{"id":49185,"date":"2012-02-22T09:53:25","date_gmt":"2012-02-22T08:53:25","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=49185"},"modified":"2012-02-22T11:48:30","modified_gmt":"2012-02-22T10:48:30","slug":"sommarens-operaforestallningar-pa-drottningholm","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=49185","title":{"rendered":"Sommarens operapremi\u00e4rer p\u00e5 Drottningholm"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-49227\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-300x228.jpg\" alt=\"\" width=\"300\" height=\"228\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-300x228.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-200x152.jpg 200w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-175x133.jpg 175w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-301x230.jpg 301w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-85x65.jpg 85w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-80x60.jpg 80w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-150x114.jpg 150w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012-590x449.jpg 590w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/drottningholm2012.jpg 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Sommaroperor p\u00e5 Drottningholm<\/p>\n<p>27 maj premi\u00e4r p\u00e5\u00a0 Jason &amp; Medea\u00a0 (Il Giasone)<\/p>\n<p>29 juli premi\u00e4r\u00a0 p\u00e5 Haydn\u00b4s \u201dOrlando paladino\u201d<br \/>\n<strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u201dDenna sommar kommer vi att titta n\u00e4rmare p\u00e5 tv\u00e5 av den v\u00e4sterl\u00e4ndska kulturens f\u00e4rgrikaste myter: det gamla grekiska eposet om Jasons och Medeas bravader, samt den medeltida legenden om Roland. Gemensamt f\u00f6r verken \u00e4r en fascination f\u00f6r den outgrundliga k\u00e4nsla som m\u00e4nsklig k\u00e4rlek \u00e4r. Jason blir k\u00e4r i Medea, men \u00e4r hon inte en trollkvinna? Orlando \u00e4lskar Angelica, men det \u00e4r en k\u00e4rlek som g\u00f6r honom vansinnig. Vi talar \u00e4n i dag om k\u00e4rlekens magi eller d\u00e5rskap. Dessutom behandlar b\u00e5da historierna \u00e4mnet k\u00e4rlek \u00f6ver kulturella och religi\u00f6sa gr\u00e4nser \u2013 s\u00e5 kallad f\u00f6rbjuden k\u00e4rlek. Men \u00e4r inte det en paradox?\u201d<\/p><\/blockquote>\n<p>Mark Tatlow,<em> Konstn\u00e4rlig ledare<\/em><\/p>\n<p><em><\/em><strong>Jason &amp; Medea (Il Giasone) av Francesco Cavalli<\/strong><\/p>\n<p><em>Jason &amp; Medea (Il Giasone)<\/em> uruppf\u00f6rdes i Venedig 1649 och var den mest popul\u00e4ra operan under hela 1600-talet. Handlingen bygger p\u00e5 den antika ber\u00e4ttelsen om Jason och Medea, d\u00e4r lust, besatthet och passion \u00e4r viktiga best\u00e5ndsdelar. Ett blodfyllt drama om k\u00e4rlekens villkor och maktspel! F\u00f6r iscens\u00e4ttningen st\u00e5r den italienska regiss\u00f6ren <strong>Deda Cristina Colonna<\/strong> som har en djup f\u00f6rst\u00e5else f\u00f6r 1600-talsoperans villkor och scenografen <strong>Ottavio Anania<\/strong> vars innovativa dr\u00e4ktskisser matchar Cavallis f\u00e4rgstarka musik. Drottningholms Slottsteaters egen orkester framf\u00f6r verket p\u00e5 tidstypiska instrument.<\/p>\n<p><em>Jason &amp; Medea<\/em> \u00e4r en samproduktion med Operah\u00f6gskolan i Stockholm. Francesco Cavallis <em>Jason &amp; Medea<\/em> har aldrig tidigare uppf\u00f6rts p\u00e5 Drottningholm eller ens i Sverige.<\/p>\n<p><strong>\u00a0Medverkande<\/strong><\/p>\n<p>Giasone\/Spirito 1:<strong>\u00a0<\/strong>Maria Sanner<strong> <\/strong><\/p>\n<p>Ercole\/Oreste<strong> :\u00a0\u00a0\u00a0 <\/strong>Staffan Liljas<strong> <\/strong><\/p>\n<p>Besso\/Spirito 4:<strong>\u00a0\u00a0<\/strong>Jens Persson<strong> <\/strong><\/p>\n<p>Isifile\/Amore:<strong>\u00a0 \u00a0\u00a0\u00a0<\/strong>Randi R\u00f8ssaak<strong> <\/strong><\/p>\n<p>Medea\/Sole: <strong>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Sara P Eriksson<strong> <\/strong><strong>\u00a0<\/strong><\/p>\n<p>Delfa:<strong>\u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Rickard Hamrin<strong> <\/strong><\/p>\n<p>Egeo\/Spirito 2: <strong>\u00a0\u00a0 <\/strong>Kristofer Lundin<strong> <\/strong><strong>\u00a0<\/strong><\/p>\n<p>Demo\/Spirito 3:<strong>\u00a0 <\/strong>Conny Thimander<\/p>\n<p><strong>Orlando paladino av Joseph Haydn<\/strong><strong> <\/strong><\/p>\n<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-49233\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-300x247.jpg\" alt=\"\" width=\"300\" height=\"247\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-300x247.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-200x164.jpg 200w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-175x144.jpg 175w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-279x230.jpg 279w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-78x65.jpg 78w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-80x65.jpg 80w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-150x123.jpg 150w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-590x486.jpg 590w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121-920x758.jpg 920w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2012\/02\/orlandinopaladinodrottningholm20121.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Den medeltida legenden om riddaren Roland, som blir galen av k\u00e4rlek till Angelica, f\u00f6rekommer i m\u00e5nga operor. Joseph Haydns <em>Orlando paladino<\/em> fr\u00e5n 1782 spelades senast p\u00e5 Drottningholm 1994. Bakom 2012 \u00e5rs upps\u00e4ttning st\u00e5r den dynamiska duon fr\u00e5n f\u00f6rra sommarens succ\u00e9 <em>Cos\u00ec fan tutte.<\/em> Regiss\u00f6ren <strong>Sigrid T&#8217;Hooft<\/strong> och scenograf <strong>Stephan Dietrich<\/strong> s\u00e4tter upp en version av <em>Orlando paladino<\/em> som ligger mycket n\u00e4ra originalet s\u00e5 som det framf\u00f6rdes p\u00e5 Joseph Haydns tid. Uts\u00f6kta kostymer, gestik och scenspr\u00e5k i samklang med Drottningholms Slottsteaters interi\u00f6r och vackra scenbilder. Musiken framf\u00f6rs p\u00e5 tidstypiska instrument. En fest f\u00f6r alla sinnen!<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0Medverkande<\/strong><\/p>\n<p>Orlando, fransk korsriddare:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0Rickard S\u00f6derberg<strong> <\/strong><\/p>\n<p>Rodomonte, Kung av Barbarien: \u00a0\u00a0Pietro Spagnoli (it)<\/p>\n<p>Angelica, Drottning av Kathay:\u00a0\u00a0\u00a0\u00a0 Kirsten Blaise\u00a0(us)<\/p>\n<p>Medoro, saracensk krigare:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Magnus Staveland (no)<strong> <\/strong><\/p>\n<p>Eurilla, herdinna: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Klara Ek<strong> <\/strong><\/p>\n<p>Caronte, f\u00e4rjkarl: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lars Johansson Brissman<strong> <\/strong><\/p>\n<p>Licone, herde, Eurillas far:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lars Johansson Brissman<\/p>\n<p>Alcina, trollkvinna: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>NN<\/strong><strong> <\/strong><\/p>\n<p>Pasquale, Orlandos v\u00e4pnare:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Daniel Ralphson<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sommaroperor p\u00e5 Drottningholm 27 maj premi\u00e4r p\u00e5\u00a0 Jason &amp; Medea\u00a0 (Il Giasone) 29 juli premi\u00e4r\u00a0 p\u00e5 Haydn\u00b4s \u201dOrlando paladino\u201d &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; \u201dDenna sommar kommer vi att titta n\u00e4rmare p\u00e5 tv\u00e5 av den v\u00e4sterl\u00e4ndska kulturens f\u00e4rgrikaste myter: det gamla grekiska eposet om Jasons och Medeas bravader, samt den medeltida legenden om Roland. Gemensamt [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[99,7306],"class_list":{"0":"post-49185","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-film","7":"tag-99","8":"tag-sommaropera-pa-drottningholm","9":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/49185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49185"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/49185\/revisions"}],"predecessor-version":[{"id":49230,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/49185\/revisions\/49230"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}