{"id":48237,"date":"2012-02-09T23:44:00","date_gmt":"2012-02-09T22:44:00","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=48237"},"modified":"2012-02-09T23:47:38","modified_gmt":"2012-02-09T22:47:38","slug":"chrysta-bell-pa-fasching","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=48237","title":{"rendered":"Chrysta Bell p\u00e5 Fasching"},"content":{"rendered":"<p><strong>Chrysta Bell, Fasching<\/strong><br \/>\nBetyg: 4<\/p>\n<p>Chrysta Bell \u00e4r minst sagt en erfaren debutant. 1998 tr\u00e4ffade hon David Lynch f\u00f6r f\u00f6rsta g\u00e5ngen och enda sedan dess har de skrivit l\u00e5tar ihop \u2013 tillsammans skrev de hennes debutalbum <em>This Train<\/em> som gavs ut f\u00f6rra \u00e5ret och spelningen p\u00e5 Fasching var hennes f\u00f6rsta i Stockholm.<\/p>\n<p>Som h\u00e4mtad ur Twin Peaks \u2013 hon \u00e4r ju n\u00e5got av David Lynchs egna lilla Billie Holiday \u2013 inledde hon med <em>Real Love<\/em>. Ribban sattes direkt och efterf\u00f6ljande tre l\u00e5tar \u2013 <em>This Train<\/em>, <em>Friday Night Fly<\/em> och <em>Right Down to You<\/em> \u2013 h\u00f6ll samtliga en h\u00f6g niv\u00e5.<\/p>\n<p>Milj\u00f6n p\u00e5 Fasching skiljer sig, p\u00e5 r\u00e4tt s\u00e5 grundl\u00e4ggande plan dessutom, fr\u00e5n \u00f6vriga klubbar och jag kan inte annat \u00e4n medge att Chrysta Bell verkligen kommer till r\u00e4tta i den h\u00e4r typen av milj\u00f6. De r\u00f6da draperierna fullkomligt osar <em>Twin Peaks<\/em> och jag f\u00e5r en k\u00e4nsla av att vara p\u00e5 r\u00e4tt plats vid r\u00e4tt tillf\u00e4lle. \u00c4ven om hon i mellansnacken l\u00e5ter \u00f6verv\u00e4ldigad \u2013 n\u00e4stintill nerv\u00f6s \u2013 s\u00e5 skapar den lika tillbakah\u00e5llna som simplistiska instrumentationen utrymme f\u00f6r hennes innerliga och djupa st\u00e4mma som liksom st\u00e4ndigt \u00e4r i blickf\u00e5nget. Det k\u00e4nslosamma vibratot i kombination med hennes r\u00e4tt s\u00e5 unika frasering har en tillr\u00e4ckligt imponerande r\u00e4ckvidd f\u00f6r att f\u00e5 st\u00f6rre delar av publiken p\u00e5 fall. I smyg tjuvlyssnar jag p\u00e5 folk som inte tycks finna nog med komplimanger att \u00f6ver\u00f6sa den amerikanska s\u00e5ngerskan med den surrealistiska l\u00e4ggningen.<\/p>\n<p>Har du turen att befinna dig i Texas i mars rekommenderar jag att du spanar in henne p\u00e5 trendiga Austin-festivalen South by Southwest. Kv\u00e4llens h\u00f6jdpunkt? <em>Right Down to You<\/em> vilken hon avsl\u00f6jar var den f\u00f6rsta l\u00e5ten hon och David Lynch skrev tillsammans!<\/p>\n<p><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/TfKciyBsaC8\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Text och foto: Jonatan S\u00f6dergren<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chrysta Bell, Fasching Betyg: 4 Chrysta Bell \u00e4r minst sagt en erfaren debutant. 1998 tr\u00e4ffade hon David Lynch f\u00f6r f\u00f6rsta g\u00e5ngen och enda sedan dess har de skrivit l\u00e5tar ihop \u2013 tillsammans skrev de hennes debutalbum This Train som gavs ut f\u00f6rra \u00e5ret och spelningen p\u00e5 Fasching var hennes f\u00f6rsta i Stockholm. Som h\u00e4mtad ur [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":48238,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[7165,6878,1666,7167,7166],"class_list":["post-48237","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","tag-chrysta-bell","tag-david-lynch","tag-fasching","tag-sxsw","tag-this-train","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48237"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48237\/revisions"}],"predecessor-version":[{"id":48240,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/48237\/revisions\/48240"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/48238"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}