{"id":39152,"date":"2011-08-06T02:34:27","date_gmt":"2011-08-06T00:34:27","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=39152"},"modified":"2011-08-06T02:34:27","modified_gmt":"2011-08-06T00:34:27","slug":"source-code-en-av-arets-basta-science-fiction-filmer","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=39152","title":{"rendered":"Source Code, en av \u00e5rets b\u00e4sta science fiction-filmer"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2011\/08\/source-code.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2011\/08\/source-code-300x156.jpg\" alt=\"\" title=\"source code\" width=\"300\" height=\"156\" class=\"aligncenter size-medium wp-image-39153\" \/><\/a><\/p>\n<p><em>Titel: Source Code<br \/>\nBetyg: 4<br \/>\nPremi\u00e4r: 3 augusti 2011<\/em><\/p>\n<p>F\u00f6r tv\u00e5 \u00e5r sedan regisserade Duncan Jones sin debutfilm, som bar titeln <em>Moon<\/em>, och hans andra film, <em>Source Code<\/em>, hade nyligen premi\u00e4r p\u00e5 svenska biografer.<\/p>\n<p>Filmen kretsar kring krigsveteranen Colter Stevens som pl\u00f6tsligt vaknar upp i en annan mans kropp. Han tvingas uppleva samma \u00e5tta-minuter-l\u00e5nga sekvens om och om igen, under dessa \u00e5tta minuter sitter han fast p\u00e5 ett t\u00e5g med en fr\u00e4mmande kvinna. Det slutar alltid med att t\u00e5get exploderar, Colters uppdrag \u00e4r att hitta bomben och att stoppa g\u00e4rningsmannen. <\/p>\n<p>\u00c4ven om kvantfysiken bakom vetenskapen som f\u00e5r Colter att kunna transporteras till dessa parallella verkligheter inte har n\u00e5gon som helst f\u00f6rankring i &#8221;den sanna verkligheten&#8221; k\u00f6per jag konceptet helt och h\u00e5llet. <\/p>\n<p>Bra science fiction har alltid g\u00e5tt ut p\u00e5 att t\u00e4nja p\u00e5 gr\u00e4nser, vilket \u00e4r exakt vad Duncan Jones \u00e5stadkommit med b\u00e5da sina filmer hittills, och dessutom f\u00e5r <em>Source Code<\/em> en knorr mot slutet som ger upphov till en nerv som f\u00e5 andra filmer lyckats med i \u00e5r. <\/p>\n<p>F\u00f6rhoppningsvis f\u00e5r Duncans far, ingen mindre \u00e4n David Bowie, en roll i regiss\u00f6rens n\u00e4sta film.<\/p>\n<p><a href=\"http:\/\/www.dn.se\/kultur-noje\/filmrecensioner\/source-code\">H\u00e4r<\/a> kan du l\u00e4sa vad Dagens Nyheter tyckte om filmen och nedanf\u00f6r ser du en trailer fr\u00e5n filmen.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"349\" src=\"http:\/\/www.youtube.com\/embed\/NkTrG-gpIzE\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Titel: Source Code Betyg: 4 Premi\u00e4r: 3 augusti 2011 F\u00f6r tv\u00e5 \u00e5r sedan regisserade Duncan Jones sin debutfilm, som bar titeln Moon, och hans andra film, Source Code, hade nyligen premi\u00e4r p\u00e5 svenska biografer. Filmen kretsar kring krigsveteranen Colter Stevens som pl\u00f6tsligt vaknar upp i en annan mans kropp. Han tvingas uppleva samma \u00e5tta-minuter-l\u00e5nga sekvens [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[51,16],"tags":[1412,5289],"class_list":["post-39152","post","type-post","status-publish","format-standard","category-filmer","category-recension","tag-duncan-jones","tag-source-code","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/39152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39152"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/39152\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=39152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=39152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}