslor jag tog mig till Debaser f\u00f6r att se Peter Hook damma av Joy Divisions \u00f6ver trettio \u00e5r gamla debutalbum Unknown Pleasures<\/em> – det var ju trots allt helig mark som skulle betr\u00e4das – men nervositeten blev snabbt till sentimentalitet och till min gl\u00e4dje kom ”the old bloke from Manchester” undan med gott betyg.<\/p>\n

Som kompband \u00e4r The Light perfekt och det \u00e4r aldrig n\u00e5got tvivel om vem som st\u00e5r i fokus. Peter Hook \u00e4r en f\u00f6rgrundsgestalt f\u00f6r alla basister som vill vara mer \u00e4n just basister. Joy Divisions melodiska basg\u00e5ngar har influerat band som The Cure och Echo and the Bunnymen. L\u00e4gger vi till alla band som influerats av New Order r\u00e4cker inte fingrarna till.<\/p>\n

Likt en svartvit, eller \u00e5tminstone gr\u00e5tonad, polaroid fr\u00e5n en svunnen tid bjuder den cirka nittio minuter l\u00e5nga konserten p\u00e5 nostalgi i sin renaste form – \u00e4ven om det stundtals \u00e4r mer rock’n’roll \u00e4n post punk. Det spelas inte enbart l\u00e5tar fr\u00e5n Unknown Pleasrues<\/em>, bland annat v\u00e4vs l\u00e5tar som Digital<\/em>, Dead Souls<\/em> och Isolation<\/em> fr\u00e5n Closer<\/em> in s\u00e5v\u00e4l i b\u00f6rjan som i f\u00f6rsta rundan extranummer. Precis som p\u00e5 gamla bootlegs \u00e4r s\u00e5ngen r\u00e4tt s\u00e5 bedr\u00f6vligt mixad men n\u00e4r den v\u00e4l g\u00e5r att urskilja tycker jag mig h\u00f6ra vissa likheter med Ian Curtis m\u00f6rka st\u00e4mma.<\/p>\n

Den f\u00f6rl\u00e4ngda versionen av Ceremony<\/em> g\u00f6r att publiken g\u00e5r i taket. Tyv\u00e4rr m\u00e5ste l\u00e5ten ta slut men att den f\u00f6ljs av Transmission<\/em> och Love Will Tear Us Apart<\/em> \u00e4r inte fy skam. I sommar \u00e5ker nyss ”\u00e5terf\u00f6renade” New Order ut p\u00e5 turn\u00e9 men fr\u00e5gan \u00e4r om de kan h\u00e5lla samma professionella niv\u00e5 som Peter Hook? Jag skulle inte tro det.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

S\u00e5 h\u00e4r<\/a> l\u00e4t det n\u00e4r vi ringde upp Peter Hook inf\u00f6r spelningen.<\/p>\n

Foto: Jonatan S\u00f6dergren<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Peter Hook and the Light, Debaser Slussen Betyg: 3 Det var med blandade k\u00e4nslor jag tog mig till Debaser f\u00f6r att se Peter Hook damma av Joy Divisions \u00f6ver trettio \u00e5r gamla debutalbum Unknown Pleasures – det var ju trots allt helig mark som skulle betr\u00e4das – men nervositeten blev snabbt till sentimentalitet och till […]<\/p>\n","protected":false},"author":3,"featured_media":50267,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[1187,2770,3957,4336,7130],"class_list":{"0":"post-50266","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musik","8":"tag-debaser","9":"tag-joy-division","10":"tag-new-order","11":"tag-peter-hook","12":"tag-unknown-pleasures","13":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/50266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=50266"}],"version-history":[{"count":4,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/50266\/revisions"}],"predecessor-version":[{"id":50273,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/50266\/revisions\/50273"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/50267"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=50266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=50266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=50266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}