{"id":47113,"date":"2012-01-22T23:32:58","date_gmt":"2012-01-22T22:32:58","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=47113"},"modified":"2012-01-25T23:41:21","modified_gmt":"2012-01-25T22:41:21","slug":"skivrecension-cloud-nothings-attack-on-memory","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=47113","title":{"rendered":"Skivrecension: Cloud Nothings &#8211; Attack on Memory"},"content":{"rendered":"<p><strong>Artist: Cloud Nothings<br \/>\nTitel: Attack on Memory<br \/>\nBetyg: 4<\/strong><\/p>\n<p>L\u00e5tarna, som ofta byggs upp fr\u00e5n n\u00e5gon slags halvtrevande monotoni till desperation i sin mest koncentrerade form, charmar Kulturbloggens recensent med sin dynamiska, neoklassiska power-poppiga k\u00e4nsla. P\u00e5 sin tredje skiva p\u00e5 lika m\u00e5nga \u00e5r avf\u00e4rdar Cloud Nothings allt snack om att gitarrocken ska vara p\u00e5 v\u00e4g att d\u00f6 ut &#8211; <em>Attack on Memory<\/em> \u00e4r precis s\u00e5 skr\u00e4nig som vi hade hoppats. N\u00e4r Dylan Baldis r\u00e5tt mixade r\u00f6st l\u00e4gger sig \u00f6ver de medryckande gitarrslingorna kommer jag p\u00e5 mig sj\u00e4lv med ett n\u00e4stan barnsligt leende p\u00e5 l\u00e4pparna.<\/p>\n<p>T\u00e4nk dig 90-talsband som Weezer. Sl\u00e4ng sedan in lite Interpol minus post punk-influenserna och kanske en gnutta av Wavves r\u00e5a l\u00e5gbudgetk\u00e4nsla. S\u00e5 skulle jag v\u00e4lja att beskriva <em>Attack on Memory<\/em> som trots det stundtals daterade soundet k\u00e4nns helt r\u00e4tt 2012.<\/p>\n<p>Cloud Nothings har tidigare varit n\u00e5got av ett enmansprojekt. \u00c4ven om han backades upp av medmusiker p\u00e5 turn\u00e9erna s\u00e5 var det Dylan Baldis som stod bakom det mesta och b\u00e4sta b\u00e5de n\u00e4r det g\u00e4ller l\u00e5tskrivande och produktion. Men nu verkar Clevelandbandet ha blivit mer fullfj\u00e4drat och transformationen b\u00e5dar onekligen gott &#8211; <em>Attack on Memory<\/em> \u00e4r deras b\u00e4sta album hittills.<\/p>\n<p>Skivan, som bara inneh\u00e5ller \u00e5tta l\u00e5tar, \u00e4r tillr\u00e4ckligt kort f\u00f6r att hinnas lyssnas igenom i ett svep men den f\u00f6rr\u00e4diskt simpla estetiken till trots s\u00e5 inneh\u00e5ller <em>Attack on Memory<\/em> en djupg\u00e5ende substans. Inte minst \u00e4r det en v\u00e4lbeh\u00f6vlig utl\u00f6sning av energi f\u00f6r s\u00e5v\u00e4l pop- som punk\u00e4lskare.<\/p>\n<p>B\u00e4sta sp\u00e5r: <em>Stay Useless<\/em><\/p>\n<p><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/HtkePLlTUcY\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artist: Cloud Nothings Titel: Attack on Memory Betyg: 4 L\u00e5tarna, som ofta byggs upp fr\u00e5n n\u00e5gon slags halvtrevande monotoni till desperation i sin mest koncentrerade form, charmar Kulturbloggens recensent med sin dynamiska, neoklassiska power-poppiga k\u00e4nsla. P\u00e5 sin tredje skiva p\u00e5 lika m\u00e5nga \u00e5r avf\u00e4rdar Cloud Nothings allt snack om att gitarrocken ska vara p\u00e5 v\u00e4g [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":47114,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,22],"tags":[6996,6995],"class_list":["post-47113","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","category-skivor","tag-attack-on-memory","tag-cloud-nothings","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/47113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=47113"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/47113\/revisions"}],"predecessor-version":[{"id":47308,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/47113\/revisions\/47308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/47114"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=47113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=47113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=47113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}