{"id":4690,"date":"2008-11-23T18:31:22","date_gmt":"2008-11-23T17:31:22","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=4690"},"modified":"2008-11-23T18:31:22","modified_gmt":"2008-11-23T17:31:22","slug":"lyssna-pa-human-fran-the-killers-nya-album","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=4690","title":{"rendered":"Lyssna p\u00e5 Human fr\u00e5n The Killers nya album"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/sodergren.com\/kulturbloggen\/wp-content\/uploads\/2008\/11\/thekillers260.jpg\" alt=\"\" title=\"thekillers260\" width=\"260\" height=\"150\" class=\"alignright size-full wp-image-4702\" \/><\/p>\n<p><a href=\"http:\/\/www.aftonbladet.se\/nojesbladet\/musik\/recensioner\/article3828761.ab\">Jenny Seth i Aftonbladet<\/a> ger The Killers nya (och tredje album) &#8221;Day &#038; age&#8221; betyg 4.<\/p>\n<blockquote><p>\nP\u00e5 tredje, och hittills b\u00e4sta, albumet har kvartetten g\u00e5tt ifr\u00e5n det rakt gitarrockiga f\u00f6r en mycket mer genomarbetad produktion. Experiment med nya arrangemang, instrument och ljud blir till en salig blandning k\u00f6rer med afrikansk touch, cheezy saxofon och sm\u00e5t\u00f6ntigt s\u00f6t oljefatsbossanova.<br \/>\n&#8230;<br \/>\n\u00c4ven de lite s\u00e4mre l\u00e5tarna v\u00e4xer dock i refr\u00e4ngerna. The Killers \u00e4r melodiexperter och Brandon Flowers r\u00f6st, som glider p\u00e5 alla de r\u00e4tta vokalerna, \u00e4r perfekt f\u00f6r bombastisk pop.<br \/>\nB\u00e4sta sp\u00e5r: \u201dHuman\u201d.<\/p><\/blockquote>\n<p>Jag f\u00f6rst\u00e5r att hon tycker Human \u00e4r b\u00e4sta sp\u00e5ret, f\u00f6r l\u00e5ten \u00e4r j\u00e4ttebra:<\/p>\n<p>Human<\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/1i5368douys&#038;hl=sv&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/1i5368douys&#038;hl=sv&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p><a href=\"http:\/\/www.svd.se\/kulturnoje\/nyheter\/artikel_1828393.svd\">Recension i SVD.<\/a><\/p>\n<p>Andra bloggar om: <a href=\"http:\/\/bloggar.se\/om\/musikvideo\" rel=\"tag\">musikvideo<\/a>, <a href=\"http:\/\/bloggar.se\/om\/skivnytt\" rel=\"tag\">skivnytt<\/a>, <a href=\"http:\/\/bloggar.se\/om\/popmusik\" rel=\"tag\">popmusik<\/a>, <a href=\"http:\/\/bloggar.se\/om\/The+Killers\" rel=\"tag\">The Killers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jenny Seth i Aftonbladet ger The Killers nya (och tredje album) &#8221;Day &#038; age&#8221; betyg 4. P\u00e5 tredje, och hittills b\u00e4sta, albumet har kvartetten g\u00e5tt ifr\u00e5n det rakt gitarrockiga f\u00f6r en mycket mer genomarbetad produktion. Experiment med nya arrangemang, instrument och ljud blir till en salig blandning k\u00f6rer med afrikansk touch, cheezy saxofon och sm\u00e5t\u00f6ntigt [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[3868,4436,5121],"class_list":["post-4690","post","type-post","status-publish","format-standard","category-musik","tag-musikvideo","tag-popmusik","tag-skivnytt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/4690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4690"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/4690\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}