{"id":48551,"date":"2012-02-13T14:24:32","date_gmt":"2012-02-13T13:24:32","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=48551"},"modified":"2012-02-13T14:24:32","modified_gmt":"2012-02-13T13:24:32","slug":"michael-kiwanuka-till-stockholm","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=48551","title":{"rendered":"Michael Kiwanuka till Stockholm"},"content":{"rendered":"<p>Michael Kiwanuka \u00e5terv\u00e4nder till Stockholm den 25:e april f\u00f6r en spelning p\u00e5 K\u00e4gelbanan.<\/p>\n<p>S\u00e5 h\u00e4r st\u00e5r det i pressmeddelandet:<\/p>\n<p>&#8221;Om du inte f\u00f6rst\u00e5tt det \u00e4n, s\u00e5 \u00e4r Michael Kiwanuka med st\u00f6rsta sannolikhet en av v\u00e5r tids mest beg\u00e5vade artister. Kiwanuka besitter en tidl\u00f6shet som s\u00e4llan \u00e4r n\u00e4rvarande hos moderna akter. Genom honom sjunger 60-talets soulj\u00e4ttar med sina f\u00f6rsm\u00e4ktande st\u00e4mmor. Richie Havens, Otis Redding och Bill Withers st\u00e5r i rid\u00e5n n\u00e4r Kiwanuka lekande l\u00e4tt framf\u00f6r sin traditionella men modernt tappade soul med afroinfluenser och jazziga \u00f6vertoner. Och det \u00e4r just i den d\u00e4r dimensionen av jazz som mycket av storheten ligger. F\u00f6r finns d\u00e4r inte lite av en helig allians mellan Nick Drake och Terry Callier n\u00e5gonstans i Kiwanukas kompositioner? <\/p>\n<p>Han \u00e4r uppv\u00e4xt i f\u00f6rorten Muswell Hill, i norra London med f\u00f6r\u00e4ldrar som flydde Uganda och Idi Amin. Fr\u00e5n b\u00f6rjan arbetade han som sessiongitarrist men har sedan b\u00f6rjan av 2011 f\u00e5tt uppm\u00e4rksamhet som soloartist. Communion Records uppt\u00e4ckte den unge sk\u00f6ns\u00e5ngaren och under f\u00f6rsta halvan av f\u00f6rra \u00e5ret kom prisade EP:n \u201dTell Me a Tale\u201d. Sedan har det g\u00e5tt som p\u00e5 r\u00e4ls, fr\u00e5n vinsten i BBC:s \u201dSound of 2012\u201d till att \u00f6ppna f\u00f6r Adele p\u00e5 flertalet turn\u00e9er och tillst\u00e4llningar. <\/p>\n<p>Se honom p\u00e5 K\u00e4gelbanan n\u00e4r han framf\u00f6r sitt emotsedda debutalbum \u201dHome Again\u201d (Polydor) som sl\u00e4pps den 12 mars. F\u00f6rsta singeln fr\u00e5n skivan \u00e4r redan ute och ja, det b\u00e5dar gott.&#8221;<\/p>\n<p><strong>Biljetter<\/strong><\/p>\n<p>Biljetterna sl\u00e4pps p\u00e5 fredag den 17 februari och s\u00e4ljs via S\u00f6dra Teaterns biljettkassa p\u00e5 www.sodrateatern.com eller 08-531 99 490.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/kJ4s3G7hgR4\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michael Kiwanuka \u00e5terv\u00e4nder till Stockholm den 25:e april f\u00f6r en spelning p\u00e5 K\u00e4gelbanan. S\u00e5 h\u00e4r st\u00e5r det i pressmeddelandet: &#8221;Om du inte f\u00f6rst\u00e5tt det \u00e4n, s\u00e5 \u00e4r Michael Kiwanuka med st\u00f6rsta sannolikhet en av v\u00e5r tids mest beg\u00e5vade artister. Kiwanuka besitter en tidl\u00f6shet som s\u00e4llan \u00e4r n\u00e4rvarande hos moderna akter. Genom honom sjunger 60-talets soulj\u00e4ttar [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":48552,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[3165,7095],"class_list":{"0":"post-48551","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musik","8":"tag-kagelbanan","9":"tag-michael-kiwanuka","10":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48551"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48551\/revisions"}],"predecessor-version":[{"id":48553,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48551\/revisions\/48553"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/48552"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}