{"id":45779,"date":"2011-12-14T09:34:16","date_gmt":"2011-12-14T08:34:16","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=45779"},"modified":"2011-12-14T15:53:33","modified_gmt":"2011-12-14T14:53:33","slug":"den-storsta-av-dom-storsta-underhallande-om-teaterns-maktstrukturer","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=45779","title":{"rendered":"Den st\u00f6rsta av dom st\u00f6rsta: underh\u00e5llande om teaterns maktstrukturer"},"content":{"rendered":"<p>Den st\u00f6rsta av dom st\u00f6rsta<br \/>\n<a href=\"http:\/\/dramalabbet.com\/?p=776\" target=\"_blank\">Dramalabbet<\/a><br \/>\nPremi\u00e4r 13 december 2011<\/p>\n<p>Den st\u00f6rsta av dom st\u00f6rsta \u00e4r en av tv\u00e5 f\u00f6rest\u00e4llningar p\u00e5 Dramalabbet som unders\u00f6ker inarbetade maktstrukturer inom scenkonsten och humorbranschen. S\u00e5 h\u00e4r skriver Dramalabbet om pj\u00e4sen:<\/p>\n<blockquote><p>En regiss\u00f6r och en sk\u00e5despelare. Tv\u00e5 stora m\u00e4n m\u00f6ts i ett spel om k\u00e4rlek, gemenskap, status och makt. Dramalabbet bjuder in till ett m\u00f6te med scenkonstens m\u00e4ktiga m\u00e4n d\u00e4r vi ser dem som de inte \u00e4r vana vid att bli sedda.<\/p>\n<p>Eva Johansson och Louise L\u00f6wenberg har efter publik- och kritikersucc\u00e9n Kusiner skapat en ny f\u00f6rest\u00e4llning om relationer, maskuliniteter och makt.<\/p><\/blockquote>\n<p>I min recension i Teatermagasinet skriver jag bland annat:<\/p>\n<blockquote><p>Eva Johansson och Louise L\u00f6wenberg \u00e4r lysande i sina roller. Att sk\u00e5despelarna \u00e4r kvinnor g\u00f6r maktspelet och machomaneren \u00e4nnu tydligare. Samtidigt lyser de b\u00e5da stora m\u00e4nnens s\u00e5rbarhet och os\u00e4kerhet igenom.<\/p><\/blockquote>\n<p>L\u00e4s vidare i <a href=\"http:\/\/teatermagasinet.com\/?p=3860\" target=\"_blank\">Teatermagasinet<\/a>.<\/p>\n<p>Scenografi Jenny Andr\u00e9<br \/>\nKostym \u00c5sa Norman<br \/>\nRegi\u00f6ga Fijona Jonuzi<br \/>\nMask Angelica Ekeberg<br \/>\nLjus Sanna Strokirk-Lilja<br \/>\nMusik\/ljud Tobias Hylander<br \/>\nAffisch Matilda Flodmark<br \/>\nProducent Sara Bergsmark<\/p>\n<p>Foto Jos\u00e9 Figueroa<\/p>\n<p>L\u00e4s \u00e4ven andra bloggares \u00e5sikter om <a href=\"http:\/\/bloggar.se\/om\/Dramalabbet\" rel=\"tag\">Dramalabbet<\/a>, <a href=\"http:\/\/bloggar.se\/om\/Mikael+Persbrandt\" rel=\"tag\">Mikael Persbrandt<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Den st\u00f6rsta av dom st\u00f6rsta Dramalabbet Premi\u00e4r 13 december 2011 Den st\u00f6rsta av dom st\u00f6rsta \u00e4r en av tv\u00e5 f\u00f6rest\u00e4llningar p\u00e5 Dramalabbet som unders\u00f6ker inarbetade maktstrukturer inom scenkonsten och humorbranschen. S\u00e5 h\u00e4r skriver Dramalabbet om pj\u00e4sen: En regiss\u00f6r och en sk\u00e5despelare. Tv\u00e5 stora m\u00e4n m\u00f6ts i ett spel om k\u00e4rlek, gemenskap, status och makt. Dramalabbet [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":45788,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[16,20,30,31],"tags":[1364,3463],"class_list":["post-45779","post","type-post","status-publish","format-standard","has-post-thumbnail","category-recension","category-film","category-teater","category-teaterrecension","tag-dramalabbet","tag-maktmanniskor","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/45779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45779"}],"version-history":[{"count":9,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/45779\/revisions"}],"predecessor-version":[{"id":45787,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/45779\/revisions\/45787"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/45788"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=45779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=45779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}