{"id":48518,"date":"2012-02-13T10:57:48","date_gmt":"2012-02-13T09:57:48","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=48518"},"modified":"2012-02-13T11:48:29","modified_gmt":"2012-02-13T10:48:29","slug":"grattis-tinker-tailor-soldier-spy-vann-europeiska-filmpriset","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=48518","title":{"rendered":"Grattis: Tinker Tailor Soldier Spy vann europeiska filmpriset"},"content":{"rendered":"

\"\"<\/a>Tomas Alfredsons spionthriller \u201dTinker, Tailor, Soldier, Spy\u201d vann pris f\u00f6r b\u00e4sta brittiska film p\u00e5 den europeiska filmgalan f\u00f6r Bafta-priset<\/a>. Filmen och Alfredson fick tv\u00e5 priser, de vann ocks\u00e5 priset f\u00f6r b\u00e4sta film baserat p\u00e5 ett tidigare verk. \u201dTinker, Tailor, Soldier, Spy\u201d bygger ju p\u00e5 John le Carr\u00e9s bok \u201dMullvaden\u201d.<\/p>\n

Utm\u00e4rkelsen f\u00f6r b\u00e4sta film alla kategorier gick till fransmannen Michel Hazanavicius stumfil fransmannen Michel Hazanavicius. Hans ”The Artist” , som var galans stora vinnare och bland annat ocks\u00e5 fick pris f\u00f6r b\u00e4sta regi.<\/p>\n

”The Artist” \u00e4r nominerad till b\u00e4sta film inf\u00f6r utdelningen p\u00e5 Oscarsgalan, vilket inte \u201dTinker, Tailor, Soldier, Spy\u201d \u00e4r. Men Alfredsons film har \u00e4nd\u00e5 \u201dtre Oscarsnomineringar, bland annat till Gary Oldman i klassen b\u00e4sta manliga huvudroll.<\/p>\n

Kortfakta om Bafta:<\/a><\/p>\n

The British Academy of Film and Television Arts, BAFTA, en brittisk organisation som \u00e4r v\u00e4rd f\u00f6r \u00e5rligen \u00e5terkommande prisgalor f\u00f6r film, TV, barnfilm och barnprogram, och interaktiv media som datorspel.
\nBAFTA grundades 1947 som The British Film Academy (BFA) och det gick 1958 ihop med en f\u00f6rening av TV-producenter och d\u00f6ptes 1976 om till BAFTA. Grundarna av den ursprungliga akademin \u00e4r bland andra David Lean, Alexander Korda, Carol Reed, och Charles Laughton. Akademins priser \u00e4r formade som en teatermask, och utformades av amerikanska skulpt\u00f6ren Mitzi Cunliffe 1955.<\/em><\/p>\n

H\u00e4r \u00e4r listan \u00f6ver alla nominerade och alla vinnare.<\/a><\/p>\n

H\u00e4r \u00e4r Kulturbloggens recension av Tinker, Tailor, Soldier, Spy<\/a>
\nH\u00e4r \u00e4r Kulturbloggens recension av The Artist<\/a><\/strong><\/p>\n

Relaterat:
\nDagens Nyheter <\/a><\/p>\n

L\u00e4s \u00e4ven andra bloggares \u00e5sikter om film<\/a>, Bafta<\/a>, filmpris<\/a>, Tomas Alfredson<\/a>, The Artist<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Tomas Alfredsons spionthriller \u201dTinker, Tailor, Soldier, Spy\u201d vann pris f\u00f6r b\u00e4sta brittiska film p\u00e5 den europeiska filmgalan f\u00f6r Bafta-priset. Filmen och Alfredson fick tv\u00e5 priser, de vann ocks\u00e5 priset f\u00f6r b\u00e4sta film baserat p\u00e5 ett tidigare verk. \u201dTinker, Tailor, Soldier, Spy\u201d bygger ju p\u00e5 John le Carr\u00e9s bok \u201dMullvaden\u201d. Utm\u00e4rkelsen f\u00f6r b\u00e4sta film alla kategorier […]<\/p>\n","protected":false},"author":13,"featured_media":48520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[50],"tags":[494,12286,7099,7207],"class_list":{"0":"post-48518","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-filmfilm","8":"tag-bafta","9":"tag-film","10":"tag-the-artist","11":"tag-tomas-alfredson","12":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48518"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48518\/revisions"}],"predecessor-version":[{"id":48535,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48518\/revisions\/48535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/48520"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}