{"id":45143,"date":"2011-12-03T15:38:06","date_gmt":"2011-12-03T14:38:06","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=45143"},"modified":"2011-12-03T15:41:49","modified_gmt":"2011-12-03T14:41:49","slug":"skivrecension-the-cure-bestival-live-2011","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=45143","title":{"rendered":"Skivrecension: The Cure &#8211; Bestival Live 2011"},"content":{"rendered":"<p>Artist: The Cure<br \/>\nTitel: Bestival Live 2011<br \/>\nBetyg: 5<\/p>\n<p>N\u00e4r The Cure, bandet som Robert Smith bildade med sina klasskamrater n\u00e5gon g\u00e5ng i mitten av sjuttiotalet, spelade p\u00e5 Bestival tidigare i \u00e5r var det bandets f\u00f6rsta spelning i England p\u00e5 \u00f6ver tv\u00e5 \u00e5r. Det var den l\u00e4ngsta livefr\u00e5nvaron i bandets historia. Robert Smith har under tiden, f\u00f6rutom diverse samarbeten, enligt en s\u00e4llsynt intervju i The Guardian tydligen \u00e4gnat sig \u00e5t att lyssna p\u00e5 jazz och \u00e5teruppt\u00e4cka gamla bluesskivor. Men n\u00e4r bandet v\u00e4l gick p\u00e5 festivalens st\u00f6rsta scen verkade det som att ingenting hade f\u00f6r\u00e4ndrats. Jorden skulle kunna g\u00e5 under men Robert Smith kommer forts\u00e4tta tupera sitt h\u00e5r och sminka sig p\u00e5 samma s\u00e4tt.<\/p>\n<p>\u00d6ppningssp\u00e5ret <em>Plainsong<\/em> tillh\u00f6r bandets vackraste \u00f6gonblick och avsl\u00f6jade keyboardisten Roger O&#8217;Donnells v\u00e4lkomna \u00e5terkomst, f\u00f6r i \u00e4rlighetens namn \u00e4r ett The Cure utan synt inte &#8221;The Cure&#8221;. <\/p>\n<p><em>Bestival Live 2011<\/em> inneh\u00e5ller hela sommarens spelning rakt av med extranummer, publikens jubel och allt &#8211; det k\u00e4nns n\u00e4stan som att du \u00e4r d\u00e4r igen. Alla klassikerna \u00e4r med. De schizofrena popl\u00e5tarna &#8211; <em>Lovesong<\/em>, <em>In Between Days<\/em> och J<em>ust Like Heaven<\/em>. Den m\u00f6rka post punken &#8211; <em>A Forest<\/em>, <em>Play for Today<\/em>, <em>One Hundred Years<\/em>. Till och med psykedeliska k\u00e4rlekshistorien <em>The Caterpillar<\/em> som inte spelats live sedan 1991 \u00e4r med.<\/p>\n<p><em>Bestival Live 201<\/em>1 \u00e4r troligtvis \u00e5rets b\u00e4sta liveskiva, men det kan \u00e4ven ses som en sammanfattning av de senaste trettio \u00e5rens kanske viktigaste popgrupp. Ett kapitel hypnotisk, excentrisk och romantisk musikhistoria.<\/p>\n<p>B\u00e4sta sp\u00e5r: <em>A Forest<\/em> \u00f6verskuggar det mesta<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/Qiune88Lbm8\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artist: The Cure Titel: Bestival Live 2011 Betyg: 5 N\u00e4r The Cure, bandet som Robert Smith bildade med sina klasskamrater n\u00e5gon g\u00e5ng i mitten av sjuttiotalet, spelade p\u00e5 Bestival tidigare i \u00e5r var det bandets f\u00f6rsta spelning i England p\u00e5 \u00f6ver tv\u00e5 \u00e5r. Det var den l\u00e4ngsta livefr\u00e5nvaron i bandets historia. Robert Smith har under [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":45148,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,22],"tags":[607,6700,5723],"class_list":{"0":"post-45143","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musik","8":"category-skivor","9":"tag-bestival","10":"tag-bestival-live-2011","11":"tag-the-cure","12":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/45143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45143"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/45143\/revisions"}],"predecessor-version":[{"id":45154,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/45143\/revisions\/45154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/45148"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=45143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=45143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}