{"id":47222,"date":"2012-01-24T18:39:46","date_gmt":"2012-01-24T17:39:46","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=47222"},"modified":"2012-01-24T20:42:40","modified_gmt":"2012-01-24T19:42:40","slug":"souldrottningen-lauryn-hill-forvandlar-filadelfiakyrkan-till-soulklubb","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=47222","title":{"rendered":"Souldrottningen Lauryn Hill f\u00f6rvandlar Filadelfiakyrkan till Soulklubb"},"content":{"rendered":"<p>Artist: Lauryn Hill<br \/>\nPlats: Filadelfiakyrkan<br \/>\nDatum 24\/1-2012<br \/>\nPublik: 2300 (Fullsatt)<br \/>\nBeetyg: 4<\/p>\n<p>Lauryn Hill slog igenom med Fugees p\u00e5 90-talet och efter att bandet<br \/>\nuppl\u00f6stes sl\u00e4ppte hon 1997 den m\u00e5ngmiljons\u00e4ljande albumet &#8221;The miseducation of Lauryn Hill&#8221;.<\/p>\n<p>Jag var d\u00e4r, den f\u00f6rtrollade afton 1999, d\u00e5 Lauryn Hill g\u00e4stade Globen i sin f\u00f6rsta soloturne. Det var en magnifik konsert som jag sent skall gl\u00f6mma. <\/p>\n<p>Hennes senaste plattor har ju varit totalt olika varandra &#8211; den nyskapande och hyllade albumet Miseducation of Lauryn Hill fr\u00e5n 1998 och den den sv\u00e5rbegripliga fr\u00e4lsningsplattan Unplugged fr\u00e5n 2001<\/p>\n<p>Den nu djupt religi\u00f6sa Lauryn Hill har valt att g\u00f6ra comeback i den vackra Filadelfiakyrkan vid S:t Eriksplan.<br \/>\nSouldrottningen \u00e4r bara 37 \u00e5r men har hunnit med att vara megastj\u00e4rna, f\u00f6rsvinna fr\u00e5n rampljuset i ett antal \u00e5r samt skaffa sex barnbarn t\u00e5t Bob Marley.<br \/>\nSv\u00e4rfar Marley hinner hon givetvis hylla med underbara versioner av Concrete Jungle och Redemption song.<\/p>\n<p>En timme efter utsatt tid dyker hon upp fullkomligt galet h\u00f6genergisk. Hon inleder med en helt ny version av Roberta Flacks Killing me softly och uppmanar direkt bandet och ljudteknikerna att \u00f6ka trycket!<br \/>\nPubliken \u00e4r i extas, s\u00e5 till den grad att Filadelfiakyrkans balkong h\u00e5ller p\u00e5 att r\u00e4mna.<\/p>\n<p>Hon k\u00f6r m\u00e5nga l\u00e5tar fr\u00e5n &#8221;The miseducation of Lauryn Hill&#8221;,  men med ett fr\u00e4schare sound, mer funkigt och med starka soul- och reggaeinfluenser.<br \/>\nIbland skiljer sig musiken s\u00e5 mycket fr\u00e5n originalet att man k\u00e4nner igen l\u00e5tarna p\u00e5 texterna mer \u00e4n musiken.<br \/>\nSom avslutning visar hon hur suver\u00e4nt s\u00e4ker rappare hon \u00e4r med gamla Fugeesl\u00e5tarna, Ready or not och Fu-gee-la.<\/p>\n<p>Lite snopet \u00e4r det abrupta slutet, d\u00e5 hon v\u00e4grar bjuda p\u00e5 ett extranummer trots publikens ih\u00e4rdiga inklappningar.<\/p>\n<p><strong>Text: Mikael Fredriksson-Navarro<\/strong> <\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/dpuc5Vo8bVo\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artist: Lauryn Hill Plats: Filadelfiakyrkan Datum 24\/1-2012 Publik: 2300 (Fullsatt) Beetyg: 4 Lauryn Hill slog igenom med Fugees p\u00e5 90-talet och efter att bandet uppl\u00f6stes sl\u00e4ppte hon 1997 den m\u00e5ngmiljons\u00e4ljande albumet &#8221;The miseducation of Lauryn Hill&#8221;. Jag var d\u00e4r, den f\u00f6rtrollade afton 1999, d\u00e5 Lauryn Hill g\u00e4stade Globen i sin f\u00f6rsta soloturne. Det var en [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":47224,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,16],"tags":[1704,7013,12285],"class_list":["post-47222","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","category-recension","tag-filadelfiakyrkan","tag-lauryn","tag-recension","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/47222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=47222"}],"version-history":[{"count":4,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/47222\/revisions"}],"predecessor-version":[{"id":47227,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/47222\/revisions\/47227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/47224"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=47222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=47222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=47222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}